Richards Judith M (81 results)

Paperback. Condition: Good. In this illustrated and accessible biography, Judith M. Richards challenges Mary I's reputation as 'Bloody Mary' of popular historical infamy, contending that she was closer to the more innovative, humanist side of the Catholic Church.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. In this illustrated and accessible biography, Judith M. Richards challenges Mary I's reputation as 'Bloody Mary' of popular historical infamy, contending that she was closer to the more innovative, humanist side of the Catholic Church.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Pamphlet. Condition: Very Good. Vol 28, No 1, pp. 101-121, Extracted from orig vol, begins with title page, trimmed & stapled, thus is llike a pamphlet, VG.

Hardcover. Condition: Good. No Jacket.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. Book in Fair condition.

Paperback. Condition: Good. Book in Good condition.

paperback. Condition: Good. 1st Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Soft Cover. Condition: Very Good. Volume 30, No. 4, March 1979. 446 pp. Vol. 30, No. 4, March 1979 only! Solidly bound copy with minimal external wear, crisp pages and clean text.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Hardcover. Condition: Used - Like New. 'Anna Richards Brewster, American Impressionist 'is the first in-depth study of an artist whose name is not well-known today but who was one of the most successful women artists of her time. This beautifully illustrated book, catalog to the exhibition of the same name, provides a fascinating look at the turn-of-the-twentieth-century art world as experienced by a woman artist. Anna Richards Brewster (1870-1952) began painting at age ten, studied with William Merritt Chase and John LaFarge, and trained at Academie Julian in Paris. She was a prolific painter of landscapes, portraits, and illustrations who showed her work regularly until the 1930s. In this volume, curator Judith Kafka Maxwell revives Brewster's work while exploring the contradictions common to women like her--those whose professional ambitions were neither supported nor encouraged by institutions or patrons. An introduction by Wanda M. Corn situates the artist in her social and cultural milieu, and essays by art historian Leigh Culver and American historian Kirsten Swinth explore the works themselves, the artist's education, and the post-Civil War rise of women artists. The result is a rich history of an artist and her time that makes vivid the obstacles faced by female artists in the early twentieth century. Light shelf wear. Overall excellent shape. Neat, clean, and crisp. Tightly bound.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. In shrink wrap.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. Hardcover in very good condition, no dust jacket. A few minor imperfections to boards and page block. 8 small pen marks in contents pages. Corners of a few pages are creased but pages remain sound and contents are bright and clear. AD. Used.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Paperback. Condition: New. Mary Tudor is often written off as a hopeless, twisted queen who tried desperately to pull England back to the Catholic Church that was so dear to her mother, and sent many to burn at the stake in the process. In this radical re-evaluation of the first 'real' English queen regnant, Judith M. Richards challenges her reputation as 'Bloody Mary' of popular historical infamy, contending that she was closer to the more innovative, humanist side of the Catholic Church.Richards argues persuasively that Mary, neither boring nor basically bloody, was a much more hard-working, 'hands on', and decisive queen than is commonly recognized. Had she not died in her early forties and failed to establish a Catholic succession, the course of history could have been very different, England might have remained Catholic and Mary herself may even have been treated more kindly by history.This illustrated and accessible biography is essential reading for all those with an interest in one of England's most misrepresented monarchs.…