Pinner Erika (26 results)

Soft cover. Condition: Fine. 1st Edition. First edition. A fine oversized softcover. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #506.

paperback. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: new.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. The cheap, colourful plastic designs from East Germany pitted against the cool functionalism of West German design: The publication German Design 1949 - 1989: Two Countries, One History does away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the post-war period for the first time ever. With over 380 illustrations and numerous examples from the fields of design-fashion, furniture, graphics, automobile, industrial, and interiors-the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists-from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East-are presented alongside formative factors such as the Bauhaus legacy and important institutions. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the "Made in Germany" brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the post-war period. With contributions by Paul Betts, Greg Castillo, Petra Eisele, Siegfried Gronert, Jana Scholze, Katharina Pfützner, Eli Rubin, Katrin Schreiter, Oliver Sukrow, Carsten Wolff, among others; interviews with Prem Krishnamurthy, Renate Müller and Dieter Rams.

Paperback. Condition: new. Paperback. The cheap, colourful plastic designs from East Germany pitted against the cool functionalism of West German design: The publication German Design 1949 - 1989: Two Countries, One History does away with such cliches. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the post-war period for the first time ever. With over 380 illustrations and numerous examples from the fields of design-fashion, furniture, graphics, automobile, industrial, and interiors-the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists-from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Mueller in the East-are presented alongside formative factors such as the Bauhaus legacy and important institutions. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the "Made in Germany" brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the post-war period.With contributions by Paul Betts, Greg Castillo, Petra Eisele, Siegfried Gronert, Jana Scholze, Katharina Pfuetzner, Eli Rubin, Katrin Schreiter, Oliver Sukrow, Carsten Wolff, among others; interviews with Prem Krishnamurthy, Renate Mueller and Dieter Rams. The fertile dual evolution of design under socialism and capitalism in postwar Germany Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Taschenbuch. Condition: Neu. Neuware -The cheap, colourful plastic designs from East Germany pitted against the cool functionalism of West German design: The publication German Design 1949¿1989: Two Countries, One History does away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the post-war period for the first time ever. With over 300 illustrations and numerous examples from the fields of design¿fashion, furniture, graphics, automobile, industrial, and interiors¿the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists¿from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East¿are presented alongside formative factors such as the Bauhaus legacy and important institutions such as the Hochschule für Gestaltung (HfG) Ulm. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the »Made in Germany« brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the post-war period: from the domestic sphere to global politics, from industrial products to design¿s role as a tool of protest that foreshadowed the fall of the Berlin Wall in 1989.With contributions by Paul Betts, Greg Castillo, Petra Eisele, Siegfried Gronert, Jana Scholze, Katharina Pfützner, Eli Rubin, Katrin Schreiter, Oliver Sukrow, Carsten Wolff, among others; interviews with Prem Krishnamurthy, Renate Müller and Dieter Rams. 320 pp. Englisch.

Taschenbuch. Condition: Neu. Neuware -The cheap, colourful plastic designs from East Germany pitted against the cool functionalism of West German design: The publication German Design 1949¿1989: Two Countries, One History does away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the post-war period for the first time ever. With over 300 illustrations and numerous examples from the fields of design¿fashion, furniture, graphics, automobile, industrial, and interiors¿the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists¿from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East¿are presented alongside formative factors such as the Bauhaus legacy and important institutions such as the Hochschule für Gestaltung (HfG) Ulm. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the »Made in Germany« brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the post-war period: from the domestic sphere to global politics, from industrial products to design¿s role as a tool of protest that foreshadowed the fall of the Berlin Wall in 1989.With contributions by Paul Betts, Greg Castillo, Petra Eisele, Siegfried Gronert, Jana Scholze, Katharina Pfützner, Eli Rubin, Katrin Schreiter, Oliver Sukrow, Carsten Wolff, among others; interviews with Prem Krishnamurthy, Renate Müller and Dieter Rams. 320 pp. Englisch.

Paperback. Condition: Brand New. 320 pages. 11.00x8.50x1.22 inches. In Stock.

Taschenbuch. Condition: Neu. Neuware -The cheap, colourful plastic designs from East Germany pitted against the cool functionalism of West German design: The publication German Design 1949¿1989: Two Countries, One History does away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the post-war period for the first time ever. With over 300 illustrations and numerous examples from the fields of design¿fashion, furniture, graphics, automobile, industrial, and interiors¿the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists¿from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East¿are presented alongside formative factors such as the Bauhaus legacy and important institutions such as the Hochschule für Gestaltung (HfG) Ulm. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the »Made in Germany« brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the post-war period: from the domestic sphere to global politics, from industrial products to design¿s role as a tool of protest that foreshadowed the fall of the Berlin Wall in 1989.With contributions by Paul Betts, Greg Castillo, Petra Eisele, Siegfried Gronert, Jana Scholze, Katharina Pfützner, Eli Rubin, Katrin Schreiter, Oliver Sukrow, Carsten Wolff, among others; interviews with Prem Krishnamurthy, Renate Müller and Dieter Rams.

Condition: New.

Condition: New. 2021. Paperback. . . . . .

Condition: New.

Condition: New.

Condition: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Condition: Neu. Neuware -The cheap, colourful plastic designs from East Germany pitted against the cool functionalism of West German design: The publication German Design 1949¿1989: Two Countries, One History does away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the post-war period for the first time ever. With over 300 illustrations and numerous examples from the fields of design¿fashion, furniture, graphics, automobile, industrial, and interiors¿the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists¿from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East¿are presented alongside formative factors such as the Bauhaus legacy and important institutions such as the Hochschule für Gestaltung (HfG) Ulm. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the »Made in Germany« brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the post-war period: from the domestic sphere to global politics, from industrial products to design¿s role as a tool of protest that foreshadowed the fall of the Berlin Wall in 1989.With contributions by Paul Betts, Greg Castillo, Petra Eisele, Siegfried Gronert, Jana Scholze, Katharina Pfützner, Eli Rubin, Katrin Schreiter, Oliver Sukrow, Carsten Wolff, among others; interviews with Prem Krishnamurthy, Renate Müller and Dieter Rams.GPSR Kontakt, Markt 19, 6071 JD Swalmen 320 pp. Englisch.

Taschenbuch. Condition: Neu. Neuware - The cheap, colourful plastic designs from East Germany pitted against the cool functionalism of West German design: The publication German Design 1949¿1989: Two Countries, One History does away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the post-war period for the first time ever. With over 300 illustrations and numerous examples from the fields of design¿fashion, furniture, graphics, automobile, industrial, and interiors¿the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists¿from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East¿are presented alongside formative factors such as the Bauhaus legacy and important institutions such as the Hochschule für Gestaltung (HfG) Ulm. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the »Made in Germany« brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the post-war period: from the domestic sphere to global politics, from industrial products to design¿s role as a tool of protest that foreshadowed the fall of the Berlin Wall in 1989.With contributions by Paul Betts, Greg Castillo, Petra Eisele, Siegfried Gronert, Jana Scholze, Katharina Pfützner, Eli Rubin, Katrin Schreiter, Oliver Sukrow, Carsten Wolff, among others; interviews with Prem Krishnamurthy, Renate Müller and Dieter Rams.

Paperback. Condition: new. Paperback. The cheap, colourful plastic designs from East Germany pitted against the cool functionalism of West German design: The publication German Design 1949 - 1989: Two Countries, One History does away with such cliches. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the post-war period for the first time ever. With over 380 illustrations and numerous examples from the fields of design-fashion, furniture, graphics, automobile, industrial, and interiors-the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists-from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Mueller in the East-are presented alongside formative factors such as the Bauhaus legacy and important institutions. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the "Made in Germany" brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the post-war period.With contributions by Paul Betts, Greg Castillo, Petra Eisele, Siegfried Gronert, Jana Scholze, Katharina Pfuetzner, Eli Rubin, Katrin Schreiter, Oliver Sukrow, Carsten Wolff, among others; interviews with Prem Krishnamurthy, Renate Mueller and Dieter Rams. The fertile dual evolution of design under socialism and capitalism in postwar Germany Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condition: Neu. German Design 1949-1989 | Two Countries, One History | Kunstgewerbemuseum Vitra Design Museum (u. a.) | Taschenbuch | Englisch | 2021 | Vitra Design Museum | EAN 9783945852446 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Paperback. Condition: New. The cheap, colourful plastic designs from East Germany pitted against the cool functionalism of West German design: The publication German Design 1949 - 1989: Two Countries, One History does away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the post-war period for the first time ever. With over 380 illustrations and numerous examples from the fields of design-fashion, furniture, graphics, automobile, industrial, and interiors-the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists-from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East-are presented alongside formative factors such as the Bauhaus legacy and important institutions. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the "Made in Germany" brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the post-war period. With contributions by Paul Betts, Greg Castillo, Petra Eisele, Siegfried Gronert, Jana Scholze, Katharina Pfützner, Eli Rubin, Katrin Schreiter, Oliver Sukrow, Carsten Wolff, among others; interviews with Prem Krishnamurthy, Renate Müller and Dieter Rams.

Taschenbuch. Condition: Neu. Neuware -The cheap, colourful plastic designs from East Germany pitted against the cool functionalism of West German design: The publication German Design 1949¿1989: Two Countries, One History does away with such clichés. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the post-war period for the first time ever. With over 300 illustrations and numerous examples from the fields of design¿fashion, furniture, graphics, automobile, industrial, and interiors¿the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists¿from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Müller in the East¿are presented alongside formative factors such as the Bauhaus legacy and important institutions such as the Hochschule für Gestaltung (HfG) Ulm. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the »Made in Germany« brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the post-war period: from the domestic sphere to global politics, from industrial products to design¿s role as a tool of protest that foreshadowed the fall of the Berlin Wall in 1989.With contributions by Paul Betts, Greg Castillo, Petra Eisele, Siegfried Gronert, Jana Scholze, Katharina Pfützner, Eli Rubin, Katrin Schreiter, Oliver Sukrow, Carsten Wolff, among others; interviews with Prem Krishnamurthy, Renate Müller and Dieter Rams. 320 pp. Englisch.