Robin Crozier (34 results)

Stapled wraps. Condition: Near Fine. No Edition Stated. Very slightest of edgewear; 25 pages.

Soft cover. Condition: Good++. No Jacket. Robin Crozier (illustrator). 1st Edition. 44pp collection of poetry including some visual/concrete poems. The Sixth Issue of Platform magazine. Staple bound within silver card covers. Black lettering and design by Robin Crozier. Total of 40 contributors. Slightly dusty rear cover with shelf wear to top and tail of spine and corners of cover. Undated - assume 1973.

Magazine. Issue #19 of Lightworks Magazine: Illuminating New & Experimental Art (1988/89) on "artists who are working with cast-offs, discards, remnants, and out-and-out garbage." Includes portfolios of work by or articles on Ron Terner, Kathy Constantinides, Bob Caskey, Ivan Sladek, A.M. Fine, Fran Cutrell Rutkovsky, Al Hansen, Robin Crozier, Steve Bradley, and William Paris, as well as the usual departments. Edited by Charlton Burch; contributions by Burch, Gary S. Vasilash, Steve Murakishi, Garry Neill Kennedy, Stewart Home, Henry Melrose, Daniel Plunkett, and others. Staple-bound, thin card wraps, with a plate tipped-in to the front cover; 56 pages; b&w illustrations throughout; 8.5 x 11 inches. Condition: Fine, almost as new, magazine with light bumping to the corners. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Crozier, Andrew. Four Poems. London: Nothing Doing in London, [1966]. Single sheet folded once. With publisher information rubberstamped to back cover. Association copy, inscribed to fellow poet Gerrit Lansing on back cover in 1968. An early and fugitive appearance by Crozier, printing the poems The Kitchen, The Omelette -- Sweet Words on Honeyed Lips, and Against Sweet Words.OCLC locates only 2 holdings worldwide. Folded several times, perhaps for mailing, with a couple small stains to cover, a good only example. [28479].

Soft cover. Condition: Very Good. 1st edition. VG. 4to, 60pp, stapled wrappers. Rare first issue of this literary magazine from 1968 England, includes The Red Wheelbarrow by Jack Spicer (comprising 9 poems over 5 pages), three poems by Scott Cohen, plus work by a range of experimentalists. Unmarked copy, light sunning and corner bumps. Not Signed.

Soft cover. Condition: Very Good. 1st edition. VG+. 4to, 40pp (mimeographed), stapled wrappers. 1 of 200 stated copies. Scarce crossover issue (printed and publlshed by Keith Abbott of Blue Suede Shoes) of this important early seventies experimental poetry magazine edited by Opal Louis Nations. Include writing by Glen Baxter, Pierre Joris, et al. Uncirculated file copy with the inevitable toning to mimeo stock, some staple rust, and bump to one corner. Not Signed.

Condition: Very Good +/Near Fine. 235 x 160mm. Four folded sheets printed black and white, with text in English. This is one of four projects included in Rubber Volume 4, no. 1. Minor wear to cover, overall Very Good +/Near Fine.

Paperback. Condition: Very Good. Book. 295 x 210 mm, staple bound exhibition catalogue for International Artists' Books Exhibition, October 18 - December 7, 1987. Introductory essay by Marta Kovalovsky (Hungarian, with English translation); a text by Guy Bleus entitled 'Why Artists' Books?' (Hungarian, with English translation); and 37 b&w plates by artists such as Gyorgy Galantay, Robert Swierkiewicz, Robin Crozier, Geza Perneczky, Klaus Groh, Vittore Baroni and Peggy Horgan. Documents the first of the international artists' books exhibitions. Comes together with two signed letters from the director and curator of the Szent Istvan Kiraly Muzeum.Condition: some handling marks and light wear to covers, slight ding to bottom corner, rust to parts of staples but no major bleeding, light toning to four inside pages and some handling marks. No writing or tears. Overall VG.

Paperback. Condition: Near Fine. Book. Edition of 300, loose printed sheets in plastic bag with printed colophon. Still stapled/sealed. A fine collection of A$ printed sheets by arguably England's leading Mail Artist. Fine/ Near fine.

42x29,5 cm. Poster, printed on one side. Has been folded once. Very good condition. Poster for an exhibition at Galerie S:t Petri, Archive of Experimental and Marginal Art in Lund, 1-15 December 1979.

Paperback. Condition: Near Fine. Book. 243 x 217 mm, 27 pp. 'The Platform of Vision & Voice is to promote interdisciplinary discussion of visual behaviour and experience'. With essays (printed b/w), and a pink inset, with green and maroon type, designed, written and illustrated by the British mail artist Robin Crozier. Condition: general wear to cover with minor creasing to cover and handling marks; contents near fine. NF.

No Binding. Condition: Near Fine. Book. Green card box with 33 loose leaf sheets of black and white illustrations, including an illustrated title page. Limited Edition of 350 copies.Minor wear to cover, but box unbashed & contents fine. A fresh copy. Near Fine.

Sin Encuadernar. Condition: Muy bien. 1ª Edición. Metrònom, Barcelona, 1982. 1ª Edición. Tarjeta-invitación a la exposición (en la invitación también se anuncia la performance musical del artista fluxus Peter van Riper para el día 10). Etiqueta adhesiva con los datos del destinatario y sello postal. 15x10,5.

Sin Encuadernar. Condition: Excelente. 15 cm x 21 cm. A international artists cooperation publication.

Sin Encuadernar. Condition: Muy Bien. 15 cm x 21 cm.

Hardcover. Condition: Very Good. First Edition. Hardback. Volume 6 only (7 volumes were published between 1975 and 1983) . 4to. Original pictorial vinyl ringbinders lettered at the spine. Circa 50 pages, printed recto only. Illustrated throughout. Fluxus, Concrete Poetry, Conceptual Art, Avant Garde etc.,This folder has the work of Robin Crozier ,Alison Knowles To Endre Nam June Paik Gerhard Ruhm, Michael Druks Bob Cobbing Ian Hamilton Finlay, Luciano Ori Bill Griffiths Trevor Winkfield. Each artist section bettween 3 and eight pages.Circa 1982 Very good indeed.

Soft cover. Condition: Very Good. 1st Edition. Stunning publication featuring a wide variety of contributors with varying methods of color printing and inserts, which are all present. Some indenting to the wraps from the card inserts in front and back. Some minor rubbing to covers and some corner wear, as well as a crease to the bottom of one page towards the back but otherwise a lovely copy, now in mylar.

Soft cover. Condition: Good. 1st Edition. A set six of the avant-garde periodical Assembling. Instead of selecting from submissions presented to it, Richard Kostelanetz (and, at various times, Henry James Korn, Mike Metz, Scott Helmes, and David Cole) invited potential contributors to submit a thousand copies of whatever they wanted to include, which were then alphabetically assembled into 8.5 by 11 inch books. Published by Ghilbmessa Inc. (First number) and then by Assembling Press, New York between 1970-1981. Edition of 1000. Overall excellent, well-preserved copies with minor edge-wear and age-toning, some mildly bumped corners, oversized pages in some issues creased at fore-edges. Very Good or better with no major flaws, no internal markings - all in custom protective mylar. Notably - front panel of Issue 1, which is printed on lighter paper than subsequent issues, has small closed tears at the staples - loosely attached thus. Issue 4 has a closed, diagonal tear with creasing at the spine near bottom edge - not affecting binding. Please inquire for further, thorough descriptions of condition of individual issues. Issue 1 (1970) features mixed-media contributions from Edward Ruscha (Chocolate smear by the artist), Dan Graham, Bernadette Mayer, Vito Acconci, Madeline Gins, Arakawa, Hannah Weiner, Robert Lax et al. Second Assembling (1971) features the work of Jochen Gerz, Davi Det Hompson, Clemente Padin, Alan Sondheim and Nicholas Zurbrugg et al. Third Assembling (1972), which was collated and bound by an anonymous fireman and his family, includes contributions from artists such as John Baldessari, John Furnival, Roni Hoffman, Elizabet Ginsberg, Ruth Krauss and Joseph Phillips. Fourth Assembling (1973) contains work by: Jean-Jacques Cory, Wally Depew, Dick Higgins, Nancy Henderson, Mad Dog et al. Fifth Assembling (1975) features artistic contributions by Eric Anderson, Bruce Andrews, Scott Hyde, Shoichi Kiyokawa, Thomas Macauley, Jonathan Price and Karl Young among many others. Sixth Assembling features works by Bob Aab, Anna Banana, A.F. Caldiero, Robin Crozier, Veronica Drew, Bill Gaglione & Tim Mancusi, Joe Johnson etc. Seventh Assembling features contributions by, among others, Rene Aeberhard, Bruce Andrews and Eduardo Ballerini. Eighth Assembling (1978) was split into two (A-J) and (K-Z) and includes avant-garde contributions from artists such as Charlton Burgh, Charles Ewert, Michael Gibbs and Richard Grayson in the first, and Valery Oisteanu, Douglas Turnbaugh and Nancy Wolf in the second. Ninth Assembly (1979) constitutes a 'critical' anthology. Tenth Assembling features contributions by Allan Coleman, Bonnie Donohue, Rimma & Valery Gerlovin and Tom Persons. Eleventh Assembling (1981), subtitled "Pilot Proposals" includes contributions by Agnes Denes, Bern Porter and Richard Meltzer, among others. Signed by Author(s).

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. Metrònom, Barcelona, 1982. 1ª Edición. Catálogo de la exposición con ilustraciones en negro. Textos en catalán e inglés. Se adjunta la tarjeta-invitación a la exposición. 30x21. [4 h.]. Rústica editorial con grapas.

Condition: Very Good +. Exhibition poster. 830x590mm. Printed black on white stock. Published alongside the exhibition Mail Aart Paperball Project at 612 Gallery. Featuring Shozo Shimamoto, Vicenc Dauner, Pier Van Dijk, Tana Vigo, Rosa M Miralles, Roger von Gunten, Claudio Goulart, Klaus Groh, Robin Crozier, John Furnival, Mutaka Takamura et al. Condition: folded three times, some wear to surface. Overall Very Good+.

Condition: very good +. Andrzej Partum, Anna Freisler, Ewa Bibanska, Ben Vautier, Dick Higgins, Robin Crozier, G. A. Cavellini, Grzegorz Dziamski, Galeria Pro/La 1978, Galeria Pro/La / Andrzej Partum, Warsaw, 1978. 212 x 152mm. 8 pp. Printed black and white stapled in wraps. No edition size given. An illustrated survey of exhibitions held at Galeria Pro/La. Text in Polish and English. Includes 'A Manifesto of Insolent Art' by A. Partum and illustrations of various works including Anna Freisler, Dick Higgins and Ben Vautier. Andrzej Partum established Galeria Pro/La in Warsaw in 1971 with the original name of Biuro Poezji [Bureau of Poetry]. Pro/La is considered to be the first private gallery in Poland, which was located in Partum's studio. Partum organised exhibitions and performances in the space, featuring artists including Andy Warhol, Ewa Partum, Daniel Buren, Jozef Robakowsky, Zbigniew Warpechowski among many others. The space also served Partum's mail art practice which he is known as one of the primary practitioners of the era in Poland. Condition: green smudge to edge of front cover and slight mark to back cover. Condition: Internally Fine. Overall Very Good +.

Condition: Near Fine. Andrzej Partum, Anna Freisler, Ewa Bibanska, Ben Vautier, Dick Higgins, Robin Crozier, G. A. Cavellini, Grzegorz Dziamski, Galeria Pro/La 1978, Galeria Pro/La / Andrzej Partum, Warsaw, 1978. 212 x 152mm printed black and white stapled in wraps, 8pp. No edition size given. An illustrated survery of exhibitions held at Galeria Pro/La. Text in Polish and English. Includes 'A Manifesto of Insolent Art' by A. Partum and illustrations of various works including Anna Freisler, Dick Higgins and Ben Vautier. Andrzej Partum established Galeria Pro/La in Warsaw in 1971 with the original name of Biuro Poezji [Bureau of Poetry]. Pro/La is considered to be the first private gallery in Poland, which was located in Partum's studio. Partum organised exhibitions and performances in the space, featuring artists including Andy Warhol, Ewa Partum, Daniel Buren, Jozef Robakowsky, Zbigniew Warpechowski among many others. The space also served Partum's mail art practice which he is known as one of the primary practitioners of the era in Poland. Condition: some marks to back cover otherwise near fine.

No Binding. Condition: Near Fine. Print. A4 printed sheet with drawing in red, blue and black felt tip, signed with collage element. Slight yellowing to edges. Unique artwork from Crozier's personal archive, the majority of which is now housed in the Tate Archive, but some pieces were also released on the open market. vg/nf.

Condition: Very Good. 291 x 209 mm. Unpaginated. Booklet printed in colour mimeo internally, glue bound in cream card wraps with colour mimeo printed design. Edition of 550 copies. Included in this issue: Eric Andersen, Ian Breakwell, Ken Friedman, Robin Crozier, Mick Gibbs, Dick Higgins, Ida Horowitz, Roger Jeffs, Bernanrd Kelly, J.H. Kocman, Richard Kostelanetz, Jaroslaw Kozlowski, Equipo Movimento (Raul Marroquin/Young Tchong), Joan Mathews, Victor Musgrave, Opal L Nations and others. Includes several inserts, among them a separate booklet titled 'The First Lecture' by the Intermediary. Illustrated in colour mimeo throughout. Condition: some wear and soiling to covers and edges of covers, ding to top right corner, dirt stain to right hand side of cover, slight adhesive stain to baack cover. Internally clean, with some minor foxing marks to some pages. Overall VG.

Condition: Near Fine. 448 x 294 mm. 12pp. Printed black on white newsprint. Subtitled 'Fandangos The First European Art Newspaper'. Title concept by Klaus Groh. Contributors include Peter Hutchinson, Nikolaus Urban, Janos Urban, E. Buchwalder, John M. Armleder, Yoshia Nakajima, Carlo Giovanni Cicatelli, Anna Banana, H. B Reeskamp, F. Pezolo, Michael Gibbs, Marjo Schumans, Rod Summers, Raul Marroquin, Filip Francis, Michael Druks, Ruedi Schill, W. Vazan, Robin Crozier, Anton Verhoeven, H. Dekker, K. Benning, H. B Walker, W. Cuvelier, Groupe Cap, L Coppers, John Liggins, L. Walz, Michel Cardena, Johan Van Geluwe, Maurizio Nanucci, Hans Werneg Kalkmann, Massimo Nannucci, Allen Fisher and others. A Complete set of Fandangos is available on request.

Condition: Very good +. 291 x 209 mm. Unpaginated. Booklet printed in colour mimeo internally, glue bound in cream card wraps with colour mimeo printed design. Edition of 550 copies. Included in this issue: Eric Andersen, Ian Breakwell, Ken Friedman, Robin Crozier, Mick Gibbs, Dick Higgins, Ida Horowitz, Roger Jeffs, Bernanrd Kelly, J.H. Kocman, Richard Kostelanetz, Jaroslaw Kozlowski, Equipo Movimento (Raul Marroquin/Young Tchong), Joan Mathews, Victor Musgrave, Opal L Nations and others. Includes several inserts, among them a separate booklet titled 'The First Lecture' by the Intermediary. Illustrated in colour mimeo throughout. Condition: some handling marks to covers and minor light toning to front left edge corner. A fresh clean copy internally. Near Fine in good covers. Overall Very Good +.

Condition: Fine. 123 x 129 mm. Cut-out newspaper glued to card backing. A unique collage work of image and text proposing an exhibition called 'Deusexmachina'. The cut-out pictures include a 'breast ventillator' and an 'armoured black delivery hose'. The handwritten text by Crozier in black ink reads: 'notes for a forthcoming exhibition of classical erotica to be held by Robin Crozier'. The handwritten text along the right edge reads: 'Not held at the Bookshop Gallery in June '72'. The collage was sent to Crozier's good friend Christopher Carrell who ran Sunderland Arts Centre which exhibited Crozier on occasion controversially. While it seems like a proposal for an exhibition, the exhibition is in fact the collage itself. Condition: fine.

Condition: Very good +. Teksty wizualne Visual Texts, Galeria Dom Sìrodowisk Twoìrczych, odzi, 1978. 250 x 175mm. 20 pp. Hardback with printed wraps, pages in different papers including printed translucent pages and all images tipped-in on stiff pages. Unpaginated. Introduction text in Polish and English. The poets with illustrated works are Josef Honys, Robin Crozier, Aaron Marcus, Klaus Burkhardt, Horst Tress, John Furnival, Michael Wulff, Ferdinand Kriwet, Andrzei Partum, Luciano Ori, Seiichi Niikuni. The final page lists numerous other international contributors to the exhibition. The introduction states, 'It is the aim of the exhibition "Visual Texts" to demonstrate all forms of artistic actualization of visualizing a verbal or a quasiverbal text as we have met them during the last ten or fifteen years'. The director of the exhibition, Jozef Robakowski, writes on the inside cover 'I invited an outstanding expert and animator of visual poetry Jirí Valoch from Czechoslovakia. It was his role to prepare the great international exhibition "Visual Texts" in Lublin. The authority of the artist assured a high standard of the exhibition and gave beginning to the collection of works of [sic.] made by authors all over the world. It was the first, planned on a wide scale, exposition/collection of an artistic activity that was demonstrated to people from the socialist countries. The exposition presented in the gallery of ód House of Creative Circles gave a real satisfaction to the society'. The book itself makes for an interesting construction with industrial card boards and various paper stocks. There is some toning to the dust jacket and the first translucent page. An attractive and rare catalogue. Condition: overall, Very Good +.

Condition: Very good +. A set of this important and highly sought-after artist periodical edited by the Colombian-born artist Raul Marroquin, Ger van Dijck, Marjo Schumans, Ulises Carrion and others. Published by Agora Studios and the Jan Van Eyck Academy Maastricht. This is a complete set of 8 magazines representing 11 issues; including two copies of issue 3 as each cover has a unique collage element. Some issues are subtitled 'Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. Indeed, Fandangos is seen as one of the most important conceptual art magazines from the Netherlands, which shows the importance of South American avant-garde artists to the conceptual art scene of The Netherlands in the 1970s. Issues included are as follows 'Vandangos (aka Fandangos no. 1)', Maastricht, December 1973. 610 x 430 mm. Poster/sheet printed black on white paper stock. Subtitled 'Vandangos is publishing projects, documentations, ideas, commentaries, activities with the aim of an overall communication'. Contributions included: Antonio Caro ('Imperialism is a Paper Tiger'), Ulises Carrion ('Why plagiarisms? because'), Guglielmo Achille Cavellini, Felipe Ehrenberg ('The Informer 1957, 1968, 1972: Short Story in Five Parts, September 1973'), Robert Filliou, Hreinn Fridfinnsson ('The Dream'), Sigurdur Gudmundsson, Raul Marroquin, Pieter Laurens Mol, Marjo Schumans, Rod Summers ('Hands'), Cecilia Vecuna, Anton Verhoeven. Condition: toning as seen, no tears. Very good+;'Fandangos 2', Maastricht, January 1974. 109 x 79.5 cm. Sheet printed green on white paper with red rubber-stamps. Contributors include a glued card by Cavellini, Marjo Schumans, Robert Filliou, Thomas Niggl, Jonathan Ellender, Yoshio Nakajima, David Mayor, Hreinn Fridfinnsson and others. Condition: folded as issued. Very good+/near fine;'Phandangos 3! (aka Fandangos no. 3)', Agora/Jan van Eyck Academy, Maastricht. Undated (c.1972). 520 x 395 mm. Two issues supplied in this set, each with a unique collage element to cover. Printed black on large format newsprint with numerous unique collages and cut-out interventions throughout. On each issue the cover includes a unique collage element (magazine cut-out glued to the page) as well as 'Blue Landscape' by Dick Wessels, a blue acetate square stapled to the cover. Contributors include: Thomas Niggl, Herbert Walker, Dick Wessels, Bernardo Salcedo, Karina Raeck, G. J de Rook, Michael Gibbs, Jacques Lizene, Davi Det Hompson, Jorgos Chronis, Ovum, Cayc, Ad Gerritsen, Marten Hendrix, peter Hutchinson, Marjo Schumans, Peter Adamski Etiquette, Christiane Berndes, Jochen Gerz, Michel Druks, Anton Verhoeven, Geza Perneczsky (with rubberstamp in red), Beverly Parke, Klaus Groh, Guillermo Duarte, Jan Tomaschoff and others. Condition: slight toning, very good+/near fine;'Van Tangos (aka Fandangos no. 4)', Agora, Maastricht. Autumn/Winter 1974. 448 x 294 mm. 12pp. Printed black on white newsprint. Subtitled 'Fandangos The First European Art Newspaper'. Title concept by Klaus Groh. Contributors include: Peter Hutchinson, Nikolaus Urban, Janos Urban, E. Buchwalder, John M. Armleder, Yoshia Nakajima, Carlo Giovanni Cicatelli, Anna Banana, H. B Reeskamp, F. Pezolo, Michael Gibbs, Marjo Schumans, Rod Summers, Raul Marroquin, Filip Francis, Michael Druks, Ruedi Schill, W. Vazan, Robin Crozier, Anton Verhoeven, H. Dekker, K. Benning, H. B Walker, W. Cuvelier, Groupe Cap, L Coppers, John Liggins, L. Walz, Michel Cardena, Johan Van Geluwe, Maurizio Nanucci, Hans Werneg Kalkmann, Maurizio Nannucci, Allen Fisher and others. Condition: Near fine;'Fun-Dangos 5 (aka Fandangos no. 5)', Maastricht. Undated (1975). 445 x 290 mm. Printed black on blue large format newsprint paper. Subtitled 'The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. 'Title concept' is attributed to Michael Gibbs. Includes contribution by Ulises Carrion 'From Fandangos to you'; interview with Tony Pegotty; double-page spread of the 'The Contract' by Marroquin. Contributors include: Anna Banana, Michael Druk, Jacques Lizene, Giovanni Cicatelli, Michel Cardena, Ger Van Dijk, Bertil Petersson, Jean Claude Schauenberg, Gerald Minkoff, Achille Cavellini, Mad Enterprises Inc, Tony Pegotty, Nicolas Uriburu, Ana Kamien, Antonio Trotta, Jorge Natalio Silberman, Chiquito Gomez, Raul Marroquin, Jorge Caraballo, COUM, The Bay Area Daddaists, Theodoros, Ulises Carrion, Carlos Ginzburg, E. Buchwalder, Grupo Teatro del Encuentro. Condition: Near fine;'Fandadangos, (aka Fandangos no. 6)', Jan Van Eyck Academy, Maastricht, Netherlands. 1975. 445 x 300 mm. Subtitled 'Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. Large format newsprint issue, with hand coloured (watercolour or gouache) front page (yellow, red, blue and peach). Contributions from Joseph Beuys, Anna Banana, Bill Gaglione, Carlo G. Cicatelli , M.Druks, Thomas Niggl, Marjo Schumans, Michel Cardena, Anton Verhoeven, Jean Paul Trillot, Lizzy Dizzle, Jean Clarebout, J.C.Kocman, John Liggins, Philip K. Perkman, Nebrada, Banana Productions, H.B.Walker, Chuck Stake, Danielle Crivelli, Zbigniew Warpechowski, Filip Francis, Yves de Smet, Bertil Petersson, Iannis Xenakis, Anna Banana, M.Druks, Thomas Niggl, Marjo Schumans, Michel Cardena, Anton Verhoeven, Jean Paul Trillot, Lizzy Dizzle, Jean Clarebout, J.C.Kocman, John Liggins, Philip K. Perkman, Nebrada, Banana Productions, H.B.Walker, Chuck Stake, Danielle Crivelli, Zbigniew Warpechowski, Filip Francis, Yves de Smet, Bertil Petersson et al. Together with 'Fandangos 6' insert, Bill Gaglione, Carlo G. Cicatelli and Tim Mancusi, with stamped colophon laid in "Fandangos - Nr.6". Condition: Near fine;'Fandangos 7', Maastricht, 1976, 280 x 205 mm. Printed black and white, stapled in printed wraps. Cover includes a photograph of Joseph Beuys by Klaus Staeck 'courtesy of Nam June Paik' with a 'fandangos' rubberstamp in red. Includes in.

Condition: Fine. Klaus Groh (ed.), IAC Booklets (1-54), Complete Set (1973-1977). Edition of 50 copies. A complete set of 54 IAC (International Artist Cooperation) booklets (1973-1977). Each small artists' booklet usually featuring one artist. Artists include: Peter Stembura, Endre Tot, Robert Filliou, Genesis P-Orridge, Herman De Vries, Felipe Ehrenberg, Jirí Valoch, Ewa Partum Raul Marroquin, Bogdanka Poznanovic and Miroljub Todoorovi . Each cover has artist's initials, hand stamped and on the back cover the number of the booklet is hand stamped. Editions 1-50 were produced between 1973-75. According to the editor, all are first editions apart from No.34 (Robert Filliou), which was reprented in a 50 copy edition in 1984. Recently it came to light that 4 additional booklets were published between 1975-77. These booklets were bought directly from Groh in 2015, they are thought to have been made by him in the early 2000s. Condition: Near fine.