Ridolfi Carlo (245 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Paperback. Condition: New. Scion of an artistic dynasty, Giovanni Bellini is arguably the greatest Venetian painter of the early Renaissance. His astonishing naturalism revolutionised altarpiece painting and is still a source of wonder, as any visit to Frari in Venice will confirm. Most of what we know about this great artist comes from the earliest biographies by Vasari and Ridolfi printed here - the Ridolfi never before translated into English. A different and very personal insight is given by extensive correspondence with Bellini's great but neglected patron Isabella d'Este.…

Condition: New.

Paperback. Condition: New. Scion of an artistic dynasty, Giovanni Bellini is arguably the greatest Venetian painter of the early Renaissance. His astonishing naturalism revolutionised altarpiece painting and is still a source of wonder, as any visit to Frari in Venice will confirm. Most of what we know about this great artist comes from the earliest biographies by Vasari and Ridolfi printed here - the Ridolfi never before translated into English. A different and very personal insight is given by extensive correspondence with Bellini's great but neglected patron Isabella d'Este.…

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. "Never was a painter more nobly joyous, never did an artist take a greater delight in life, seeing it all as a kind of breezy festival and feeling it through the medium of perpetual success. He was the happiest of painters." - Henry James on Veronese, 1909Collected here for the first time, these fascinating early biographies (one of which has never been translated before) describe and celebrate the astonishingly fertile art of Paolo Veronese. Most of what we know about Veronese comes from these three essays. 'I have known this Paolino and I have seen his beautiful works. He deserves to have a great volume written in praise of him, for his pictures prove that he is second to no other painter', wrote Veronese's contemporary Annibale Carracci in the margins to his copy of Vasari's writings, continuing 'and this fool passes over him in four lines. And just because he was not Florentine.' It was indeed a measure of his fame that Vasari, whose Life of Veronese is reprinted here, should have overcome his pro-Tuscan prejudices to write about his great Venetian contemporary; and he was followed in this by another Florentine, the theorist Raffaele Borghini. But the most striking record of the impact of Veronese's art on his countrymen is the extensive biography by his fellow Venetian, Carlo Ridolfi. Entirely original in the seriousness and passion with which he approached his subject, Ridolfi permanently changed the course of writing about art. This is the first translation of his work into English. Translated and introduced by Xavier F. Salomon, curator of Veronese: Renaissance Magnificence at the National Gallery, London. Fifty pages of colour illustrations cover the span of Veronese's breath-taking career.…

Paperback. Condition: New. "Never was a painter more nobly joyous, never did an artist take a greater delight in life, seeing it all as a kind of breezy festival and feeling it through the medium of perpetual success. He was the happiest of painters." - Henry James on Veronese, 1909Collected here for the first time, these fascinating early biographies (one of which has never been translated before) describe and celebrate the astonishingly fertile art of Paolo Veronese. Most of what we know about Veronese comes from these three essays. 'I have known this Paolino and I have seen his beautiful works. He deserves to have a great volume written in praise of him, for his pictures prove that he is second to no other painter', wrote Veronese's contemporary Annibale Carracci in the margins to his copy of Vasari's writings, continuing 'and this fool passes over him in four lines. And just because he was not Florentine.' It was indeed a measure of his fame that Vasari, whose Life of Veronese is reprinted here, should have overcome his pro-Tuscan prejudices to write about his great Venetian contemporary; and he was followed in this by another Florentine, the theorist Raffaele Borghini. But the most striking record of the impact of Veronese's art on his countrymen is the extensive biography by his fellow Venetian, Carlo Ridolfi. Entirely original in the seriousness and passion with which he approached his subject, Ridolfi permanently changed the course of writing about art. This is the first translation of his work into English. Translated and introduced by Xavier F. Salomon, curator of Veronese: Renaissance Magnificence at the National Gallery, London. Fifty pages of colour illustrations cover the span of Veronese's breath-taking career.…

Paperback. Condition: New. The most exhilarating painter of the Renaissance and arguably of the whole of western art, Tintoretto was known as 'Il Furioso' because of the attack and energy of his style. His vaunting ambition is recorded in the inscription he placed in his studio: l disegno di Michelangelo ed il colorito di Tiziano ("Michelangelo's drawing and Titian's colour"). The Florentines Vasari and Borghini, and the Venetians Ridolfi and Boschini wrote the earliest biographies of the artist. The four accounts are related to each other and form the backbone of the critical success of Tintoretto. Borghini is the first one to give some information about Marietta Tintoretto, also an artist, and Ridolfi is the richest in anecdotes about the artist's life and personality - including the one about the inscription which he may, however, have invented. Boschini, a witty Venetian nationalist, wrote his account in dialect verse. El Greco, whose marginal notes to Vasari are included for the first time in English, Calmo and Franco knew Tintoretto personally and their writings give a real flavour of this complicated man. Unavailable in any form for many years, these biographies have been newly edited for this edition. They are introduced by the scholar Carlo Corsato, who places each in its artistic and literary context. Approximately 78 pages of colour illustrations cover the full range of Tintoretto's astonishing output.…

paperback. Condition: Very Good in Wrappers. No Jacket. First Edition. Los Angeles. 2018. April 2018. Getty Publications. 1st American Edition. Very Good in Wrappers. 9781606065648. 4½ × 5¾ inches. 39 color illustrations. NAO / J. PAUL GETTY MUSEUM. 160 pages. paperback. keywords: Art History. DESCRIPTION - Lives of the Artists: Vivid and engaging accounts of the world's most renowned artists by their contemporaries. What does Vasari have to teach us about Raphael? What did Van Gogh's sister-in-law think of his painting? What was it like for Rilke to be Rodin's secretary? The Lives of the Artists series offers illuminating, and sometimes intimate, accounts of major artists as viewed by their contemporaries. Each volume contains a contextualizing introduction from a modern scholar and beautiful full-page images. These books represent a diversity of opinions, perspectives, and voices that scholars, art aficionados, and even those brand new to the history of art will find informative, accessible, and unique. inventory #43539. …

Condition: Good. First American Edition Thus. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Condition: New. The most exhilarating painter of the Renaissance and arguably of the whole of western art, Tintoretto was known as 'Il Furioso' because of the attack and energy of his style. His vaunting ambition is recorded in the inscription he placed in his studio: l disegno di Michelangelo ed il colorito di Tiziano ("Michelangelo's drawing and Titian's colour"). The Florentines Vasari and Borghini, and the Venetians Ridolfi and Boschini wrote the earliest biographies of the artist. The four accounts are related to each other and form the backbone of the critical success of Tintoretto. Borghini is the first one to give some information about Marietta Tintoretto, also an artist, and Ridolfi is the richest in anecdotes about the artist's life and personality - including the one about the inscription which he may, however, have invented. Boschini, a witty Venetian nationalist, wrote his account in dialect verse. El Greco, whose marginal notes to Vasari are included for the first time in English, Calmo and Franco knew Tintoretto personally and their writings give a real flavour of this complicated man. Unavailable in any form for many years, these biographies have been newly edited for this edition. They are introduced by the scholar Carlo Corsato, who places each in its artistic and literary context. Approximately 78 pages of colour illustrations cover the full range of Tintoretto's astonishing output.…

Condition: New. pp. 192.

Paperback. Condition: Brand New. 96 pages. 5.59x4.57x0.55 inches. In Stock.

paperback. Condition: New. **PAPERBACK**.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In English.

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Paperback. Condition: New. The Life of Titian (1648) by the Venetian artist and writer Carlo Ridolfi documents Titian's life and work, but also counters Vasari's earlier, somewhat negative appraisal of Venice and its artists. An invaluable source of information on Titian, the text is translated here by Julia and Peter Bondanella, with an introduction by Bruce Cole and an essay by Jody Robin Shiffman comparing the writings of Vasari and Ridolfi.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Very Good. Paperback. Slight dent on front cover's fore-edge, very lightly affecting a few early pages - otherwise excellent throughout. TS. Used.

Paperback. Condition: New.