Language: English
Published by University of Illinois Press, 2014
ISBN 10: 0252080343 ISBN 13: 9780252080340
Condition: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.
Language: English
Published by University of Illinois Press, 2014
ISBN 10: 0252080343 ISBN 13: 9780252080340
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Language: English
Published by University of Illinois Press, 2014
ISBN 10: 0252080343 ISBN 13: 9780252080340
Seller: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.
Paperback. Condition: Very Good+. Text clean and tight; 8.90 X 5.98 X 0.63 inches; 312 pages.
Language: English
Published by University of Chicago press, 2014
ISBN 10: 0252080343 ISBN 13: 9780252080340
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New.
Published by Urbana: University of Illinois Press (2015)., 2015
First Edition
Soft cover. Condition: As New. 1st Edition. First printing. 8vo. viii, 226 pp. Illustrated in B & W. Original illustrated white wrappers. This is a tight, fine book.
Language: English
Published by University of Illinois Press, 2014
ISBN 10: 0252080343 ISBN 13: 9780252080340
Seller: Basi6 International, Irving, TX, U.S.A.
Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 240 pages. 8.00x5.00x1.00 inches. In Stock.
Language: English
Published by University of Illinois Press, 2014
ISBN 10: 0252080343 ISBN 13: 9780252080340
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
First Edition
Condition: New. 2014. First Edition. Paperback. . . . . .
Seller: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italy
Brossura. Condition: new. Edited by Pravadelli V.English Text.Sesto San Giovanni, 2017; paperback, pp. 281, ill., cm 14x21.(Sunrise. Cinema, Visual Culture and Contemporary Thought. 1). Libro.
Language: English
Published by University of Illinois Press, Baltimore, 2014
ISBN 10: 0252080343 ISBN 13: 9780252080340
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Studies of "Classic Hollywood" typically treat Hollywood films released from 1930 to 1960 as a single interpretive mass. Veronica Pravadelli complicates this idea. Focusing on dominant tendencies in box office hits and Oscar-recognized classics, she breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s that replaced it to the fantastical Fifties movie musicals that arose after anti-classic genres like film noir and women's films. Pravadelli sets her analysis apart by paying particular attention to the gendered desires and identities exemplified in the films. Availing herself of the significant advances in film theory and modernity studies that have taken place since similar surveys first saw publication, she views Hollywood through strategies as varied as close textural analysis, feminism, psychoanalysis, film style and study of cinematic imagery, revealing the inconsistencies and antithetical traits lurking beneath Classic Hollywood's supposed transparency. Focusing on dominant tendencies in box office hits and Oscar-recognized classics, the author breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by University of Illinois Press, 2014
ISBN 10: 0252080343 ISBN 13: 9780252080340
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. 2014. First Edition. Paperback. . . . . . Books ship from the US and Ireland.
Language: English
Published by University of Illinois Press, 2014
ISBN 10: 0252080343 ISBN 13: 9780252080340
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Condition: NEW.
Language: English
Published by Mimesis International, 2018
ISBN 10: 8869770990 ISBN 13: 9788869770999
Seller: Brook Bookstore, Milano, MI, Italy
Condition: new.
Language: Italian
Published by Marsilio Ed., Venezia,, 1997
ISBN 10: 883176585X ISBN 13: 9788831765855
Seller: FIRENZELIBRI SRL, Reggello, FI, Italy
Condition: BUONO. Venezia, Marsilio Ed. cm.15,5x21,5, pp.316, brossura con cop.fig. Collana Saggi. Cinema. Il volume si avvale dei contributi di studiosi italiani, inglesi, americani, francesi e dell'Europa dell'Est, che coprono pressoché integralmente ogni aspetto della creatività viscontiana. Il volume raccoglie saggi di: Lino Micchiché, Gianni Rondolino, Mario Musumeci, Roy Armes, William Van Watson, Millicent Marcus, Siuzanne Liandrat-Guigues, Guido Aristarco, Gaetana Marrone Puglia, Luciano De Giusti, Henry Bacon, Youssef Ishaghpour, Geoffrey Nowell-Smith, Mira Liehm, Sam Rohdie, Laurence Schifano, Renzo Renzi, Michèle Lagny, Valery I. Bossenko, Caterina D'Amico, Peter Bondanella, Sandro Bernardi, Alessandro Bencivenni, Bruna Conti. Con un saggio iuntroduttivo di Lino Micciché.
Seller: libreriauniversitaria.it, Occhiobello, RO, Italy
Condition: NEW.
Language: Italian
Published by Gius. Laterza & Figli, 2014
ISBN 10: 8858111095 ISBN 13: 9788858111093
Seller: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italy
Brossura. Condition: new. Bari, 2014; br., pp. 227, cm 13x19,2.(Biblioteca Universale Laterza. 660). Di fronte allo schermo, dentro l'immagine, dietro la macchina da presa: spettatrici, attrici e registe, di quali desideri e identificazioni, di quali espressioni e di quali produzioni sono state protagoniste le donne nella storia del cinema? Sedute al buio della sala hanno imitato le loro eroine e si sono riconosciute in loro. Sono state dive irraggiungibili e insieme personificazioni di tipi sociali, come per esempio la New Woman degli anni '20, con la sua relazione inedita con il lavoro, il tempo libero, il sesso. Il libro interpreta le immagini di dive come Clara Bow, Barbara Stanwyck e Joan Crawford sino a Sophia Loren, Jane Fonda e Angelina Jolie. Ma ripercorre anche l'opera delle registe: partendo dal cinema muto, attraversa i classici hollywoodiani, le nouvelles vagues europee, il cinema d'avanguardia femminista, la narrazione sperimentale degli anni '70 e '80, sino al cinema indipendente degli ultimi vent'anni. Libro.
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New.
Language: English
Published by Peter Lang Inc., International Academic Publishers, 1999
ISBN 10: 0820437891 ISBN 13: 9780820437897
Seller: Schindler-Graf Booksellers, Westlake, OH, U.S.A.
Soft cover. Condition: Very Good. New York: Peter Lang Publishing, 1999. Softcover: 317 pages. Condition: Very Good. No marks or writing to book. The covers are lightly rubbed; light wear to tips of corners.
Condition: new.
Seller: libreriauniversitaria.it, Occhiobello, RO, Italy
Condition: NEW.
Condition: NEW.
Language: English
Published by University of Illinois Press, Baltimore, 2014
ISBN 10: 0252080343 ISBN 13: 9780252080340
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. Studies of "Classic Hollywood" typically treat Hollywood films released from 1930 to 1960 as a single interpretive mass. Veronica Pravadelli complicates this idea. Focusing on dominant tendencies in box office hits and Oscar-recognized classics, she breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s that replaced it to the fantastical Fifties movie musicals that arose after anti-classic genres like film noir and women's films. Pravadelli sets her analysis apart by paying particular attention to the gendered desires and identities exemplified in the films. Availing herself of the significant advances in film theory and modernity studies that have taken place since similar surveys first saw publication, she views Hollywood through strategies as varied as close textural analysis, feminism, psychoanalysis, film style and study of cinematic imagery, revealing the inconsistencies and antithetical traits lurking beneath Classic Hollywood's supposed transparency. Focusing on dominant tendencies in box office hits and Oscar-recognized classics, the author breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Language: English
Published by University of Illinois Press, 2014
ISBN 10: 0252038770 ISBN 13: 9780252038778
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Brossura. Condition: new. A cura di Veronica Pravadelli.Venezia, 2026; br., pp. 368, cm 14,4x20,9.(Biblioteca. 1). Hitchcock non è stato solo un grande regista e autore, ma anche colui che più di ogni altro ha ispirato i diversi approcci allo studio del cinema, dalla politique des auteurs degli anni cinquanta del Novecento alle prospettive psicoanalitiche e di gender iniziate negli anni settanta, alle interpretazioni filosofiche dell'immagine in movimento. Consapevole di come il cinema, attraverso peculiari scelte di messa in scena, possa attivare specifiche esperienze spettatoriali - come si legge in molti suoi interventi a partire dagli anni trenta -, ha trasformato lo "sguardo" nel tema centrale di tutta la sua produzione. Fedele al desiderio di intrattenere il pubblico attraverso shock emotivi che lo allontanassero dal comfort inattivo cui la civiltà ci ha costretti, ha fatto della sperimentazione l'altro caposaldo della sua attività registica. Hitchcock è stato, semplicemente e per sempre, Ğl'ultimo dei classici e il primo dei moderniğ, come ha efficacemente sentenziato Gilles Deleuze. Libro.
brossura. Condition: nuovo. , Ill. bn: --, Ill. colori: --, Peso: 415 gr.
Condition: new.
Condition: new.
Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This anthology examines Eco's work within the context of the current debate surrounding the interpretation and production of cultural messages. The contributors include Peter Carravetta, Patrizia Violi, Davide Del Bello, Remo Ceserani, Walter Stephens, Rocco Capozzi, Linda Hutcheon, Peter Bondanella, Christine Evans, Maurizio Rebaudengo, Diane Elam, Francesco Casetti, and Barbara Grespi. The richness of these writers' approaches mirrors the subject and provides new and fresher ways to think about Eco.
Taschenbuch. Condition: Neu. Umberto Eco's Alternative | The Politics of Culture and the Ambiguities of Interpretation- With an Essay by Umberto Eco | Norma Bouchard (u. a.) | Taschenbuch | Englisch | Peter Lang | EAN 9780820437897 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.