Rauser Amelia (20 results)

Soft cover. Condition: Very Good. Shelfwear. Reading curl to all corners. Rear wraps with dogeared corners and lift. Last few pages with bend to corners. Ink rub to page 11. Otherwise clean and unmarked. Due to weight of book international orders cannot be accepted.

Condition: New. pp. 312 456 Illus. (447 Col.).

Condition: New. pp. 312.

Condition: new.

Condition: New.

Gebunden. Condition: New. Business leader and arts patron Sir Edwin A G Manton (1909-2005) and his wife Florence, Lady Manton assembled a collection of 18th- and 19th-century British artwork. In this book, a series of essays by prominent scholars consider the major works and themes .

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New. Series: Studies in Seventeenth- and Eighteenth- Century Art and Culture. Num Pages: 159 pages, black & white illustrations, black & white halftones, figures. BIC Classification: GBC; HB. Category: (G) General (US: Trade). Dimension: 289 x 224 x 19. Weight in Grams: 724. . 2008. Hardcover. . . . . …

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. This book is the first to examine the meaning encoded in the very form of caricature, a form of popular and polemical visual art that burst suddenly on the scene in late eighteenth-century England, and to explain its rise as a consequence of the emergence of modernity, especially the modern self. Caricature and the modern self developed in tandem: as the modern notion of selfhood_with its valorization of interiority, private authenticity, and consistency across time_rather suddenly replaced older, more flexible notions of identity, so caricature developed as a technology for representing this new self, making character visible on the surface of the body, unmasking the public role and revealing the authentic private self beneath. Through the detailed analysis of specific prints and a wide-ranging compilation of historical evidence, this book constructs a rich and precise cultural history of the conceptual shift that led to the explosion of caricature in late eighteenth-century England. Complemented with seventy-eight illustrations. …

Condition: New. pp. 159.

Condition: New. Series: Studies in Seventeenth- and Eighteenth- Century Art and Culture. Num Pages: 159 pages, black & white illustrations, black & white halftones, figures. BIC Classification: GBC; HB. Category: (G) General (US: Trade). Dimension: 289 x 224 x 19. Weight in Grams: 724. . 2008. Hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Condition: Brand New. 159 pages. 11.00x8.80x0.80 inches. In Stock.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. pp. 159.

Condition: New. &Uumlber den AutorBy Amelia RauserKlappentextrnrnThis book is the first to examine the meaning encoded in the very form of caricature, a form of popular and polemical visual art that burst suddenly on the scene in la.

Buch. Condition: Neu. Neuware - This book is the first to examine the meaning encoded in the very form of caricature, a form of popular and polemical visual art that burst suddenly on the scene in late eighteenth-century England, and to explain its rise as a consequence of the emergence of modernity, especially the modern self. Caricature and the modern self developed in tandem: as the modern notion of selfhood_with its valorization of interiority, private authenticity, and consistency across time_rather suddenly replaced older, more flexible notions of identity, so caricature developed as a technology for representing this new self, making character visible on the surface of the body, unmasking the public role and revealing the authentic private self beneath. Through the detailed analysis of specific prints and a wide-ranging compilation of historical evidence, this book constructs a rich and precise cultural history of the conceptual shift that led to the explosion of caricature in late eighteenth-century England. Complemented with seventy-eight illustrations.…

Hardback. Condition: New. This book is the first to examine the meaning encoded in the very form of caricature, a form of popular and polemical visual art that burst suddenly on the scene in late eighteenth-century England, and to explain its rise as a consequence of the emergence of modernity, especially the modern self. Caricature and the modern self developed in tandem: as the modern notion of selfhood_with its valorization of interiority, private authenticity, and consistency across time_rather suddenly replaced older, more flexible notions of identity, so caricature developed as a technology for representing this new self, making character visible on the surface of the body, unmasking the public role and revealing the authentic private self beneath. Through the detailed analysis of specific prints and a wide-ranging compilation of historical evidence, this book constructs a rich and precise cultural history of the conceptual shift that led to the explosion of caricature in late eighteenth-century England. Complemented with seventy-eight illustrations. …

Hardcover. Condition: New. This illustrated volume which presents 72 watercolors, drawings, prints and illustrated books to reassess the legacy of this renowned 18th-century satirist.

1st edn 1st printing. Tall 8vo. Original gilt lettered grey cloth (Fine), dustwrapper (Fine). Pp. 215, with coloured and b&w illus throughout (previous owner's armorial bookplate on front paste-down; no inscriptions).