P Hoefer (24 results)

Softcover. Farbige Originalbroschuren. 22,2x14,8 cm. 295/330/332/350/360/315/288/321/256 Seiten mit vielen vorwiegend farbigen Abbildungen und zahlreichen Karten. Gute Exemplare. (=Apa Guides) -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Nehmen Sie sich ein gutes Buch mit auf die Sommerwiese. Bei uns werden Sie fündig! -- Wir kaufen Ihre werthaltigen Bücher! T02112.

kartonierte Ausgabe. Condition: Gut. Deutsche Ausgabe, 216 Seiten, Abbildungen, Tabellen, Inhaltsverzeichnis, Stichwortverzeichnis, von Seite 52 bis 55 Abdruck von einer Büroklammer, Seite 44 persönlicher Eintrag, Groß-8° Sprache: Deutsch Gewicht in Gramm: 450.

5. Tausend. 203 Seiten, Fadenheftung, Format 11,3 x 15,3 cm, hartgebundener Original-Pappband. * "Die Zeichnungen zum Umschlag, Vorsatzpapier, Titel, Kopfstück auf Seite 1 und Schlußstück auf Seite 181 stammen von Franz P. Glaß in München." [Impressum]. Erhaltung: Der Einband ist minimal beschabt aber die Rückenkanten ohne Einrisse. Innen ist alles sauber, fleckenlos und ohne Eintragungen. Insgesamt gut erhalten. Sprache: Deutsch.

Unpaginiert (ca. 80 S.). Ill. Orig.-Pappband. - Deckel gewölbt. Ansonsten gut erhaltenes Exemplar. Innen sauber.

Hardcover. Condition: New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl, & Aramex, UPS, & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 7-12 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India, United states & United Kingdom. Depending on your location and availability.

Couverture souple. Condition: Satisfaisant. APA Publications (illustrator).

Softcover. Condition: Wie neu. 83 S., 21 cm, nahezu neuwertig. Buch.

Paperback. Condition: Used: Acceptable. Libro usato proveniente da collezione privata. La copertina riporta usuali segni del tempo. Le pagine possono risultare imbrunite. No segni e sottolineature del testo. Per ogni problema, domanda o necessità non esitate a contattarci troverete personale disponibile a risolvere ogni vostra richiesta! Consegna 24/48 ore 20t sopra.

15 x 23 cm Halbleder. Condition: Gut. 2. Auflage. 166, 84, 125 + 104Seiten marmorierter Halblederband im Groß-Oktavformat; Bleistiftanmerkungen auf Vorsatzblatt; Lederrücken oben am Rand leicht berieben, sonst sehr gutes Exemplar mit einem Bildnis (alte Photographie) Lillis - 4 Schriften in einem Band Sprache: Deutsch Gewicht in Gramm: 1.

1 Blatt mit zwei Spalten Text. Folio (34,5 x 24,5 cm). - Sehr guter Zustand. - Einmal mittig quer gefaltet. * "Von P. Höfer, Kgl. Telegraphenmeister, Görlitz". * (Ein Titel aus unserem Online-Katalog "Technik und Verkehr - Eisenbahn").

Softcover. Condition: Very Good. Detailed reference study with a chapter on electrical horology. Quarto edition with original wrappers of this book on clocks and watches, everything to indicate the time. Front with some light smudges and small creases but binding overall in good condition. Back misses a chip in the left top corner. Small tear in the front middle right. Some pages with an occasional spot. Some pages uncut. B0709One folding illustration of a clock and pendulum.[NL] Frederik Adolph Höefer (18501938) was een Leidse historicus en archivaris. Over de geschiedenis van publieke tijdsaanduiding in Nederland, oftewel hoe overheid en samenleving gezamenlijk zorgden voor klokken, torenuurwerken en tijdssignalen. Ontwikkeling van torenuurwerken, het gebruik van remontoir-mechanismen en de verbetering van wijzerplaten, inclusief voorbeelden van Huygens en Hollandse uurwerktradities. 12 uitvouwbare platen met technische tekeningen etc. Hoëfer leverde hiermee in 1887 een van de eerste overzichtswerken over Nederlandse tijdstechnologie, dat later geciteerd werd in studies over klokkenbouw in Friesland en de Leidse Sterrewacht. Met een voorrede van P.J. Kaiser, verificateur van 'Rijks Zee-instrumenten'. Hoefer was gepensioneerd officier der artillerie en directeur der maatschappij voor tijdaanwijzing (dochteronderneming van de Nederlandsche Bell Telephoon Maatschappij NBTM). De maatschappij verzorgde de tijdaanduiding via de telefoon.In de inhoudsopgave: Tijdmeters voor openbaar en huiselijk gebruik, tijdmeters voor de zeeman, zakuurwerken, electrische uurwerken, tijdseinen, elektrische tijddienst te New-York, tijdaanwijzing door middel van telephoon, historisch overzicht van toestellen en manieren die dienen om het uur van de dag te bepalen. Bijlagen: resolutie van de Vroedschap van Rotterdam 1677 en 1723.

8vo. 4 parts in one volume. (4), 32, 347, (1), 128, 228, II, (2) pp. With 2 (instead of 1!) folding engraved maps and 16 (instead of 20) engraved plates; several wood-engravings in the text. Contemporary green half calf with giltstamped spine. Marbled endpapers. Published as vol. 58 of the series "L'univers". Discusses Algiers (by Rozet), Algeria (by Carette), Libya (by Hoefer), and Tunisia (by Frank). - Some foxing. With a folding map of Algeria not listed in the table of plates, but does not contain four plates on Tunisia there listed. The fine engravings show costumes, views (Constantine, Algiers, Belida, Oran), etc. - OCLC 6985583.

Condition: Befriedigend. Halbleinen Sammelband mit physiologischen Schriften von 1882 bis 1916. Inhalt: 1. A. Tschermak und P. Hoefer: Ueber binoculare Tiefenwahrnehmung auf Grund von Doppelbildern (Mit 1 Textfigur). Separat-Abdruck aus dem Archiv für die ges. Physiologie Bd. 98. Verlag von Emil Strauss, Bonn, 1903. S. 299-321. Signatur d. Verfassers. 2. Z. Treves: Experimentelle Untersuchungen über die Grundlage der Vergleichung gehobener Gewichte. Separat-Abdruck aus dem Archiv für die ges. Physiologie Bd. 121. Verlag von Martin Hager, Bonn, 1908. S. 327-357. 3. S. Stricker: Studien über die Bewegungsvorstellungen. Wilhelm Braumüller, Wien, 1882. V + 72 S. 4. Paul Hoefer: Beitrag zur Lehre von Augenmaass bei zweiäugigem und bei einäugigem Sehen. (Beobachtungen am Wheatstone-Panum'schen Grenzfall). (Mit 3 Textfiguren). Separat-Abdruck aus dem Archiv für die ges. Physiologie Bd. 115. Verlag von Martin Hager, Bonn, 1906. S. 483-513. 5. Hans Henning: Herings Theorie des Tiefesehens, das Panumsche Phänomen und die Doppelfunktion. Fortschritte der Psychologie III. Heft V. Band, o.J., S. 143-172. 6. Adalbert Gregor: Untersuchungen über die Topographie der elektromuskulären Sensibilität, nebst Beiträgen zur Kenntnis ihrer Eigenschaften. Separat-Abdruck aus dem Archiv für die ges. Physiologie Bd. 105. (Mit 4 Textfiguren und Tafel I). Verlag von Martin Hager, Bonn, 1904. 54 S. Signatur d. Verfassers 7. Gemelli, A.: Sur quelques illusions dans le champ des sensations tactiles. Archives Italiennes de Biologie, fondées par A. Mosso. Tome LIX Fasc. I. Extrait. Administration des Archives Italiennes de Biologie, Pise, 1913, 26 S. Stempel d. Verfassers und unleserl. Signatur. 8. Max v. Frey und Agnes Goldmann: Der zeitliche Verlauf der Einstellung bei den Druckempfindungen. Mit 3 Textfiguren. Aus dem physiologischen Institut zu Würzburg. Sonderabdruck aus der "Zeitschrift für Biologie". Bd. 65 5. Heft, 1914, S. 185-202. 9. M. (Max) v. Frey: Beobachtungen an Hautflächen mit geschädigter Innervation. Mit 11 Textfiguren. Aus dem physiologischen Institut zu Würzburg. Sonderabdruck aus der "Zeitschrift für Biologie". Bd. 63 8. Heft, 1913, S. 336-376. 10. M. (Max) v. Frey: Studien über den Kraftsinn. Mit 6 Textfiguren. Aus dem physiologischen Institut zu Würzburg. Sonderabdruck aus der "Zeitschrift für Biologie". Bd. 63 3. u. 4. Heft, 1913, S. 130-154. 11. M. (Max) v. Frey: Die Webersche Täuschung oder die scheinbare Schwere kalter Gewichte. Mit einer Bemerkung über die sog. tiefe Druckempfindung. Mit 3 Textfiguren. Aus dem physiologischen Institut zu Würzburg. Sonderabdruck aus der "Zeitschrift für Biologie". Bd. 66 10. u. 11. Heft, 1916, S. 412-432. 12. M. (Max) v. Frey: Die Vergleichung von Gewichten mit Hilfe des Kraftsinns. Mit 4 Textfiguren. Aus dem physiologischen Institut zu Würzburg. Sonderabdruck aus der "Zeitschrift für Biologie". Bd. 65 6. Heft, 1914, S. 204-224. 13. Robert Beyersdorff: Die Raumvorstellungen. Metaphysische Untersuchungen. Carl Duncker's Verlag (C. Heymons), Berlin, 1879, 59 S. 14. Adolf Basler: Über die Grösse der mit der Haut eben wahrnehmbaren Bewegungen. Mit 4 Textfiguren. Separat-Abdruck aus dem Archiv für die ges. Physiologie Bd. 132. Verlag von Martin Hager. Bonn, 1910. S. 494-510. 15. Adolf Basler: Über die Beteiligung des Muskelsinnes am absichtlichen Tasten. Mit 3 Textfiguren. Separat-Abdruck aus dem Archiv für die ges. Physiologie Bd. 153. Verlag von Martin Hager. Bonn, 1913. S. 353-365. 16. Adolf Basler: Über die Verschmelzung zweier nacheinander erfolgender Tastreize. Mit 3 Textfiguren. Separat-Abdruck aus dem Archiv für die ges. Physiologie Bd. 143. Verlag von Martin Hager. Bonn, 1911. S. 230-242. 17. Adolf Basler: Über das Erkennen von Bewegungen mittelst des Tastgefühls. Mit 3 Textfiguren. Separat-Abdruck aus dem Archiv für die ges. Physiologie Bd. 136. Verlag von Martin Hager. Bonn, 1910. S. 368-401. Please note: the book(s) has/have more than 1 kg, therefore shipping cost outside Germany can be higher than indicated by Abeboo.

Ca. 29,6 x 20,9 cm (sheet), ca. 22,2 x 19,4 (image). *** ORIGINAL PHOTOGRAPH, DEVELOPED BY CRYER IN HIS OWN DARKROOM during the early 2000s, when German Photographer Manuela Höfer ran her Photo-Gallery in 43 Museum Street London, exhibiting and selling - not only - his works; WITH HIS HOLOGRAPH TITLE ''JESSIE[!] FULLER'' AT FRONT (under the image, and again on the rear), SIGNED ON THE REAR AND WITH A 'COPYRIGHT'-MARK. - Sharp-corners partly with minimal crease, small shallow spot in the top-right white margin; else in best condition. --- MANY MORE CRYER JAZZ- AND BLUES-MUSICIANS PORTRAITS (Eddie Condon, Champion Jack Dupree, Ella Fitzgerald, Jesse Fuller, Stan Getz, Paul Gonsalves, Coleman Hawkins, Tubby Hayes, Marie Knight, Gene Krupa, George Lewis, Brownie McGhee, Jess[i]e Newman, Kid Ory, Big Jim Robinson, Ronnie Scott, Sonny Stitt, Clara Mae Ward, Muddy Waters, Joe Watkins) AS WELL AS ORIGINAL PHOTOGRAPHS BY OTHER ARTISTS CURATED BY HÖFER - such as Pilar Albajar, Martin Blume, Ray Spence, Boaz Tal, and many others - IN STOCK. . .

Ca. 26,5 x 19,3 cm. *** ORIGINAL PHOTOGRAPH, DEVELOPED BY CRYER IN HIS OWN DARKROOM during the early 2000s, when German Photographer Manuela Höfer ran her Photo-Gallery in 43 Museum Street London, exhibiting and selling - not only - his works; WITH HIS HOLOGRAPH TITLE ''MARIE KNIGHT'' AND HIS SIGNATURE WITH COPYRIGHT-MARK AT THE REAR. - Unobtrusive trace of former mount in the corners of the rear, else in best condition; MANY MORE CRYER JAZZ- AND BLUES-MUSICIANS PORTRAITS (Eddie Condon, Champion Jack Dupree, Ella Fitzgerald, Jesse Fuller, Stan Getz, Paul Gonsalves, Coleman Hawkins, Tubby Hayes, Marie Knight, Gene Krupa, George nLewis, Brownie McGhee, Jess[i]e Newman, Kid Ory, Big Jim Robinson, Ronnie Scott, Sonny Stitt, Clara Mae Ward, Muddy Waters, Joe Watkins) AS WELL AS ORIGINAL PHOTOGRAPHS BY OTHER ARTISTS CURATED BY HÖFER - such as Pilar Albajar, Martin Blume, Ray Spence, Boaz Tal, and many others - IN STOCK. . .

Ca. 18,3 x 21,5 cm. *** ORIGINAL PHOTOGRAPH, DEVELOPED BY CRYER IN HIS OWN DARKROOM during the early 2000s, when German Photographer Manuela Höfer ran her Photo-Gallery in 43 Museum Street London, exhibiting and selling - not only - his works; WITH HIS HOLOGRAPH TITLE ''COLEMAN HAWKINS - GETZ - ELLA'' AND HIS SIGNATURE with small copyright-mark ALL AT THE REAR. - Unobtrusive trace of former mount in the corners of the rear, else in best condition; MANY MORE CRYER JAZZ- AND BLUES-MUSICIANS PORTRAITS (Eddie Condon, Champion Jack Dupree, Ella Fitzgerald, Jesse Fuller, Stan Getz, Paul Gonsalves, Coleman Hawkins, Tubby Hayes, Marie Knight, Gene Krupa, George Lewis, Brownie McGhee, Jess[i]e Newman, Kid Ory, Big Jim Robinson, Ronnie Scott, Sonny Stitt, Clara Mae Ward, Muddy Waters, Joe Watkins) AS WELL AS ORIGINAL PHOTOGRAPHS BY OTHER ARTISTS CURATED BY HÖFER - such as Pilar Albajar, Martin Blume, Ray Spence, Boaz Tal, and many others - IN STOCK. . .

Ca. 25,2 x 19,4 cm. *** ORIGINAL PHOTOGRAPH, DEVELOPED BY CRYER IN HIS OWN DARKROOM during the early 2000s, when German Photographer Manuela Höfer ran her Photo-Gallery in 43 Museum Street London, exhibiting and selling - not only - his works; SIGNED AND WITH HIS HOLOGRAPH TITLE ''BIG BILL BROONZY'' at rear and with copyright-mark. - Minimal crease at top-left and with unobtrusive trace of former mount in the corners of the rear, else in best condition; MANY MORE CRYER JAZZ- AND BLUES-MUSICIANS PORTRAITS (Eddie Condon, Champion Jack Dupree, Ella Fitzgerald, Jesse Fuller, Stan Getz, Paul Gonsalves, Coleman Hawkins, Tubby Hayes, Marie Knight, Gene Krupa, George Lewis, Brownie McGhee, Jess[i]e Newman, Kid Ory, Big Jim Robinson, Ronnie Scott, Sonny Stitt, Clara Mae Ward, Muddy Waters, Joe Watkins) AS WELL AS ORIGINAL PHOTOGRAPHS BY OTHER ARTISTS CURATED BY HÖFER - such as Pilar Albajar, Martin Blume, Ray Spence, Boaz Tal, and many others - IN STOCK. . .

Ca. 30 x 21 cm (sheet), ca. 24 x 19 cm (image). *** ORIGINAL PHOTOGRAPH, DEVELOPED BY CRYER IN HIS OWN DARKROOM during the early 2000s, when German Photographer Manuela Höfer ran her Photo-Gallery in 43 Museum Street London, exhibiting and selling - not only - his works; WITH HIS HOLOGRAPH TITLE ''BIG BILL BROONZY'' AT FRONT (under the image, and again on the rear), SIGNED ON THE REAR AND WITH A 'COPYRIGHT'-MARK. - Slight crease at top-center, else in best condition; MANY MORE CRYER JAZZ- AND BLUES-MUSICIANS PORTRAITS (Eddie Condon, Champion Jack Dupree, Ella Fitzgerald, Jesse Fuller, Stan Getz, Paul Gonsalves, Coleman Hawkins, Tubby Hayes, Marie Knight, Gene Krupa, George Lewis, Brownie McGhee, Jess[i]e Newman, Kid Ory, Big Jim Robinson, Ronnie Scott, Sonny Stitt, Clara Mae Ward, Muddy Waters, Joe Watkins) AS WELL AS ORIGINAL PHOTOGRAPHS BY OTHER ARTISTS CURATED BY HÖFER - such as Pilar Albajar, Martin Blume, Ray Spence, Boaz Tal, and many others - IN STOCK. . .

Ca. 29,6 x 21 cm (sheet), ca. 26,7 x 19,4 cm (image). *** ORIGINAL PHOTOGRAPH, DEVELOPED BY CRYER IN HIS OWN DARKROOM during the early 2000s, when German Photographer Manuela Höfer ran her Photo-Gallery in 43 Museum Street London, exhibiting and selling - not only - his works; WITH HIS HOLOGRAPH TITLE ''PAUL GONSALVES'' AND FULL SIGNATURE ON THE REAR as well as a copyright-mark and the statement ''No CROPPING.''. - Unobtrusive trace of former mount in the corners of the rear, else in best condition; MANY MORE CRYER JAZZ- AND BLUES-MUSICIANS PORTRAITS (Eddie Condon, Champion Jack Dupree, Ella Fitzgerald, Jesse Fuller, Stan Getz, Paul Gonsalves, Coleman Hawkins, Tubby Hayes, Marie Knight, Gene Krupa, George Lewis, Brownie McGhee, Jess[i]e Newman, Kid Ory, Big Jim Robinson, Ronnie Scott, Sonny Stitt, Clara Mae Ward, Muddy Waters, Joe Watkins) AS WELL AS ORIGINAL PHOTOGRAPHS BY OTHER ARTISTS CURATED BY HÖFER - such as Pilar Albajar, Martin Blume, Ray Spence, Boaz Tal, and many others - IN STOCK. . .

Ca. 29,6 x 20,9 cm (sheet), ca. 26,3 x 19,5 (image). *** ORIGINAL PHOTOGRAPH, DEVELOPED BY CRYER IN HIS OWN DARKROOM during the early 2000s, when German Photographer Manuela Höfer ran her Photo-Gallery in 43 Museum Street London, exhibiting and selling - not only - his works; WITH HIS HOLOGRAPH TITLE ''SONNY STITT / COLEMAN HAWKINS'' AND HIS SIGNATURE with small copyright-mark AT THE REAR . - Sharp-corners with minimal crease, else in best condition; MANY MORE CRYER JAZZ- AND BLUES-MUSICIANS PORTRAITS (Eddie Condon, Champion Jack Dupree, Ella Fitzgerald, Jesse Fuller, Stan Getz, Paul Gonsalves, Coleman Hawkins, Tubby Hayes, Marie Knight, Gene Krupa, George Lewis, Brownie McGhee, Jess[i]e Newman, Kid Ory, Big Jim Robinson, Ronnie Scott, Sonny Stitt, Clara Mae Ward, Muddy Waters, Joe Watkins) AS WELL AS ORIGINAL PHOTOGRAPHS BY OTHER ARTISTS CURATED BY HÖFER - such as Pilar Albajar, Martin Blume, Ray Spence, Boaz Tal, and many others - IN STOCK. . .

Ca. 29,7 x 20,8 cm (sheet), ca. 25,1 x 19,5 (image). *** ORIGINAL PHOTOGRAPH, DEVELOPED BY CRYER IN HIS OWN DARKROOM during the early 2000s, when German Photographer Manuela Höfer ran her Photo-Gallery in 43 Museum Street London, exhibiting and selling - not only - his works; WITH HIS HOLOGRAPH TITLE ''MUDDY WATERS'', HIS (Cryer's) SIGNATURE AND DATE (1958) AT FRONT (under the image, and again on the rear), SIGNED AGAIN - with as copyright-mark - ON THE REAR and his statement ''Condition of use / No Cropping''. - Shallow finger-print at top-center, else in best condition; MANY MORE CRYER JAZZ- AND BLUES-MUSICIANS PORTRAITS (Eddie Condon, Champion Jack Dupree, Ella Fitzgerald, Jesse Fuller, Stan Getz, Paul Gonsalves, Coleman Hawkins, Tubby Hayes, Marie Knight, Gene Krupa, George Lewis, Brownie McGhee, Jess[i]e Newman, Kid Ory, Big Jim Robinson, Ronnie Scott, Sonny Stitt, Clara Mae Ward, Muddy Waters, Joe Watkins) AS WELL AS ORIGINAL PHOTOGRAPHS BY OTHER ARTISTS CURATED BY HÖFER - such as Pilar Albajar, Martin Blume, Ray Spence, Boaz Tal, and many others - IN STOCK. . .

Ca. 22,5 x 19,1 cm. *** ORIGINAL PHOTOGRAPH, DEVELOPED BY CRYER IN HIS OWN DARKROOM during the early 2000s, when German Photographer Manuela Höfer ran her Photo-Gallery in 43 Museum Street London, exhibiting and selling - not only - his works; WITH HIS HOLOGRAPH TITLE ''GEO LEWIS LEFT WITH CIG[?] HOLDEN / JOE WATKINS RIGHT CLAPPING'' AND HIS SIGNATURE ON THE REAR, incl. a copyright-mark. - Unobtrusive trace of former mount in the corners of the rear, else in best condition; MANY MORE CRYER JAZZ- AND BLUES-MUSICIANS PORTRAITS (Eddie Condon, Champion Jack Dupree, Ella Fitzgerald, Jesse Fuller, Stan Getz, Paul Gonsalves, Coleman Hawkins, Tubby Hayes, Marie Knight, Gene Krupa, George Lewis, Brownie McGhee, Jess[i]e Newman, Kid Ory, Big Jim Robinson, Ronnie Scott, Sonny Stitt, Clara Mae Ward, Muddy Waters, Joe Watkins) AS WELL AS ORIGINAL PHOTOGRAPHS BY OTHER ARTISTS CURATED BY HÖFER - such as Pilar Albajar, Martin Blume, Ray Spence, Boaz Tal, and many others - IN STOCK. . .

Ca. 29,6 x 20,9 cm (sheet), ca. 24,3 x 19,3 cm (image). *** ORIGINAL PHOTOGRAPH, DEVELOPED BY CRYER IN HIS OWN DARKROOM during the early 2000s, when German Photographer Manuela Höfer ran her Photo-Gallery in 43 Museum Street London, exhibiting and selling - not only - his works; WITH HIS HOLOGRAPH TITLE ''EDDIE CONDON'' AT FRONT (under the image, and again on the rear), SIGNED ON THE REAR AND WITH A 'COPYRIGHT'-MARK. - Slight shadows in the white bottom-margin, else in best condition; MANY MORE CRYER JAZZ- AND BLUES-MUSICIANS PORTRAITS (Eddie Condon, Champion Jack Dupree, Ella Fitzgerald, Jesse Fuller, Stan Getz, Paul Gonsalves, Coleman Hawkins, Tubby Hayes, Marie Knight, Gene Krupa, George Lewis, Brownie McGhee, Jess[i]e Newman, Kid Ory, Big Jim Robinson, Ronnie Scott, Sonny Stitt, Clara Mae Ward, Muddy Waters, Joe Watkins) AS WELL AS ORIGINAL PHOTOGRAPHS BY OTHER ARTISTS CURATED BY HÖFER - such as Pilar Albajar, Martin Blume, Ray Spence, Boaz Tal, and many others - IN STOCK. . .

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The food industry is in the process of adapting itself more strongly than previously to the demands and needs for quality products. Tightening up the legal framework of conditions and the internationalization of the markets are compelling a further developm.