Nicolas Wiater (49 results)

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Taschenbuch. Condition: Neu. Neuware - Late Hellenistic Greek literature, both prose and poetry, stands out for its richness and diversity. Recent work has tended to take an author-by-author approach that underestimates the interconnectedness of the literary culture of the period. The chapters assembled here set out to change that by offering new readings of a wide range of late Hellenistic texts and genres, including historiography, geography, rhetoric and philosophy, together with many verse texts and inscriptions. In the process, they offer new insights into the various ways in which late Hellenistic literature engaged with its social, cultural and political contexts, while interrogating and revising some of the standard narratives of the relationship between late Hellenistic and imperial Greek literary culture, which are too often studied in isolation from each other. As a whole the book prompts us to rethink the place of late Hellenistic literature within the wider landscape of Greek and Roman literary history.…

hardcover. Condition: Very Good. The copy shows minor external wear, but is in otherwise clean condition.

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Condition: New. New edition NO-PA16APR2015-KAP.

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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Late Hellenistic Greek literature, both prose and poetry, stands out for its richness and diversity. Recent work has tended to take an author-by-author approach that underestimates the interconnectedness of the literary culture of the period. The chapters assembled here set out to change that by offering new readings of a wide range of late Hellenistic texts and genres, including historiography, geography, rhetoric and philosophy, together with many verse texts and inscriptions. In the process, they offer new insights into the various ways in which late Hellenistic literature engaged with its social, cultural and political contexts, while interrogating and revising some of the standard narratives of the relationship between late Hellenistic and imperial Greek literary culture, which are too often studied in isolation from each other. As a whole the book prompts us to rethink the place of late Hellenistic literature within the wider landscape of Greek and Roman literary history.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - So far, the critical writings of Dionysius of Halicarnassus have mainly attracted interest from historians of ancient linguistics. The Ideology of Classicism proposes a novel approach to Dionysius' oeuvre as a whole by providing the first systematic study of Greek classicism from the perspective of cultural identity. Drawing on cultural anthropology and Social Identity Theory, Wiater explores the world-view bound up with classicist criticism. Only from within this ideological framework can we understand why Greek and Roman intellectuals in Augustan Rome strove to speak and write like Demosthenes, Lysias, and Isocrates. Topics addressed by this study include Dionysius' view of the classical past; mimesis and the aesthetics of reading; language and identity; Dionysius' view of the Romans, their power and the role of Greek culture within it; Greek classicism and the contemporary controversy about Roman identity among Roman intellectuals; the self-image as Greek intellectuals in the Roman empire of Dionysius and his addressees; the dialogic design of Dionysius' essays and how it implements a sense of elitism and distinction; Dionysius' attitudes towards communities competing with him for leadership in rhetorical education and criticism, such as the Peripatetics and Stoics. ; Dissertationsschrift.…

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Condition: New. pp. xi + 395.

Hardcover. Condition: Brand New. 1st edition. 395 pages. 9.50x6.50x1.00 inches. In Stock.

Condition: New. pp. xi + 395.

Hardback. Condition: New. This volume offers novel readings of ancient conflict narratives from around the ancient Mediterranean and explores their impact on later habits of understanding and representing war, with an innovative methodological focus on narrative interplay and visualisation.The chapters provide an in-depth analysis of the ways in which interactions between a wide array of conflict narratives - including written texts, art, sculpture and drawings - result in culturally specific ways of visualising war, especially battle. The volume covers a large range of genres from a variety of ancient cultures, including Greek, Roman, Persian, Jewish and Christian, and its innovative focus on interplay offers fresh insights into how modes of visualising war compare across time and space, as well as across different kinds of text. Covering material from the third millennium bce to the present, it also sheds new light on how different ways of visualising conflict have evolved over the centuries and continue to inform habits of visualising war today. A detailed methodological introduction lays the foundation for future studies of conflict narratives, and the volume's envoi sets the agenda for new research on visualising peace.Visualising War across the Ancient Mediterranean appeals to students and scholars working across a range of disciplines, including Classics and ancient Mediterranean studies, war studies, narratology and intertextuality studies.…

Condition: New. 2011. Hardcover. . . . . .

Hardback. Condition: New. So far, the critical writings of Dionysius of Halicarnassus have mainly attracted interest from historians of ancient linguistics. The Ideology of Classicism proposes a novel approach to Dionysius' ouvre as a whole by providing the first systematic study of Greek classicism from the perspective of cultural identity. Drawing on cultural anthropology and Social Identity Theory, Wiater explores the world-view bound up with classicist criticism. Only from within this ideological framework can we understand why Greek and Roman intellectuals in Augustan Rome strove to speak and write like Demosthenes, Lysias, and Isocrates. Topics addressed by this study include Dionysius' view of the classical past; mimesis and the aesthetics of reading; language and identity; Dionysius' view of the Romans, their power and the role of Greek culture within it; Greek classicism and the contemporary controversy about Roman identity among Roman intellectuals; the self-image as Greek intellectuals in the Roman empire of Dionysius and his addressees; the dialogic design of Dionysius' essays and how it implements a sense of elitism and distinction; Dionysius' attitudes towards communities competing with him for leadership in rhetorical education and criticism, such as the Peripatetics and Stoics.…