Rachel Mack (44 results)

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: Good. Good condition. Paperback edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Condition: New. "A brand-new, unused copy in perfect condition. Five star seller - Buy with confidence!".

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. Label of the Book's Previous Owner is Placed on the Inside of the Book's Front Cover. Good Reading Copy.

Condition: Good. Meets the good condition guidelines. Has wear. Five star seller - Buy with confidence.

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Shane Kirshenblatt; Katie Sawatsky; Richard Pace; Haiwei Hou; Keith Grachow; Andy Stanleigh (illustrator). …

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Shane Kirshenblatt; Katie Sawatsky; Richard Pace; Haiwei Hou; Keith Grachow; Andy Stanleigh (illustrator). …

paperback. Condition: Good. Satisfaction 100% guaranteed. Shane Kirshenblatt; Katie Sawatsky; Richard Pace; Haiwei Hou; Keith Grachow; Andy Stanleigh (illustrator).

Paperback. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condition: Very Good. Cleveland [Harter Publishing Company] January 1937 Binding: Hardcover SIGNED BY THE AUTHOR.

Paperback. Condition: Near Fine. Prestel, March 1999. Paperback. Near Fine. Unmarked. Interior pristine. Spine straight, tight and uncreased. Light rubbing to covers. Light reading wear to corners with a curl to bottom corner. A book that clearly has been used, but remains in very nice condition. Not from a library. No remainder mark. Not clipped. More than 600 photographs, nine detailed maps, bibliography, index of ethnic groups. 620 pages. 9.75 x 11.75 x 1.75 inches Heavy item (7 pounds): extra charges for expedited or international shipping. First published on the occasion of an exhibition held October 4, 1995 - January 21, 1996 at the Royal Academy of Arts, London. This magnificent celebration of the world's oldest and most diverse artistic traditions is the definitive book on African art. Ranging from the oldest known human artifact, circa 1.6 million BC, to pieces made within living memory, the objects collected in this extraordinary volume reflect a continent of enormous cultural and historical scope. Arranged chronologically within seven geographical sections, it offers an astonishing array of sculptures in wood, bronze, stone, and gold, as well as mural paintings, ceremonial pieces, ceramics, jewelry, and textiles culled from private and public collections around the world. Commentary by renowned scholars illuminates the cultural and historical significance of these pieces, and in-depth authoritative texts highlight critical aspects of each region. Together these words and images take readers on an artistic grand tour through a continent of unparalleled diversity, and towards the thrilling discovery of not one Africa, but many. Contents: Preface by Cornel West; Why Africa? Why Art? by Kwame Anthony Appiah; Europe, African Art, and the Uncanny by Henry Louis Gates, Jr.; The African Past by Peter Garlake; Ancient Egypt and Nubia (89 objects) by Edna R. Russmann and Laslo Torok; Eastern Africa (67 objects) by John Mack; Southern Africa (48 objects) by Patricia Davison; Central Africa (140 objects) by Daniel Biebuyck and Frank Herreman; West Africa and the Guinea Coast (142 objects) by John Picton; Sahel and Savanna (60 objects) by René A. Bravmann; Northern Africa (67 objects) by Timothy A. Insoll, M. Rachel MacLean, R. J. A. Wilson, Nadia Erzini and Rachel Ward. …

Condition: New.

Condition: Very Good. signed by Manak, 59 pp., Original gilt stamped cloth (Hardcover), very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Ex-library copy. 619 pages. Large paperback: H 30cm x L 24.5cm. Black stiff paper covers rubbed with slight curling and wear at fore-edge corners, light impression from removed library sticker near top of front cover, slight residue from removed shelf sticker near spine heel, mild scuffing and wear at spine heel with glue repair to short tear at head, some vertical creasing to spine. Some soiling to edges; library stamp and two stickers on half-title page; stamp on title page. No other library marks readily apparent upon a quick perusal and interior pages are otherwise clean. Binding is still firm. Originally published as the catalog for an exhibition "Africa: The Art of a Continent" held at the Royal Academy of Arts in London from October 4 1995 to January 21, 1996. With Preface by Cornel West, Introduction by editor Tom Phillips, Appendix (with Bibliography, Index of Ethnic Groups, Lenders to the Exhibition, and Photographic Credits), and three introductory essays: "Why Africa, Why Art?" by Kwame Anthony Appiah, "Europe, African Art and the Uncanny" by Henry Louis Gates, Jr., and "The African Past" by Peter Garlake. Features seven chapters titled as: "Ancient Egypt and Nubia" by Edna R. Russmann and Laslo Torok; "Eastern Africa" by John Mack; "Southern Africa" by Patricia Davison; "Central Africa" by Daniel Biebuyck and Frank Herreman; "West Africa and the Guinea coast" by John Picton; "Sahel and Savanna" by Rene A. Bravmann; "Northern Africa" by Timothy A. Insoll, M. Rachel MacLean, R.J.A. Wilson, Nadia Erzini, and Rachel Ward. Please note that this thick book has an approximate shipping weight of 7.5 pounds (3.4 kg) and will require additional postage for any postal class other than domestic Media Mail (parcel airmail to most European countries will be US$58). ISBN 3791320041.…

Condition: New.

Condition: New.

Condition: New. In English.

Taschenbuch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Trevor Pye (illustrator).

Condition: New.

Paperback. Condition: Brand New. 176 pages. 10.00x7.00x0.38 inches. In Stock.

Paperback. Condition: New. Print on Demand. Delve into the complexities of the lives and legacies of two extraordinary prophets: Jeremiah and Jesus. This meticulously researched study traces the formative influences and personal experiences that shaped their characters. As two men with a profound understanding of the nature of God and the human condition, they sought to guide their people towards righteousness and illuminate the path to salvation. Drawing parallels between their experiences and teachings, this book offers a unique and thought-provoking examination of the enduring themes of prophecy, despair, hope, and redemption. By exploring the similarities and differences between Jeremiah and Jesus, the author provides a fresh perspective on the profound impact these prophets have had on the course of human history and the development of religious thought. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1997 British Museum Press out of print hardcover edition. Light reading wear else very good condition. Contents: Introduction: Augustus Wollaston Franks - Towards a Portrait by David M. Wilson; Chapter 1: Collectors, Connoisseurs and Curators in the Victorian Age by Arthur MacGregor; Chapter 2: Antiquities and the Public: the Expanding Museum, 1851-96 by John Mack; Chapter 3: Franks and the British Museum - the Cuckoo in the Nest by Marjorie Caygill; Chapter 4: A Curator's Curator: Franks and the Stone Age Collections by Jill Cook; Chapter 5: Later Prehistory and Roman Britain: the Formation of the National Collections by T.W. Potter; Chapter 6: Franks and Ethnography by J.C.H. King; Chapter 7: 'Some recollection of me when I am gone': Franks and the Early Medieval Archaeology of Britain and Ireland by Marjorie Caygill; Chapter 8: Franks and the Medieval Collections by John Cherry; Chapter 9: Franks and European Ceramics, Glass and Enamels by Aileen Dawson; Chapter 10: Oriental Pottery and Porcelain by Jessica Harrison-Hall; Chapter 11: Franks and the Oxus Treasure by John Curtis; Chapter 12: Sculpture from India by Michael D. Willis; Chapter 13: The Art and Antiquities of Japan by Lawrence Smith; Chapter 14: 'Islamism, not an easy matter' by Rachel Ward; Chapter 15: Early Scientific Instruments and Horology by R.G.W. Anderson; Chapter 16: The Legacy of Edward Hawkins: Franks as Numismatist by Luke Syson; Chapter 17: Franks as a Bookplate Collector by Brian North Lee.…

Condition: New. &Uumlber den AutorCorrine R. Sackett is a licensed marriage and family therapist and an associate professor of counselor education at Clemson University. She holds a Ph.D. in counselor education from Virginia Tech and a master s degree .