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Theories of Distinction : Redescribing the Descriptions of Modernity
Book 26 of 213: Cultural Memory in the PresentLanguage: English
Published by Stanford University Press, 2002
ISBN 10: 0804741239 ISBN 13: 9780804741231
Condition: New.
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Theories of Distinction : Redescribing the Descriptions of Modernity
Book 26 of 213: Cultural Memory in the PresentLanguage: English
Published by Stanford University Press, 2002
ISBN 10: 0804741239 ISBN 13: 9780804741231
Condition: As New. Unread book in perfect condition.
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Theories of Distinction : Redescribing the Descriptions of Modernity
Book 26 of 213: Cultural Memory in the PresentLanguage: English
Published by Stanford University Press, 2002
ISBN 10: 0804741239 ISBN 13: 9780804741231
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: New.
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Theories of Distinction : Redescribing the Descriptions of Modernity
Book 26 of 213: Cultural Memory in the PresentLanguage: English
Published by Stanford University Press, 2002
ISBN 10: 0804741239 ISBN 13: 9780804741231
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: As New. Unread book in perfect condition.
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![Stock image for Nil Volentibus Arduum. Tieranny van Eigenbaat [1679]. Toneel als wapen tegen Oranje. for sale by Antiquariaat Schot](https://pictures.abebooks.com/isbn/9789075179262-uk-300.jpg)
Nil Volentibus Arduum. Tieranny van Eigenbaat [1679]. Toneel als wapen tegen Oranje.
Published by Zoeterwoude, Astraea. 2008, 2008
ISBN 10: 907517926X ISBN 13: 9789075179262
Seller: Antiquariaat Schot, Hendrik-Ido-Ambacht, Netherlands
Seller rating 5 out of 5 stars
Original publisher's sewn paperback, pictorial frontcover, 8vo: 224pp., illustrations, facsimiles, acknowledgements, summaries, notes. Very fine copy - as new. Volume 28: Duivelshoekreeks.
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Nil Volentibus Arduum. Tieranny van Eigenbaat [1679]. Toneel als wapen tegen Oranje.
Published by Zoeterwoude, Astraea. 2008, 2008
ISBN 10: 907517926X ISBN 13: 9789075179262
Seller: Antiquariaat Schot, Hendrik-Ido-Ambacht, Netherlands
Seller rating 5 out of 5 stars
Original publishers sewn paperback, pictorial frontcover, 8vo: 224pp., illustrations, facsimiles, acknowledgements, summaries, notes. Very fine copy - as new. Volume 28: Duivelshoekreeks.
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![Stock image for Nederlandsche Liedboeken. Lijst der in Nederland tot het jaar 1800 uitgegeven liedboeken & Supplement [2 Vols. in 1]. for sale by Antiquariaat Schot](https://pictures.abebooks.com/isbn/9789061943419-uk-300.jpg)
Nederlandsche Liedboeken. Lijst der in Nederland tot het jaar 1800 uitgegeven liedboeken & Supplement [2 Vols. in 1].
Language: Dutch
Published by Utrecht, HES Uitgevers. 1977, 1977
ISBN 10: 9061943418 ISBN 13: 9789061943419
Seller: Antiquariaat Schot, Hendrik-Ido-Ambacht, Netherlands
Seller rating 5 out of 5 stars
Original publisher's brown cloth hardback, gilt lettering spine & frontcover, 8vo: [iv], 18pp., x, 252pp., [iv], 120pp. Catalogue & supplement with notes & references & index on both volumes. Facsimile edition The Hague 1912 & 1923. Very fine copy - as new. Still shrink-wrapped., Volume 15: Utrechtse Herdrukken.
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Music and Power in the Baroque Era
Seller: Joseph Burridge Books, Dagenham, United Kingdom
Seller rating 5 out of 5 stars
Hardcover. Condition: New. XII+463 p., 41 b/w ill., 220 x 280 mm. Languages: English, Italian This book focuses on the relationship between music and power in Baroque Era Music always functions in a specific environment and, viewed from the other side, environments use music to confirm and strengthen their identities. Institutions of power have in all times employed music to present themselves to the outside world, alongside other means such as architecture, fine arts, design and fashion. The present volume brings together a number of studies that all deal, in one way or another, with the question of how power was implemented in music in what is called the Baroque Era, roughly the seventeenth century and the first half of the eighteenth. The essays can be grouped under four main headings: court opera, ceremonial music, "musicians" and miscellaneous studies. Several essays discuss court opera, one of the most conspicuous musical forms with which a monarch could display his power. Music could also accompany festivities and ceremonies of all sorts, of very different kinds of institutions, courtly, civil or ecclesiastical. Not only sovereign rulers could employ music to confirm their power, also lower-ranking powers such as nobility often invested in music in order to gain prestige. Various studies highlight this aspect of "music and power". Finally, there are studies that deal with more general questions, such as the representation of power in Baroque opera, dedications of musical works to royals and other patrons, and the social status of musicians as they are positioned between patrons and public.
