Oldenburg Richard E (31 results)

paperback. Condition: Very Good. clean, sturdy, and unmarked - rw.

Hardcover with clear vinyl dustjacket, 600 pages, POOR condition; spine shaken with split to inside rear hinge; all pages still attached; gallery stamp on first blank page; no other internal marks. As is. Foreign shipping may be extra.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

460 pp.; 28.3 x 23.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held September 24, 1989 - January 16, 1990. Text by Richard E. Oldenburg and William Rubin. Includes references for works of art, documentary chronology, outline and artist chronology. Very Good. Light rubbing of covers and edges. Sight yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Condition: Near Fine. xi, 180 pages, illustrations (some colour); 32 cm. Catalogue of an exhibition held February 2 to May 7, 1992. Near fine. Firm binding, clean inside copy. Slightly bumped/tail of spine. *** The head of CBS was a notable collector of modern & contemporary art. Size: Folio.

Softcover 600 pages, good condition; creases to spine; covers dirty, pages yellowed at edges; no internal marks Foreign shipping may be extra.

Masterpieces from the David and Peggy Rockefeller Collection: Manet to Picasso. First Edition, First Printing. Condition displayed in photos.

Soft cover. Condition: Very Good+. Dust Jacket Condition: No Dust Jacket. (1988) 152 pp. Original blue wraps w/ light edge wear. Crease to spine. Illust. w/ b/w plates and figures. Contents nice.

Paperback. Condition: Very Good. Dust Jacket Condition: Not issued. Softcover. Clean and tight. No markings. Corner crease in one page, otherwise fine. Ships in a box. Fast shipping from NYC!

Condition: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Soft cover. Condition: Near Fine. 1st Edition. Stiff gray illus. wraps. Minor binding lean with several light stress creases, otherwise about as issued. 1st ed. 460 pp., illus. Size: 4to - over 9¾" - 12" tall. Book.

Paperback. Glossy gray and color-illustrated wraps with cream lettering, French flaps. 263 ppp. Mostly illustrations in color. "This lavishly illustrated volume presents in full color over three hundred of the first posters selected from the rich resources of the graphic design collection of The Museum of Modern Art. The poster has always existed at the junction of the fine and applied arts, of culture and commerce. Throughout its one-hundred-year history - which parallels the history of modern art itself - the poster has provided an arena where painting, drawing, photography, and typography have come together, ifluencing each other in the process. In this book the lively interaction between design and fine art is described in terms of all the principal styles and movements of the modern period. The author also discusses the evolution of this unique medium, outlining its cultural as well as aesthetic development. Prominent among the more than 230 designers featured are such well-known figures as Henri de Toulouse-Lautrec, The Beggarstaffs, Ludwig Holwein, Lucian Bernhard, E. McKnight Kauffer, A.M. Cassandre, El Lissitsky, Alexander Rodchenko, Vladimir and Georgii Stenberg, Jan Tschichold, Herbert Bayer, Victor Moscoso, Tadanori Yokoo, and Niklaus Troxler." - inside flap description. VG- (wear to corners and edges, some scuffing and light soiling to wraps. soiling at the top of the first few pages.).

Hardcover with dustjacket, 600 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Octavo hardcover (VG) in d/w (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

Condition: Very good.

Softcover. First Edition; First Printing. Book condition is Very Good; bound in wraps. Slight rubbing and edge wear to covers. Illustrated with black and white photographs throughout. ; 4to. 11"h x 8"w.

Hardcover with clear vinyl dustjacket, 600 pages, very good condition except dustjacket has small tears at corners, dj and cover material are a bit dirty, no internal marks, with color and b/w reproductions. Shipping may be extra for this large, heavy book.

Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition. Two volume set. The bindings are clean and tight with minor shelf wear. Light wear & soiling on edges of text blocks. Volume two has water damage stains near foredge of last 30 pages of text. Otherwise Text and images unmarked. Dj's lightly worn with scuffs & small scratches in mylar covers.

Couverture souple. Condition: Très bon. 184 pages, illustrated with large colour plates. The text is in English.

hardcover. Condition: Fine.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine Dust Jacket. 4to. 706 pp. Two volumes. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly. P1.

Hardcover with clear vinyl dustjacket, 600 pages, very good condition; dustjacket is clean and untorn; no internal marks, with color and b/w reproductions. Foreign shipping may be extra for this large, heavy book.

Soft cover. Condition: Near Fine. Profusely Illustrated (illustrator). 1st Edition. The catalogue of an exhibition at the Museum of Modern Art, New York, July 3 - October 21, 1986. Three sections covering Architecture, Design, and Painting & Drawing. Includes a Chronology and Bibliography. With 354 illustrations, 114 in color. 1st edition, second printing. 264 pages. (1/17/2006 note: recent Klimt painting that sold for a record-breaking $236.4 million in November 2025 was "Portrait of Elisabeth Lederer," making it the most valuable modern artwork sold at auction and the second-most expensive ever sold!) Front coyer: Gustav Klimt. Margaret Stonborough'Wittgenstein. 1905. Oil on canvas, (180 x 90 cm). Bayerische Staatsgemäldesammlungen, Neue Pinakothek, Munich Back cover Otto Wagner. Steinhof Church.

paperback. Condition: Very Good.

Softcover. First Edition; First Printing. Very Good in wrappers. Creasing at spine. ; 10.80 X 8.90 X 1.20 inches; 343 pages.

Hardcover. Condition: As New. New York: Museum of Modern Art, 1984. In like new condition with like new DJ's. Two volumes in like new slipcase. This heavy set will require additional postage.

Hardcover. Gr.-8° (25 x 17,5 cm). Halbleinenband der Zeit mit goldgeprägtem Rückentitel. Ecken und Kanten mit etwas Abrieb, auch am Rücken oben und unten, dort etwas stärker. Ordentlich ausgeschiedenes Exemplar der Humboldt-Universität zu Berlin mit den üblichen Stempeln und Signaturen. 158 / 145 / 159 Seiten mit zahl. Textabbildungen, Karten, Tabellen, Diagrammen und Statistiken. Die Vorderdeckel der Originalhefte sind mit eingebunden, diese mit älteren Stempeln und Signaturen in alter Tinte. Insgesamt gut erhaltenes Exemplar. (= Sonderausgabe der Landwirtschaftlichen Jahrbücher). Die Hefte der Landwirtschaftlichen Forschungen mit Untersuchungen aus verschiedenen Instituten, u.a.: - für Betriebslehre und Arbeitswirtschaft an der Landwirtschaftlichen Hochschule Berlin / - für landwirtschaftliche Buchführung, Taxation und Handelskunde an der Hochschule für Bodenkultur, Wien / -für Betriebslehre an der Landwirtschaftlichen Hochschule Bonn-Poppelsdorf / -für landwirtschaftliche Betriebs- und Landarbeitslehre Göttingen / - für Wirtschaftslehre des Landbaues an der Universität Breslau / - Deutschen Forschungsinstituts für Agrar- und Siedlungswesen, Abtlg. Bonn / -Forschungsstelle für landwirtschaftl. Gärungen an der Landwirtschaftl. Hochschule Berlin / - Versuchs- und Forschungsanstalt für Getreideverarbeitung Berlin / - für Pflanzenbau und Pflanzenzüchtung der Univ. Halle / - für Agrikulturchemie und Bakteriologie der Univ. Breslau / - für Betriebslehre der Univ. Kiel / - Versuchsanstalt für Landarbeitslehre Pommritz/Sa. / -für Pflanzenbau der Univ. Königsberg, -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K22433.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.

48 pp.; 21 x 15.3 cm.; staple bound; black-and-white; edition size 800; unsigned and unnumbered; offset-printed Exhibition catalogue for show of artists' books held September 20 - October 14, 1972. Text by Germano Celant. Exhibition checklist organized chronologically by Celant and Linda Morris. Show included books by Dick Higgins, Claes Oldenburg, Dieter Rot [aka Dieter Roth], Ben, Daniel Spoerri, George Brecht, Yoko Ono, Claus Bremer, John Cage, La Monte Young, Jackson MacLow, Nam June Paik, Emmett Williams, Walter de Maria, Malka Safro, Simone Forti, Richard Maxfield, Christian Wolff, Stanley Brouwn, Piero Manzoni, Edward Ruscha, Robert Filliou, Ray Johnson, Allan Kaprow, Alison Knowles, Joseph Kosuth, Eduardo Paolozzi, Gianfranco Baruchello, Mel Bochner, Terry Atkinson, Michael Baldwin, Ay-o, Oyvind Fahlstrom, John Giorno, Jerome Rothenberg, Wolf Vostell, Robert Watts, Philip Corner, Juan Hidalgo, Mel Ramsden, Carl Andre, Robert Barry, Sol LeWitt, Robert Morris, Lawrence Weiner, Ian Burn, Merce Cunningham, Terry Riley, Ben Vautier, Stephen Kaltenbach, Walter Marchetti, N.E. Thing Co. LTD., Giulio Paolini, Bernard Venet, Franz Erhard Walther, Andy Warhol, Vito Acconci, Stig Brogger, José Luis de Castillejo, Roger Cutforth, Hanne Darboven, Jan Dibbets, Dan Graham, James Lee Byars, Maloney, Bruce Nauman, Michelangelo Pisteletto, Emilio Prini, Allen Ruppersberg, Richard Tuttle, Harold Hurrell, Bernd & Hilla Becher, Christo, Dennis Oppenheim, Mark Boyle, Daniel Buren, Donald Burgy, Gerald Ferguson, Dorothy Iannone, Bejamin Patterson, Gilbert & George, Kathe Gregory, Marilyn Landis, Russell F. Lewis, David Crane, Scott R. Kahn, Lawrence Alloway, Gerard Hemsworth, David Lamelas, Mario Merz, Tom Phillips, Peter Roehr, Klaus Staeck, Art & Language, Derek Boshier, Marcel Broodthaers, Alessandro Carlini, James Collins, Giancarlo Croce, Giorgio Fabbris, Giorgio Spiller, Sandro Greco, Hamish Fulton, Bob Law, Richard Long, Philip Pilkington, David Rushton, Kevin Lole, Peter Smith, Giuseppe Penone, John Stezaker, Athena Tacha, Gérard Titus-Carmel, Vincenzo Agnetti, Giovanni Anselmo, John Baldessari, John Blake, Victor Burgin, Ger van Elk, Richard Hamilton, and Bruce McClean Reference : No. 3 and No. 135 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 15, 74. Very Good. Very light wear to covers. Name of previous owner in ink on first inside page, and small ink dash next to the names of Alison Knowles, Hanne Darboven, and Athena Tacha in the checklist. Otherwise Fine.