Ramsden Maureen (38 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: New. Paperback in like new condition. New shopstock with minor shelf-wear, no faults. TA. Used.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. This book primarily investigates whether the most important work in the development of Marcel Proust's À la recherche du temps perdu was Contre Sainte-Beuve, often assigned this role, or the first, unfinished and, in Proust's lifetime, unpublished novel, Jean Santeuil. Given the length of the final work, this book focuses on the beginning of the first volume, Du Côté de chez Swann, known as ĞCombrayğ. Proust was writing his work on the French literary critic Sainte-Beuve, when it appeared to evolve into the final novel. However, much of the material found in the early work, Jean Santeuil, can also be found in À la recherche, but usually in a very different form or context. By his abandonment of Jean Santeuil, Proust showed he was still searching for the right material and also, even more challenging, a suitable form in which to present it. The technique adopted for the main body of this work is to follow, by means of close readings, the evolution of a character, a place or an episode, from its earliest appearance in the avant-texte, both published and unpublished, to its final place in ĞCombrayğ. The extra layer of the avant-texte also leads to further elucidation of the meaning of this rich and complex novel. Finally, the new presentation of the material in ĞCombrayğ reveals the novel's technical evolution to that of a modernist work.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Paperback in like new condition. New shopstock with minor shelf-wear, no faults. TA. Used.

Paperback. Condition: new. Paperback. This book primarily investigates whether the most important work in the development of Marcel Prousts A la recherche du temps perdu was Contre Sainte-Beuve, often assigned this role, or the first, unfinished and, in Prousts lifetime, unpublished novel, Jean Santeuil. Given the length of the final work, this book focuses on the beginning of the first volume, Du Cote de chez Swann, known as Combray. Proust was writing his work on the French literary critic Sainte-Beuve, when it appeared to evolve into the final novel. However, much of the material found in the early work, Jean Santeuil, can also be found in A la recherche, but usually in a very different form or context. By his abandonment of Jean Santeuil, Proust showed he was still searching for the right material and also, even more challenging, a suitable form in which to present it. The technique adopted for the main body of this work is to follow, by means of close readings, the evolution of a character, a place or an episode, from its earliest appearance in the avant-texte, both published and unpublished, to its final place in Combray. The extra layer of the avant-texte also leads to further elucidation of the meaning of this rich and complex novel. Finally, the new presentation of the material in Combray reveals the novels technical evolution to that of a modernist work. This book explores the origins of Marcel Prousts A la recherche du temps perdu in an earlier, unfinished novel, Jean Santeuil. Using close readings of early unpublished versions of the work, the author offers a further elucidation of the meaning of this rich and complex novel and its evolution into a modernist work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. In the twentieth century, the boundaries between different literary genres started to be questioned, raising a discussion about the various narrative modes of factual and fictional discourses. Moving on from the limited traditional studies of genre definitions, this book argues that the borders between these two types of discourse depend on complex issues of epistemology, literary traditions and social and political constraints. This study attempts a systematic and specific analysis of how literary works, and in particular documentary ones, where the borders are more difficult to define, can be classified as factual or fictional. The book deals with several areas of discourse, including history, travel tales, autobiography and reportage, and opens up perspectives on the very different ways in which documentary works make use of the inescapable presence of both factual and fictional elements.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New.

Condition: New. 2015. New. paperback. . . . . .

Paperback. Condition: new. Paperback. In the twentieth century, the boundaries between different literary genres started to be questioned, raising a discussion about the various narrative modes of factual and fictional discourses. Moving on from the limited traditional studies of genre definitions, this book argues that the borders between these two types of discourse depend on complex issues of epistemology, literary traditions and social and political constraints. This study attempts a systematic and specific analysis of how literary works, and in particular documentary ones, where the borders are more difficult to define, can be classified as factual or fictional. The book deals with several areas of discourse, including history, travel tales, autobiography and reportage, and opens up perspectives on the very different ways in which documentary works make use of the inescapable presence of both factual and fictional elements. This book argues that the borders between traditional studies of genre definitions depend on complex issues of epistemology, literary traditions, and social and political constraints. It analyses how literary works, in particular in the areas of history, travel tales, autobiography and reportage, can be classified as factual or fictional. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Condition: New. 2015. New. paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book primarily investigates whether the most important work in the development of Marcel Proust's À la recherche du temps perdu was Contre Sainte-Beuve, often assigned this role, or the first, unfinished and, in Proust's lifetime, unpublished novel, Jean Santeuil. Given the length of the final work, this book focuses on the beginning of the first volume, Du Côté de chez Swann, known as ĞCombrayğ. Proust was writing his work on the French literary critic Sainte-Beuve, when it appeared to evolve into the final novel. However, much of the material found in the early work, Jean Santeuil, can also be found in À la recherche, but usually in a very different form or context. By his abandonment of Jean Santeuil, Proust showed he was still searching for the right material and also, even more challenging, a suitable form in which to present it. The technique adopted for the main body of this work is to follow, by means of close readings, the evolution of a character, a place or an episode, from its earliest appearance in the avant-texte, both published and unpublished, to its final place in ĞCombrayğ. The extra layer of the avant-texte also leads to further elucidation of the meaning of this rich and complex novel. Finally, the new presentation of the material in ĞCombrayğ reveals the novel's technical evolution to that of a modernist work.

Taschenbuch. Condition: Neu. The Evolution of Proust's 'Combray' | A Genetic Study | Maureen A. Ramsden | Taschenbuch | Kartoniert / Broschiert | Englisch | 2020 | Peter Lang | EAN 9781789977851 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.

Paperback. Condition: New. This book primarily investigates whether the most important work in the development of Marcel Proust's À la recherche du temps perdu was Contre Sainte-Beuve, often assigned this role, or the first, unfinished and, in Proust's lifetime, unpublished novel, Jean Santeuil. Given the length of the final work, this book focuses on the beginning of the first volume, Du Côté de chez Swann, known as ĞCombrayğ. Proust was writing his work on the French literary critic Sainte-Beuve, when it appeared to evolve into the final novel. However, much of the material found in the early work, Jean Santeuil, can also be found in À la recherche, but usually in a very different form or context. By his abandonment of Jean Santeuil, Proust showed he was still searching for the right material and also, even more challenging, a suitable form in which to present it. The technique adopted for the main body of this work is to follow, by means of close readings, the evolution of a character, a place or an episode, from its earliest appearance in the avant-texte, both published and unpublished, to its final place in ĞCombrayğ. The extra layer of the avant-texte also leads to further elucidation of the meaning of this rich and complex novel. Finally, the new presentation of the material in ĞCombrayğ reveals the novel's technical evolution to that of a modernist work.

Paperback. Condition: new. Paperback. This book primarily investigates whether the most important work in the development of Marcel Prousts A la recherche du temps perdu was Contre Sainte-Beuve, often assigned this role, or the first, unfinished and, in Prousts lifetime, unpublished novel, Jean Santeuil. Given the length of the final work, this book focuses on the beginning of the first volume, Du Cote de chez Swann, known as Combray. Proust was writing his work on the French literary critic Sainte-Beuve, when it appeared to evolve into the final novel. However, much of the material found in the early work, Jean Santeuil, can also be found in A la recherche, but usually in a very different form or context. By his abandonment of Jean Santeuil, Proust showed he was still searching for the right material and also, even more challenging, a suitable form in which to present it. The technique adopted for the main body of this work is to follow, by means of close readings, the evolution of a character, a place or an episode, from its earliest appearance in the avant-texte, both published and unpublished, to its final place in Combray. The extra layer of the avant-texte also leads to further elucidation of the meaning of this rich and complex novel. Finally, the new presentation of the material in Combray reveals the novels technical evolution to that of a modernist work. This book explores the origins of Marcel Prousts A la recherche du temps perdu in an earlier, unfinished novel, Jean Santeuil. Using close readings of early unpublished versions of the work, the author offers a further elucidation of the meaning of this rich and complex novel and its evolution into a modernist work. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | This book primarily investigates whether the most important work in the development of Marcel Proustżs À la recherche du temps perdu was Contre Sainte-Beuve, often assigned this role, or the first, unfinished and, in Proustżs lifetime, unpublished novel, Jean Santeuil. Given the length of the final work, this book focuses on the beginning of the first volume, Du Côté de chez Swann, known as ĞCombrayğ. Proust was writing his work on the French literary critic Sainte-Beuve, when it appeared to evolve into the final novel. However, much of the material found in the early work, Jean Santeuil, can also be found in À la recherche, but usually in a very different form or context. By his abandonment of Jean Santeuil, Proust showed he was still searching for the right material and also, even more challenging, a suitable form in which to present it. The technique adopted for the main body of this work is to follow, by means of close readings, the evolution of a character, a place or an episode, from its earliest appearance in the avant-texte, both published and unpublished, to its final place in ĞCombrayğ. The extra layer of the avant-texte also leads to further elucidation of the meaning of this rich and complex novel. Finally, the new presentation of the material in ĞCombrayğ reveals the novelżs technical evolution to that of a modernist work.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - In the twentieth century, the boundaries between different literary genres started to be questioned, raising a discussion about the various narrative modes of factual and fictional discourses. Moving on from the limited traditional studies of genre definitions, this book argues that the borders between these two types of discourse depend on complex issues of epistemology, literary traditions and social and political constraints. This study attempts a systematic and specific analysis of how literary works, and in particular documentary ones, where the borders are more difficult to define, can be classified as factual or fictional. The book deals with several areas of discourse, including history, travel tales, autobiography and reportage, and opens up perspectives on the very different ways in which documentary works make use of the inescapable presence of both factual and fictional elements.

Paperback. Condition: New. In the twentieth century, the boundaries between different literary genres started to be questioned, raising a discussion about the various narrative modes of factual and fictional discourses. Moving on from the limited traditional studies of genre definitions, this book argues that the borders between these two types of discourse depend on complex issues of epistemology, literary traditions and social and political constraints. This study attempts a systematic and specific analysis of how literary works, and in particular documentary ones, where the borders are more difficult to define, can be classified as factual or fictional. The book deals with several areas of discourse, including history, travel tales, autobiography and reportage, and opens up perspectives on the very different ways in which documentary works make use of the inescapable presence of both factual and fictional elements.

Taschenbuch. Condition: Neu. Crossing Borders | The Interrelation of Fact and Fiction in Historical Works, Travel Tales, Autobiography and Reportage | Maureen A. Ramsden | Taschenbuch | 210 S. | Englisch | 2015 | Peter Lang | EAN 9783034319959 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.