Quellinus Erasmus (15 results)

Loose Leaf. Condition: New. Reproduction. Original title: Simson and the lion German: Simson und der Löwe French: Simson et le lion Spanish: Simson y el león High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1617). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of John Leonius German: Porträt von Johannes Leonius French: Portrait de Jean Leonius Spanish: Retrato de Juan Leonius High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1630). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Simson and the lion German: Simson und der Löwe French: Simson et le lion Spanish: Simson y el león High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1617). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Blessing Christ Child German: Christuskind segnen French: Bénédiction de l'enfant du Christ Spanish: Bendiciendo a Cristo Niño High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1617). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Blessing Christ Child German: Christuskind segnen French: Bénédiction de l'enfant du Christ Spanish: Bendiciendo a Cristo Niño High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1617). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Freren, Lucas Verlag, 1988. 359 pp. 255 ills (few col.). Orig. hardcover (black lettered white paper-covered boards). 4to. - Without the dust jacket. (Vlaamse schilders uit de tijd van de grote meesters, Deel 4).

Freren, Lucas Verlag, 1988. 359 pp. 255 ills (few col.). Orig. hardcover (black lettered white paper-covered boards), d./j. 4to. - Dust jacket sl. discol. / sl. creased. (Vlaamse schilders uit de tijd van de grote meesters, Deel 4).

Cassel, 2014. 28, x 24,5 cm. Paperback / Softcover. Met illustraties in kleur. 175 pag. NIEUW BOEK nog verpakt in folie. * Erasmus Quellinus was een leerling en medewerker van Rubens. Met zijn rijk gevarieerde oeuvre en zijn verzorgde stijl leverde hij een belangrijke bijdrage aan de fascinerende schilderkunst van de 17de eeuw en aan de artistieke uitstraling van Antwerpen, waar hij in 1640 stadsschilder werd. Erasmus Quellinus wordt terecht gezien als een voorloper van het classicisme in de Vlaamse schilderkunst. [Art / international artist [Buitenlandse Kunstenaars] ].

The first volume of a two-volume work by Francisco Quaresmio (1583-1650), an Italian theologian and Orientalist who also lived in Jerusalem and Aleppo. The work is a contribution to history, geography, archaeology, Biblical and moral science. The book is printed in the celebrated Officina Plantiniana (or, to be precise, in the workshop of Balthasar I Moretus, Plantijn's grandson); a complete copy. The title page is a full-page (unsigned) copper engraving made by Cornelis Galle the Elder (1576-1650) after a template by Erasmus Quellinus the Younger (or Erasmus Quellinus II, 1607-1678), Rubens' pupil. The engraving depicts God the Father surrounded with biblical figures and members of mendicant orders. Antiqua typesetting; pages are decorated with tailpieces and large initials; the book also contains several illustrations (woodcuts). The subtitle: "In qua pleraque ad veterem & praesentem eiusdem Terrae statum spectantia accurate explicantur, varii errores refelluntur, veritas fideliter exacteque discutitur ac comprobatur." The title on the half-title reads as follows: "Elucidatio Terrae Sanctae, Historica, Theologica, Moralis." /// Contemporary parchment binding (wooden boards) with blind embossing, clasps, raised bands, label and coloured edges; hardback, XL+924+[98] pp., 2° (24 x 36 cm), parchment worn, yellowed and faded, with brown and gray spots, endpapers yellowed, with brown spots, title page has old owner's notes written with pen, ca. 20 leaves have tiny perforation, most pages yellowed (or slightly tanned), some of them have a few small brown spots, other signs of wear and age are rare (several leaves are slightly worn, two leaves have small tears, one corner is torn away, several leaves have tiny bookworm traces), condition: very good Book Language/s: Latin.

No Binding. Condition: VG. An Exceptional Mid-17th-Century Piece of Flemish Persuasive Cartography. The Joyous Entry of Archduke Leopold Wilhelm into Ghent. Impressive four-sheet allegorical print showing the triumphant entry of Archduke. Four sheets joined as one. Several tears and small areas of loss, closed and replaced in manuscript facsimile. Good to VG. An Exceptional Mid-17th-Century Piece of Flemish Persuasive Cartography. The Joyous Entry of Archduke Leopold Wilhelm into Ghent. Impressive four-sheet allegorical print showing the triumphant entry of Archduke Leopold Willem, later to become Governor of the Southern Netherlands, into Ghent in 1647. The City of Ghent commissioned this print to be designed by Erasmus Quellinus (one of Rubens' leading students) and engraved by Schelte Bolswert. The print was, at the time, one of the most expensive Flemish wall prints ever made, and cost nearly one-and-a-half times the commission of Peter Paul Rubens's painting Adoration of the Magi. The engraving shows the Archduke riding through a classical gateway on his noble steed. The gateway architecture is replete with symbolism; at the top is a female bust that reads "FLANDRIA LIBERATA" (Flanders Liberated), allegorical sculptures and royal coats of arms cover the rest of it. Following the Archduke are women carrying banners reading "moderation" and "prudence," while Justice is at the Archduke's side. Ghent, a woman with a crown of a castle, is on her knees ready to receive the triumphal Archduke. From a cartographic perspective, the most interesting feature of this print is the persuasive map that appears at the back of the print. The rest of Belgium is visible from the vantage point of the viewer, over the back of the defeated French. Cities are named and rays shining down on them from a sun embellished with the initials "PL" and "LG," the latter being the Latinized name of Leopold Wilhelm. However, only some of the cities are shined down on, including Dunkirk, Ypres, and Gravelines. Others are left in the shade of the parting clouds, including Bruges and Ghent, which represents an unusual stylistic choice in a work meant to celebrate the latter city's liberation. This piece was a collaboration by some of the leading artists of 17th-century Flanders and commissioned by the city of Ghent. The painter, Erasmus Quellinus the Younger, was one of Peter Paul Rubens's closest collaborators and, following Rubens's death, succeeded him as one of the most important painters in Flanders and a celebrated Classicist. The work was engraved by Schelte van Bolswert, who was chosen for the job (despite his exorbitant fees) for the excellent work he had recently accomplished in his two works based on Rubens' "Destruction of the Idols" and "The Triumph of the Christian Faith." The Jesuit Willem Heese, a noted writer, conceived the work and the layout of the piece, while Michiel Cools executed the print run of 656 copies. The Print The print was produced on four sheets due to its monumental size, although a single-sheet example on white satin was reportedly made for the Archduke himself. It was commissioned in 1652 following the reconquest of Gravelines and Dunkirk from the French, and completed in 1653 by the aforementioned artists. The cost of engraving the print was reported at 2500 guilders, and the print was considered an item of utmost luxury at the time it was produced. Ann Diels, in The Siren Song of the Graphic Arts, describes the print as follows: Another example of a contract on account of an exclusive commission, concerns the Joyous Entry of Archduke Leopold Wilhelm into Ghent in 1653. On that occasion the City decided to publish a large-scale commemorative print. The Jesuit father Hesius who coordinated the project engaged Erasmus Quellinus II to. Map.

2. Freren (G), Luca Verlag, 1988, in-4°, 29 x 24 cm, 356 pp + 6 coloured plates h.t. and 255 b/w ills. in the text, index, bibliography. Contains the oeuvre catalogue; text in Dutch with a summary in English & German. He was considered the most important Flemish Romanist during the latter half of the 17th century., so important, in fact that his unsigned works have often been attributed to Rubens, Van Dyck, and Poussin.

Erasmus Quellinus (illustrator). 'ARTUS QUELLINUS, NATIF D'ANVERS STATUTAIRE DE LA VILLE D'AMSTERDAM ETC.'This print shows a portrait of Artus Quellinus the elder (1609-1668) or Artus Quellijn. He was a wellknown sculptor in the 17th century in Amsterdam (ao. Royal Palace).Made by Richardus Collin after Erasmus Quellinus.Medium: Engraving on hand laid (verge) paper.Sheet size: 13.6 x 20.3 cm (5.35 x 7.99 inch). Image size: 13.2 x 19.5 cm. (5.2 x 7.68 inch).PORTRAIT-MAN-SCULPTURER-ARTUS QUELLINUS THE ELDER-ARTUS QUELLIJN-AMSTERDAM | RBOS-A8-21BACKGROUND INFORMATIONThis attractive print was published in 1662.Biography engraver: Richard Collin (1626-1698), was an engraver from Luxembourg.Biography artist: Erasmus Quellinus II (1607-1678), also called Erasmus the Younger, was a Flemish baroque painter, draughtsman, printmaker and designer of prints and tapestries. He was a descendant of the prominent Quellinus family of artists, who mainly worked in Antwerp. . He was a student of Peter Paul Rubens. Condition: good, given age. Light soiling. Short margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Leather Bound. Condition: New. Language: Latin. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1636. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: - 415, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 415 415.

Leather Bound. Condition: New. Language: Latin. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1637. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: : - 436, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 436 436.

Leather Bound. Condition: New. Language: Latin. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1649. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: : - 764, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 764 764.