Patricia E Bovey (58 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good.

Paper bound, first edition, quarto, illustrated throughout, 104pp. Addendum note slipped in at front. As new. 500 grams. All books in stock and available for immediate shipment from Winnipeg, Manitoba.

Paper bound in white wrappers, oblong 8vo, illustrated with 58 works, unpaginated. Covers moderately soiled and scuffed otherwise a very good or better copy. 210 grams. We welcome all reasonable offers on our books. All books in stock and available for immediate shipment from Winnipeg, Manitoba.

paperback. Condition: Good. Sine cover wear.Shelving code kim.

Softcover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. Oblong 8vo. Illustrated paper wraps, staple-bound. Illustrated in colour and black-and-white. Published on the occasion of the exhibition held at the Art Gallery of Greater Victoria in 1997. Near fine example; light rubbing to extremities.…

Wraps. Condition: Very Good. First Edition. Large format (9 1/2" x 13 1/4"). Signs of light use. Catalogue of an exhibition held in 1987. Includes 12 colour plates of the mixed media portraits, exhibition list, and list of other of Kipling's exhibitions.

Hardcover. Condition: New. 1st Edition. 9.25 X 0.75 X 11 inches; , , Very nice attractive new book.

Printed Wrappers. Condition: Good +. Catalogue for an exhibition organized and circulated by the Winnipeg Art Gallery. Presumed First Edition. Colour and B&W illustrations, B&W Photos. Some scuffing to lower spine, some soiling and corner curling. Pen scribbles on upper right-hand corner of cover. Pages clean, tight and bright. The French-language copy is hard to find. Catalogue pour une exposition organisée et mise en tournée par la Winnipeg Art Gallery, 1978-1979. L'exposition est decrite comme "la plus complète des oeuvres de L. L. FitzGerald qui n'ait jamais été organisée. Elle comprend non seulement maintes oeuvres bien connues, mais apporte aussi un nombre considérable de nouveautés. De plus, le catalogue fournit une étude approfondie de l'artiste et de son oeuvre." 4to - over 9¾" - 12" tall. …

Hardcover. Condition: new. Hardcover. Since 1970, Manitoba artist Don Proch has built an astonishing body of work evoking a semi-mythical Prairie past and an unsettled and unresolved modernity. In his complex sculptures and life-size masks, Proch combines intricate draftsmanship with natural and found materials in surprising and transformative ways. Proch grew up in the farmland of north central Manitoba. Using the rolling hills and unique parkland vistas of the Asessippi valley he creates a complex personal iconography based on prairie life, landscape, geology and history. The result is what art critic Robert Enright called inexplicable as a miracle. Proch first came to the Canadian art world's attention as part of a group of radical young artists in the 1970s, intent on shaking up the art establishment. His complex installations, masks, and silk screen prints quickly established his reputation as an innovator with a unique vision. Today he is recognized as one of the most influential visual artists to come out of western Canada, and his work can be found in major public and corporate collections including Canada's major art galleries. Richly illustrated with over 80 pieces, this book includes rare excerpts from Proch's notebooks which reveal his intricate working process. Surveying the course of Proch's career, curator and art historian Patricia Bovey discusses the themes and influences behind his work and their context within the history of Canadian art. Since 1970, Manitoba artist Don Proch has built an astonishing body of work evoking a semi-mythical Prairie past and an unsettled and unresolved modernity. Richly illustrated with over 80 pieces, this book includes rare excerpts from Proch's notebooks which reveal his intricate working process. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condition: Near Fine. No Jacket. Previous owner's bookplate on front endpaper.

Softcover. Condition: Very Good. No Dust Jacket. 8vo. Illustrated paper wraps, staple-bound. Published on the occasion of the exhibition held at the Art Gallery of Greater Victoria in 1983. Illustrated in black-and-white and colour. Very good example; light rubbing to extremities.

Softcover. Condition: Very Good. No Dust Jacket. Thin 8vo. 9.5 x 6.5 in. Illustrated paper wraps. 48 pp. Published on the occasion of the touring exhibition first held at the Art Gallery of Victoria in 1985. Illustrated in colour. Very good example; light handling, scuffing to covers.

Soft cover. Condition: Near Fine. 1st Edition. Forty eight (UNpaginated) page exhibition booklet for a showing at the Winnipeg Art Gallery in April of 1974. LEARN more about : fleur-de-lis, sterling mark, Savage & Lyman, Birks and Sons, 1906, Isaac Gordon, spoons, porringers, and silversmith. All illustrations are in b/w. Photos of entire vessels, sometimes with insets of markings. Cond : Silver coloured paper wrapper (landscape format) and black titling. Staples tight . Colours bright. No rubbed. No names nor marks. Excellent reference. QUote (p. 05) : " Many of the silversmiths of New France were French-trained and on settling here they adopted the European apprenticeship system for training younger artisans. In France the term of an apprentice was very clearly defined as being ._._._. . ". B/W Photographs (illustrator).…

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. About the book: Hardcover with jacket. First Printing. Book is in very good condition. Jacket at best is in good condition with at least five tears to covers. Additional photos available upon request.

Condition: As New.

1985. (Mass market paperback) Near fine. 48pp. 8vo. Wrappers lightly rubbed, else fine. B&W and colour reproductions of artwork. Exhibition held at the Art Gallery of Greater Victoria from September 19 - November 24, 1985 and at the Vancouver Art Gallery from January 25 - March 23, 1986.

Hardcover. dj. pp. 112. 4to. Bound in beige cloth with silver lettering to spine and front. Black and white photographs and colour reproductions throughout. Very light edgewear, very good+ very good dustjacket with rubbing and slight scuffing.

Hardcover. dj. pp. 112. 4to. Bound in beige cloth with silver lettering to spine and front board. Black and white photographs and colour reproductions throughout. Very light edgewear, very good+ very good dustjacket with rubbing and slight scuffing.

Soft cover. Condition: Good. No Jacket. 128 pp. with B/W and full-colour illustrations. Includes footnotes, chronology, work histories, bibliography, and list of exhibitions. Cover is slightly edge-worn and foxed, with price-tag residue at upper front corner. Winnipeg Art Gallery shop label on inside back cover.…

Softcover. Unpaginated. Octavo. Twice-stapled, silver wrappers with gilt in black to the centre. Illustrated with various black-and-white photographs. An exceptional copy, without blemish; fine. Provenance: From the personal library of the late Gary Essar (1944-2025), noted Canadian art historian, and curator. Catalogue of an exhibition held at the Winnipeg Art Gallery, April 3 - September 30, 1974. …

Soft cover. Condition: Near Fine. SUBTITLED : ` The Art and Dynamics of the Limners '.106 pages with a bio sketch of each member on the last three pages. Read more about : Jan Zach, charcoal on paper, Point Group, Helga Grove, and Sir Otto Biet Medal. About 1971, a group of well known Victoria (B.C.) artists banded together in a group called the Limners. The Point group had been a predecessor. Three of their works, examples only, shown here are : `Who Are You', `December Sun ', and `Graffiti '. They work in a variety of media. Cond : Paper wrapper is red with black lettering. Front cover illustration is Maxwell Bats' 1965 - The Cocktail Party ' . Richard Ciccimarra's work is on the back cover. Minimal edge wear, minimal soiling. No names, creases, nor marks. Excellent reference ! ! Quote (p.71) : " Jan Grove adds a mythological element to his work, his figures refer to both the world of fantasy and that of legend. Like a number of ceramic artists Jan Grove balanced his studio production of functional work with the creation of ._._._. ." Size: 8vo. B/W Photographs (illustrator).…

Soft cover. Condition: Near Fine. First Printing of the First Edition. Essentially a fine, unread copy, with insignificant traces of use.

Hardcover. pp. 120. 4to. Colour reproductions. Light shelfwear; very good+.

1979. (Mass market paperback) Very good. 128pp. Tape has been removed from heel of spine. Else unopened.

Hardcover. Condition: Fine. Clean, tight, unmarked; absolute minimal wear; Bruce Head has been a leading painter and designer in Winnipeg for more than 50 years. Head Space looks at his artistic career in the context of his experimentation and innovation with materials. Features 137 paintings, sculptures, prints and drawings, with loans from across the country.Curated by Amy Karlinsky, the exhibition and catalogue present an overview of Head's stylistic development and his radical breakthroughs within the plastic and painterly arts. …

Paperback. Condition: Very Good. First Edition. 106 pages. Footnotes. Illustrated in colour and black and white. "An insightful look at an unusual group of British Columbia artists. For over a quarter of a century, 17 artists working in 11 media have met, talked, argued, partied, grown and thrived in their disparate pursuit of art and, despite wide differences, have succeeded not only as individual creators but also as a creative group." - from back cover. Clean, bright and unmarked with light wear. A nice copy.…

Soft cover. Condition: Very Good. Soft cover. 1996 edition. As new copy.

Softcover. Condition: Very Good. No Dust Jacket. A lot of two catalogues and one poster sold together. Both catalogues oblong quartos, paper wraps. Including: Bovey, Patricia E. ALAN WOOD: A SURVEY. Victoria: Art Gallery of Greater Victoria, 1982. * Lindberg, Ted. RANCH: ALAN WOOD. AN INSTALLATION. Vancouver: Charles H. Scott Gallery, 1981. * [Poster] RANCH: THE ALAN WOOD RANCH PROJECT. A FILM BY STEVEN DENURE AND CHRISTOPHER LOWRY. Toronto/Vancouver, 1985. 12 x 9 in. Horizontal fold, some creasing at lower edge. Overall very good. …