Perry Craig S (38 results)
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Seller: BargainBookStores, Grand Rapids, MI, U.S.A.BargainBookStores
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Paperback or Softback. Condition: New. The Shepherding Stone of Israel. Book.
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Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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- Softcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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- Softcover
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- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
Seller: moluna, Greven, Germanymoluna
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Condition: New. KlappentextThis treatise in booklet form (without chapters) is an evangelistic and apologetic view of one of the most important aspects of WORSHIP in the Church. Should we or should we not serve a meal, an Agape meal, at the Lords Table..
- Softcover
Seller: moluna, Greven, Germanymoluna
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- Softcover
Seller: moluna, Greven, Germanymoluna
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Condition: New. KlappentextThis author unequivocally dispels the belief by many that the Church has replaced Israel as God s Chosen People. The Restoration and Redemption of a Remnant of the 12 Tribes of Israel is as solid as the Rock who made the Pr.
- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Taschenbuch. Condition: Neu. Neuware - This treatise in booklet form [without chapters] is an evangelistic and apologetic view of one of the most important aspects of WORSHIP in the Church. Should we or should we not serve a meal, an Agape meal, at the Lord's Table This author contends that we should. For the Lord's Supper is to… be a clear presentation of the Gospel itself. A genuine CELEBRATION [versus a funeral-like atmosphere] of the forgiveness of our Sin Debt and a rejoicing over our salvation, our 'passing from death unto life.' And our JOYFUL anticipation of Christ's imminent return. The issues of the Christian's ministry to the poorer of the brethren, what we can eat and drink at the Lord's Table and publicly [Christian Liberty] is clearly spelled out and amplified in this easy to read exposition of the Lord's Supper. A Must Read for Christians of all denominations.
- Softcover
- Print on Demand
Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Taschenbuch. Condition: Neu. Neuware - This author unequivocally dispels the belief by many that the Church has replaced Israel as God's Chosen People. The Restoration and Redemption of a Remnant of the 12 Tribes of Israel is as solid as the Rock who made the Promise to them. The soon coming Rapture of the Church and what the Ch…urch actually is followed by the 70th Week of Daniel is clearly explained. Billions, not millions, will perish during that 7 year period known as The Great Tribulation. Following the Tribulation, Christ will set up His long-promised Kingdom of a 1000 years on planet earth with Jerusalem as His capital. The Church will reign with Him as Kings and Priests. Ones entrance into God's Kingdom through the new birth is a must versus the grave error of the Reformation, such as Baptismal Regeneration. The Dominionist and Reconstructionist Movement's are refuted and exposed as a Satanic deception. This book ends with the New Jerusalem descending all the way down to a New Earth where the saved of all ages and those born of His Spirit will dwell with the Lord forever. Mr. Perry is a former pastor who earned a Masters of Divinity Degree from North American Baptist Seminary in Sioux Falls, SD in 1984. He came to know Christ and was called into the Ministry of His Word in 1979 at the age of 34. He's written two other books: God's Judgment: Regarding Controversial Issues and Do This In Remembrance of Me, The Lost Supper.
More imagesBRITISH ARTISTS AT WORK (AMANDA ELIASCH, GEMMA DE CRUZ FRANCA SOZZANI, HARTENSTEIN-SAATCHI, MARTIN MALONEY)
NICHOLAS BARKER SIR PETER BLAKE PATRICK CAULFIELD MAT COLLISHAW MICHAEL CRAIG-MARTIN DEXTER DALWOOD IAN DAVENPORT PETER DAVIES TRACEY EMIN TIERNEY GEARON GILBERT & GEORGE KIRSTEN GLASS STEVEN GONTARSKI ANTONY GORMLEY JUN HASEGAWA SOPHIE VON HELLERMANN HOWARD HODGKIN RACHEL HOWARD GARY HUME RUNA ISLAM CHANTAL JOFFE SARAH JONES ANISH KAPOOR JIM LAMBIE PETER LIVERSIDGE MARTIN MALONEY MARTIN MCGINN LISA MILROY SARAH MORRIS TIM NOBLE & SUE WEBSTER JULIAN OPIE RICHARD PATTERSON DAN PERFECT GRAYSON PERRY MARC QUINN FIONA RAE MICHAEL RAEDECKER NEIL RUMMING JENNY SAVILLE D. J. SIMPSON SAM TAYLOR-WOOD GAVIN TURK REBECCA WARREN GILLIAN WEARING RACHEL WHITEREAD
- Softcover
- First Edition
Seller: CivicoNet, Libreria Virtuale, NAPOLI, NA, ItalyCivicoNet, Libreria Virtuale
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Brossura. Condition: come nuovo. Dust Jacket Condition: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, ar…e set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.
