Noland Gary Lloyd (31 results)

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Condition: New.

Condition: New.

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Condition: New. Collected Piano Works: Volume 1 (Paperback or Softback).

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Condition: New. In English.

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Condition: New. Print on Demand. Dylan, Lon Gaylord (illustrator).

Condition: New. Dylan, Lon Gaylord (illustrator).

Paperback. Condition: New.

Paperback. Condition: New. Dylan, Lon Gaylord (illustrator).

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. Print on Demand pp. 286.

Condition: New. Print on Demand pp. 286.

Condition: New. PRINT ON DEMAND pp. 286.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This compilation of music by Gary Lloyd Noland (1957-) represents a sampling of his compositions for piano spanning the last three decades of the 20th century until the time of this writing (2021). This is a multi-faceted collection of piano pieces ranging in level from lower intermediate to upper advanced. Included in this volume are three piano rags: Russell Street Rag Op. 5 (named after the street in Berkeley on which the composer grew up), Nerdfox Rag Op. 23, and Ragbones Op. 11 (which has been described as the first piano rag in history containing a bona fide development section), along with a deconstructed and abbreviated version thereof excerpted from the composer's multi-fascicle chamber novel Venge Art (Fascicle #5, Op. 54). Also included are two fugues: Deformed Fugue Op. 17 (which can also be played on the harpsichord) and Liebesschmerz Fuge Op. 95 (in memoriam Lukas Foss), the latter of which is an intricately complex, technically daunting contrapuntal study that took the composer upwards of 28 years to complete. Several of the works in this volume-notably the Prelude in E Minor Op. 34, the Allemande in F Major Op. 76, and both Two-Part Inventions (in D Major Op. 81 and D Minor Op. 70)-pay homage to J.S. Bach and are executable on both piano and harpsichord. The Andante in F Minor for piano four-hands Op. 46 was written in homage to Franz Schubert and is the only four-hand piece included in this collection. Several other works in this volume were composed in memory of various artists: Aeternum Vale Op. 93, in memory of author David Foster Wallace following his tragic and untimely death by suicide in September, 2008; Mortesque Op. 31, in memory of composer Stephen Albert following his death in an automobile accident in December, 1992; Funeral Waltz Op. 91, in memory of John Swackhamer, one of Noland's composition teachers at U.C. Berkeley; Obsequy Op. 41, No. 5, in memory of Ivan Tcherepnin (son of Alexander Tcherepnin), one of Noland's dissertation advisors at Harvard; not to mention the most recent work in this volume-the heretofore unpublished Adagietto Doloroso Op. 121-in memory of composer/pianist Frederic Rzewski (1938-2021), who passed away only a few short weeks prior to the time of this writing. Epicedium Op. 58 was written as a memorial to the thousands of innocent victims who died in the terrorist attacks of September 11th, 2001. Aside from these epitaphs, several other pieces included in this volume were written intentionally for young and/or beginning to intermediate level pianists: Broom Brigade Op. 25, Melancholic Moneymonger Op. 26, Three Little Bonbons Op. 59, Blues Flash Op. 42, in addition to most of the pieces that comprise the mini-sets Op. 40 and Op. 41. Suffice it to say that this initial volume of Noland's collected piano works provides a bounteous abundance of new repertoire for both amateur and professional pianists alike, as well as for students. More affordable volumes of Noland's piano, vocal, chamber, and orchestral music are planned for publication in the upcoming months and years. 286 pp. Englisch.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This volume contains the scores & parts of ten pre-COVID chamber works in varying combinations for violin, viola, cello & piano by composer Gary Lloyd Noland (b. 1957). These works were composed within a 30-year time frame spanning the last two decades of the 20th century and first decade of the 21st century (1980-2010). Included in this volume are Noland's: WALTZ FANTASY for violin & piano Op. 87, KORNGOLDAROONIE for string trio Op. 93, IRRATIONALISMUS for cello & piano Op. 96, BIRCHERMUESLI: 'Cereal Music' for string quartet Op. 6, ROMANCE for viola & piano Op. 10, POCKET TRIO for violin, cello & piano Op. 79, INTERMEZZO for violin & piano Op. 18, DOG DUO for viola & cello Op. 66a, FANTASY IN E MINOR for cello & piano Op. 24, and FUGUE IN G MAJOR for string quartet Op. 13. All of these works were composed for professional classical musicians to perform on recitals and concerts. They are also suitable for seasoned undergraduate and graduate student musicians as well as talented amateur and high school aged musicians, not to mention the occasional prodigiously gifted tween or twain. Having received both high critical acclaim for, and enthusiastic reception to, his music over the past three-plus decades, it is only until recently (2021) that many scores of his compositions had been relatively difficult to come by, as they had heretofore been haphazardly available in only limited costly editions. The publication of this collection marks the third in a series of comfortably affordable volumes of Noland's compositions that may prove to be of interest not only to seasoned chamber musicians (i.e., violinists, violists, cellists & pianists), but also to serious scholars of contemporary classical music. Noland has stood out consistently over the years, ever since having done his time as a student composer in the mid 1970s to late 1980s, as one of the chief proponents from his generation (late baby-boom) of a way of composing that could easily lend itself to being acknowledged (rather than dismissed), by responsible critics and musicologists, as having eventually led towards, or at very least having become inadvertently entangled with, a trend of sorts symptomatic of a bona fide school of thinking insofar as its having represented his own (and certain other composer's) instinctive propensities for refusing categorically to succumb to mainstream musical whimsies dictated by the academic marketplace (if, indeed, there is such a thing). It is not the calling of any composer worth his salt, what with (as is par for the course) such entities being in possession of a patently conspicuous myopic vision, but rather that of discerning music critics, competent musicologists, and discriminating musical connoisseurs, to sort such things out. While such pigeonholing is to be eschewed at all costs, it is, still and all, a necessary evil. It is unmistakably evident to this composer that a new proclivity of sorts has emerged amongst young composers, as exemplified by the musics created by certain high-minded members of the post baby-boom generation(s) (i.e., Gen Xers, Millennials, and Zoomers), whose musical outpourings tend to be less self-consciously influenced by the more anarchistic, nihilistic, pessimistic approaches of the post-war academic modernists (namely: those who produce(d) works that tend toward the stochastically anal and promiscuously higgledy-piggledy) than their immediate forebears. Indeed, Melody and Harmony appear to be thriving once again in certain august musical circles. One can almost seize upon some vague semblance of historical continuity being manifested thereby-a sort of picking-up-where-things-left-off phenomenon-after a sluggish lapse dominated by steaming piles of post-war dreckage, during which years, it must be owned, many serviceable technical innovations were inaugurated by members of the (then) musical elite in all its.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Noland's COLLECTED PIANO WORKS: Volume 2 includes his epic-length 39 VARIATIONS ON AN ORIGINAL THEME IN F MAJOR Op. 98, his GRANDE RAG BRILLANTE Op. 15, his GOLDEN GATE RAG Op. 123, and several other heretofore unpublished works for piano.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This compilation of music by Gary Lloyd Noland (1957-) represents a sampling of his works for piano spanning the last three decades of the 20th century until the year 2021.

Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorrnrnGARY LLOYD NOLAND (a.k.a. author DOLLY GRAY LANDON, visual artist LON GAYLORD DYLAN, and musicians ARNOLD DAY LONGLY, ORLAN DOY GLANDLY & DARNOLD OLLY YANG) was born in Seattle in 1957 and grew up in a broken home in a cro. …

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This compilation of music by Gary Lloyd Noland (1957-) represents a sampling of his compositions for piano spanning the last three decades of the 20th century until the time of this writing (2021). This is a multi-faceted collection of piano pieces ranging in level from lower intermediate to upper advanced. Included in this volume are three piano rags: Russell Street Rag Op. 5 (named after the street in Berkeley on which the composer grew up), Nerdfox Rag Op. 23, and Ragbones Op. 11 (which has been described as the first piano rag in history containing a bona fide development section), along with a deconstructed and abbreviated version thereof excerpted from the composer's multi-fascicle chamber novel Venge Art (Fascicle #5, Op. 54). Also included are two fugues: Deformed Fugue Op. 17 (which can also be played on the harpsichord) and Liebesschmerz Fuge Op. 95 (in memoriam Lukas Foss), the latter of which is an intricately complex, technically daunting contrapuntal study that took the composer upwards of 28 years to complete. Several of the works in this volume-notably the Prelude in E Minor Op. 34, the Allemande in F Major Op. 76, and both Two-Part Inventions (in D Major Op. 81 and D Minor Op. 70)-pay homage to J.S. Bach and are executable on both piano and harpsichord. The Andante in F Minor for piano four-hands Op. 46 was written in homage to Franz Schubert and is the only four-hand piece included in this collection. Several other works in this volume were composed in memory of various artists: Aeternum Vale Op. 93, in memory of author David Foster Wallace following his tragic and untimely death by suicide in September, 2008; Mortesque Op. 31, in memory of composer Stephen Albert following his death in an automobile accident in December, 1992; Funeral Waltz Op. 91, in memory of John Swackhamer, one of Noland's composition teachers at U.C. Berkeley; Obsequy Op. 41, No. 5, in memory of Ivan Tcherepnin (son of Alexander Tcherepnin), one of Noland's dissertation advisors at Harvard; not to mention the most recent work in this volume-the heretofore unpublished Adagietto Doloroso Op. 121-in memory of composer/pianist Frederic Rzewski (1938-2021), who passed away only a few short weeks prior to the time of this writing. Epicedium Op. 58 was written as a memorial to the thousands of innocent victims who died in the terrorist attacks of September 11th, 2001. Aside from these epitaphs, several other pieces included in this volume were written intentionally for young and/or beginning to intermediate level pianists: Broom Brigade Op. 25, Melancholic Moneymonger Op. 26, Three Little Bonbons Op. 59, Blues Flash Op. 42, in addition to most of the pieces that comprise the mini-sets Op. 40 and Op. 41. Suffice it to say that this initial volume of Noland's collected piano works provides a bounteous abundance of new repertoire for both amateur and professional pianists alike, as well as for students. More affordable volumes of Noland's piano, vocal, chamber, and orchestral music are planned for publication in the upcoming months and years.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 286 pp. Englisch.…

Taschenbuch. Condition: Neu. Collected Piano Works | Volume 2 | Gary Lloyd Noland | Taschenbuch | Collected Works | Kartoniert / Broschiert | Englisch | 2021 | 7th Species Publications | EAN 9781732302396 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Taschenbuch. Condition: Neu. COLLECTED CHAMBER WORKS | in Varying Combinations for Piano & Strings | Gary Lloyd Noland | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | 7th Species Publications | EAN 9781732302372 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…