Natalie Prizel (17 results)
- Hardcover
Seller: Books From California, Simi Valley, CA, U.S.A.Books From California
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hardcover. Condition: Good.
- Hardcover
Seller: Books From California, Simi Valley, CA, U.S.A.Books From California
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hardcover. Condition: Very Good.
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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- Hardcover
Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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£ 86.81
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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£ 84.82
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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£ 89.17
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Condition: As New. Unread book in perfect condition.
- Hardcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
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Hardback. Condition: New. New copy - Usually dispatched within 4 working days.
- Hardcover
Seller: Buchpark, Trebbin, GermanyBuchpark
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£ 59.31
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Condition: Hervorragend. Zustand: Hervorragend | Seiten: 338 | Sprache: Englisch | Produktart: Bücher | Explores the way that characters and figures in Victorian literature and visual art encountered and observed the bodies of others, particularly those bodies which were aberrant, deformed, and disabled.
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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£ 138.15
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Hardcover. Condition: Brand New. 320 pages. 6.30x0.79x9.45 inches. In Stock.
- Hardcover
Seller: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, GermanyBUCHSERVICE / ANTIQUARIAT Lars Lutzer
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£ 166.80
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Hardcover. Condition: gut. 2024. Victorian Ethical Optics In englischer Sprache. pages.
- Hardcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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£ 152.00
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Buch. Condition: Neu. Neuware - Victorian Ethical Optics asks how artists and authors in the Victorian period answer the ethical question of how one should live with others by turning to a more specific one: how should one look at others Looking would seem to necessarily lead to interpretation and judgment, but this book shows h…ow Victorian artists and authors imagined other ethical and optical relations. In an era in which aberrant, deformed, and disabled bodies proliferated--particularly those bodies ravaged by industrial labor and poverty--the ideological and economic stakes of looking at such bodies peaked; moreover, as work became a gospel and the question of deservingness became central, looking at aberrant bodies was always a matter of ethics and politics. The aesthetic thinking of John Ruskin animates the visual ethics at the center of this book, as he advocates for 'innocence of the eye,' which calls for a return to infantile sight of a kind that precedes judgment or classification. Although Ruskin understands such innocence to be an asymptote, optical innocence remains an ethical demand, and it is to this demand that this book attends. Among the authors and artists included are Charles Dickens, George Eliot, Wilkie Collins, Henry Mayhew, Ford Madox Brown, John Everett Millais, and other members of the Pre-Raphaelite Brotherhood. Encounters between normative and aberrant characters or figures within a text or visual object shape the encounter that the external reader or viewer has with those same aberrant bodies. The category of the aberrant draws on ideas from queer and disability studies but makes a case for a broader understanding of strange bodies; in this book, aberrant bodies are those whose visible forms lead to a breakdown in cognition, a breakdown that makes space for the innocent eye to move. In thinking about such bodies, this book introduces the term extranormative to explain the complex and often complicit relationship these figures exemplify in relation to a (surprisingly expansive) Victorian norm. Thinking in terms of extranormativity as an essential feature of Victorian life disrupts tired notions of the period as one in which a narrow definition of bourgeois normativity took hold.
Published by Oxford University Press
Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
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£ 86.13
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Condition: new.
- Hardcover
- Print on Demand
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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£ 89.20
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Hardcover. Condition: Brand New. 320 pages. 6.30x0.79x9.45 inches. In Stock. This item is printed on demand.
- Hardcover
- Print on Demand
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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£ 114.06
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Hardcover. Condition: new. Hardcover. Victorian Ethical Optics asks how artists and authors in the Victorian period answer the ethical question of how one should live with others by turning to a more specific one: how should one look at others? Looking would seem to necessarily lead to interpretation and judgment, but this book…shows how Victorian artists and authors imagined other ethical and optical relations. In an era in which aberrant, deformed, and disabled bodiesproliferated--particularly those bodies ravaged by industrial labor and poverty--the ideological and economic stakes of looking at such bodies peaked; moreover, as work became a gospel and the question of deservingness becamecentral, looking at aberrant bodies was always a matter of ethics and politics.The aesthetic thinking of John Ruskin animates the visual ethics at the center of this book, as he advocates for "innocence of the eye," which calls for a return to infantile sight of a kind that precedes judgment or classification. Although Ruskin understands such innocence to be an asymptote, optical innocence remains an ethical demand, and it is to this demand that this book attends. Amongthe authors and artists included are Charles Dickens, George Eliot, Wilkie Collins, Henry Mayhew, Ford Madox Brown, John Everett Millais, and other members of the Pre-Raphaelite Brotherhood. Encountersbetween normative and aberrant characters or figures within a text or visual object shape the encounter that the external reader or viewer has with those same aberrant bodies. The category of the aberrant draws on ideas from queer and disability studies but makes a case for a broader understanding of strange bodies; in this book, aberrant bodies are those whose visible forms lead to a breakdown in cognition, a breakdown that makes space for the innocent eye to move. In thinking about suchbodies, this book introduces the term extranormative to explain the complex and often complicit relationship these figures exemplify in relation to a (surprisingly expansive) Victorian norm. Thinking interms of extranormativity as an essential feature of Victorian life disrupts tired notions of the period as one in which a narrow definition of bourgeois normativity took hold. Explores the way that characters and figures in Victorian literature and visual art encountered and observed the bodies of others, particularly those bodies which were aberrant, deformed, and disabled. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
- Print on Demand
Seller: CitiRetail, Stevenage, United KingdomCitiRetail
Contact seller5-star sellerCondition: New
£ 122.49
£ 37.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Hardcover. Condition: new. Hardcover. Victorian Ethical Optics asks how artists and authors in the Victorian period answer the ethical question of how one should live with others by turning to a more specific one: how should one look at others? Looking would seem to necessarily lead to interpretation and judgment, but this book…shows how Victorian artists and authors imagined other ethical and optical relations. In an era in which aberrant, deformed, and disabled bodiesproliferated--particularly those bodies ravaged by industrial labor and poverty--the ideological and economic stakes of looking at such bodies peaked; moreover, as work became a gospel and the question of deservingness becamecentral, looking at aberrant bodies was always a matter of ethics and politics.The aesthetic thinking of John Ruskin animates the visual ethics at the center of this book, as he advocates for "innocence of the eye," which calls for a return to infantile sight of a kind that precedes judgment or classification. Although Ruskin understands such innocence to be an asymptote, optical innocence remains an ethical demand, and it is to this demand that this book attends. Amongthe authors and artists included are Charles Dickens, George Eliot, Wilkie Collins, Henry Mayhew, Ford Madox Brown, John Everett Millais, and other members of the Pre-Raphaelite Brotherhood. Encountersbetween normative and aberrant characters or figures within a text or visual object shape the encounter that the external reader or viewer has with those same aberrant bodies. The category of the aberrant draws on ideas from queer and disability studies but makes a case for a broader understanding of strange bodies; in this book, aberrant bodies are those whose visible forms lead to a breakdown in cognition, a breakdown that makes space for the innocent eye to move. In thinking about suchbodies, this book introduces the term extranormative to explain the complex and often complicit relationship these figures exemplify in relation to a (surprisingly expansive) Victorian norm. Thinking interms of extranormativity as an essential feature of Victorian life disrupts tired notions of the period as one in which a narrow definition of bourgeois normativity took hold. Explores the way that characters and figures in Victorian literature and visual art encountered and observed the bodies of others, particularly those bodies which were aberrant, deformed, and disabled. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
