Language: English
Published by MO - University of Illinois Press, 2008
ISBN 10: 0252033787 ISBN 13: 9780252033780
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by MO - University of Illinois Press, 2008
ISBN 10: 0252033787 ISBN 13: 9780252033780
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by University of Chicago press, 2008
ISBN 10: 0252033787 ISBN 13: 9780252033780
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New.
Language: English
Published by University of Illinois Press, 2008
ISBN 10: 0252033787 ISBN 13: 9780252033780
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by University of Illinois Press, US, 2008
ISBN 10: 0252033787 ISBN 13: 9780252033780
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. The major historians of ancient Rome wrote their works in the firm belief that the exalted history of the Roman Empire provided plentiful lessons about individual behavior, inspiration for great souls, and warnings against evil ambitions, not to mention opportunities for rich comedy. The examples of Rome have often been resurrected for the opera stage to display the exceptional grandeur, glory, and tragedy of Roman figures. When modern opera developed in the baroque period, Rome provided settings and subject matter for librettists and composers. As opera spread to England and Germany, the treatment of Roman subjects changed to reflect national differences. In this volume, Robert C. Ketterer tracks the changes as operas' Roman subjects crossed generations and national boundaries. He also pays close attention to the composers' individual approaches to developing their librettos. Following opera from its origins in seventeenth-century Venice to Napoleon's invasion of Italy, Ketterer shows how opera was preoccupied with Roman historical figures as heroes, lovers, and fools. Monteverdi, Handel, Mozart, and Cimarosa were only the most renowned of the many composers drawn to Roman subjects. Handel in particular is a unifying figure in this history: he began his career in Germany, refined his craft in Italy, and rose to heights of renown in England, composing for aristocracy and royalty alike. Roman history provided these composers with all the necessary courage and intrigue, love and honor, and triumph and defeat so vital for the stirring music that makes great opera.
Language: English
Published by University of Illinois Press, 2008
ISBN 10: 0252033787 ISBN 13: 9780252033780
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by University of Illinois Press, 2008
ISBN 10: 0252033787 ISBN 13: 9780252033780
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Published by University of Illinois Press, 2009
Seller: The Armadillo's Pillow, Chicago, IL, U.S.A.
Hard Cover. Condition: Near Fine. Dust Jacket Condition: Very Good. First Printing. The jacket has a 1/4 inch tear. isbn: 978-0-252-03378-0 Size: 8vo - over 7¾" - 9¾" tall.
Language: English
Published by University of Illinois Press, 2008
ISBN 10: 0252033787 ISBN 13: 9780252033780
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by University of Illinois Press, 2008
ISBN 10: 0252033787 ISBN 13: 9780252033780
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
First Edition
Condition: New. 2008. First Edition. Hardcover. . . . . .
Hardcover. Condition: Brand New. 272 pages. 9.25x6.25x1.00 inches. In Stock.
Language: English
Published by University of Illinois Press, 2008
ISBN 10: 0252033787 ISBN 13: 9780252033780
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Language: English
Published by Georg Olms Verlag AG, 1989
ISBN 10: 3487078600 ISBN 13: 9783487078601
Robert Ketterer. Olms, Hildesheim, 1989. II/35/284 S., kartoniert., quart.---- Neuwertig, verlagsfrisch verpackt. Renaissance Latin. Drama in England, Band 8, Second Series - 1235 Gramm.
Language: English
Published by University of Illinois Press, 2008
ISBN 10: 0252033787 ISBN 13: 9780252033780
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. 2008. First Edition. Hardcover. . . . . . Books ship from the US and Ireland.
Language: English
Published by University of Illinois Press, US, 2008
ISBN 10: 0252033787 ISBN 13: 9780252033780
Seller: Rarewaves.com UK, London, United Kingdom
Hardback. Condition: New. The major historians of ancient Rome wrote their works in the firm belief that the exalted history of the Roman Empire provided plentiful lessons about individual behavior, inspiration for great souls, and warnings against evil ambitions, not to mention opportunities for rich comedy. The examples of Rome have often been resurrected for the opera stage to display the exceptional grandeur, glory, and tragedy of Roman figures. When modern opera developed in the baroque period, Rome provided settings and subject matter for librettists and composers. As opera spread to England and Germany, the treatment of Roman subjects changed to reflect national differences. In this volume, Robert C. Ketterer tracks the changes as operas' Roman subjects crossed generations and national boundaries. He also pays close attention to the composers' individual approaches to developing their librettos. Following opera from its origins in seventeenth-century Venice to Napoleon's invasion of Italy, Ketterer shows how opera was preoccupied with Roman historical figures as heroes, lovers, and fools. Monteverdi, Handel, Mozart, and Cimarosa were only the most renowned of the many composers drawn to Roman subjects. Handel in particular is a unifying figure in this history: he began his career in Germany, refined his craft in Italy, and rose to heights of renown in England, composing for aristocracy and royalty alike. Roman history provided these composers with all the necessary courage and intrigue, love and honor, and triumph and defeat so vital for the stirring music that makes great opera.