Michael Beutler (76 results)

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. 414 pages including index. References at the end of each chapter. The exterior is lightly worn. Multiple tabbed pages. A name is written on the FFEP. Highlighting. The jacket is age-toned on the reverse.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condition: good. Used book that is clean, average condition without any missing pages.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condition: Good. Dust Jacket Condition: Paperback (No jacket). paperback Good creasing to corners of cover and first few pages front and back. Light rubbing to back cover.

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Stapled Soft Cover. Condition: Like New.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust Jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780898622812.…

Very good minus, light general wear. trade paper Price sticker on back cover.

Broschur Tb. / Softcover. 1. Aufl. Sprache: Englisch / »Pecafil« is named after the bright yellow, biodegradable building material which Michael Beutler used for a series of outdoor sculptures in the city of Frankfurt am Main. At stake in most of the German artist`s work is an experimental sculpture process where basic materials--wood, plaster, or glass--are used to analyze the standardization of common goods. His temporary, playful structures and forms constitute `a serious continuation of 20th century sculpture and architecture traditions and can function as almost pedagogical in relation to traditional public art. Seldom have attitudes from art history and the amateur carpenter been so interwoven.` Maria Lind. - This first monographic book discusses issues of art in public space and the social-political implications of Beutler`s work. (Sehr gut erhalten! / in very good condition) Sprache: Englisch Gewicht in Gramm: 300.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. FIRST PRINTING of the First Edition. A scholarly illustration of the integration of psychological assessment procedures, with emphases on the assessment as a consultative rather than a technical function, with suggestions on how to organize and integrate information from a variety of sources. An excellent resource for both clinicians as well as graduate students in this field. Hardcover with dust jacket, contains charts, graphs, references, tables, indexed, 414pp. A very nice copy, the jacket neatly encased in an acid-free archival protector. Very rare. Size: 8vo - over 7¾" - 9¾" tall. Book.…

Condition: New.

Condition: New.

Taschenbuch. Condition: Gut. 90 Seiten Insel Verlag 1. Auflage 1993, gebundene Ausgabe, 89 Seiten, in gutem Zustand Interne Angebotsnummer: 1128QJBMM17 FFM-943 28.11.2016 9783458165705 Auf Grund der aktuellen PPWR-Regelung der EU (Papier-Recycling mit Anmeldpflicht und hohen Kosten) können wir in der EU zur Zeit nur nach Österreich und Frankreich versenden. ! Versand in die Schweiz, Großbritannien und weltweit ist weiter möglich! Sprache: Deutsch Gewicht in Gramm: 880.…

Condition: As New. Unread book in perfect condition.

Condition: New. Satisfaction Guaranteed or your money back.

Condition: New. Satisfaction Guaranteed or your money back.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Am Anfang des architektonischen Entwurfsprozesses steht die Fertigung eines Objekts, das ein präzises entwurfsspezifisches Thema handwerklich interpretiert. Dabei haben die Wahl des Materials und dessen Verarbeitung wesentlichen Einfluss auf die Wirkung dieses Objekts und umgekehrt. Im Experiment mit isolierten Aspekten wie Verortung, Maßstab, Funktion, Zirkulation und Schnittstellen werden die Objekte zum assoziativen Rohstoff für den architektonischen Entwurf. Schrittweise werden die skulpturalen Figuren, welche die jeweils individuelle Handschrift speichern, zum Haus dabei ergeben sich laufend Fragen und Konflikte, die zu neuen Ideen von Form, Konstruktion und Raum führen. Das Objekt als dreidimensionale Skizze macht den Entwurfsprozess, der von alltäglichen Erfahrungen, gespeicherten Bildern und glücklicher Koinzidenz geprägt ist, analog und greifbar. Das Werkstück ist dabei ein Trägermedium, durch das die Ideen aus dem Kopf den Weg über die Hand nehmen.…

Paperback. Condition: Sehr gut. Gebraucht - Sehr gut Sg - leichte Beschädigungen oder Verschmutzungen, ungelesenes Mängelexemplar, gestempelt - Am Anfang des architektonischen Entwurfsprozesses steht die Fertigung eines Objekts, das ein präzises entwurfsspezifisches Thema handwerklich interpretiert. Dabei haben die Wahl des Materials und dessen Verarbeitung wesentlichen Einfluss auf die Wirkung dieses Objekts und umgekehrt. Im Experiment mit isolierten Aspekten wie Verortung, Maßstab, Funktion, Zirkulation und Schnittstellen werden die Objekte zum assoziativen Rohstoff für den architektonischen Entwurf. Schrittweise werden die skulpturalen Figuren, welche die jeweils individuelle Handschrift speichern, zum Haus; dabei ergeben sich laufend Fragen und Konflikte, die zu neuen Ideen von Form, Konstruktion und Raum führen. Das Objekt als dreidimensionale Skizze macht den Entwurfsprozess, der von alltäglichen Erfahrungen, gespeicherten Bildern und glücklicher Koinzidenz geprägt ist, analog und greifbar. Das Werkstück ist dabei ein Trägermedium, durch das die Ideen aus dem Kopf den Weg über die Hand nehmen. …

Buch. Condition: Neu. Neuware - The architectural design process starts with the creation of an object that represents a practical interpretation of a precise, design-specific theme. The choice of material, its manufacture and processing have a significant influence on the expression of an object and vice versa. As part of an experiment with isolated aspects such as localization, scale, function, circulation, and points of intersection, the objects become the associative raw material for the architectural design. Step-by-step, the sculptural figures that contain an individual signature each become a house. This procedure generates questions and conflicts that lead to new ideas with regard to form, structure, and space. As a three-dimensional sketch, the object makes the design process, which is characterized by everyday experience, stored images, and lucky coincidence, analog and tangible. The werkstück, literally translated as 'work-piece,' is a vehicle through which ideas from the mind can be physically expressed.; Am Anfang des architektonischen Entwurfsprozesses steht die Fertigung eines Objekts, das ein präzises entwurfsspezifisches Thema handwerklich interpretiert. Dabei haben die Wahl des Materials und dessen Verarbeitung wesentlichen Einfluss auf die Wirkung dieses Objekts und umgekehrt. Im Experiment mit isolierten Aspekten wie Verortung, Maßstab, Funktion, Zirkulation und Schnittstellen werden die Objekte zum assoziativen Rohstoff für den architektonischen Entwurf. Schrittweise werden die skulpturalen Figuren, welche die jeweils individuelle Handschrift speichern, zum Haus; dabei ergeben sich laufend Fragen und Konflikte, die zu neuen Ideen von Form, Konstruktion und Raum führen. Das Objekt als dreidimensionale Skizze macht den Entwurfsprozess, der von alltäglichen Erfahrungen, gespeicherten Bildern und glücklicher Koinzidenz geprägt ist, analog und greifbar. Das Werkstück ist dabei ein Trägermedium, durch das die Ideen aus dem Kopf den Weg über die Hand nehmen.…

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

344 pp.; 26.9 x 20.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "4th berlin biennial for contemporary art," Berlin, Germany, March 25 - June 5, 2006. Exhibition curated and catalogue edited by Massimiliano Gioni, Maurizio Cattelan, and Ali Subotnick on behalf of the KW Institute for Contemporary Art and funded by the Kulturstiftung des Bundes. Contributions by Nancy Spector. Artists include Tomma Abts, Viktor Alimpiev, Pawel Althamer, Kai Althoff and Lutz Braun, Ulf Aminde, Micol Assaël, Roger Ballen, Thomas Bayrle, Michael Beutler, Michaël Borremans, Bouchet, Tobias Buche, Anthony Burdin, Mircea Cantor, Bruce Conner, Benjamin Cottam, Martin Creed, Oliver Croy with Oliver Elser, Roberto Cuoghi, Tacita Dean, Jeremy Deller, Berlinde De Bruyckere, Gino De Dominicis, Nathalie Djurberg, Trisha Donnelly, Marcel van Eeden, Saul Fletcher, Roland Flexner, Felix Gmelin, Aneta Grzeszykowska, Sebastian Hammwöhner / Dani Jakob / Gabriel Vormstein, Rachel Harrison, Pravdoliub Ivanov, Sergej Jensen, Dorota Jurczak, Tadeusz Kantor, Ian Kiaer, Christopher Knowles, Robert Kusmirowski, Erik van Lieshout, Klara Liden, Ján Mancuska, Mike Mandel & Larry Sultan, Mark Manders, Kris Martin, Paul McCarthy, Corey McCorkle, Michaela Meise, Matthew Monahan, Otto Mühl, Bruce Nauman, Damián Ortega, Diego Perrone, Susan Philipsz, Jorge Queiroz, Reynold Reynolds with Patrick Jolley, Ricarda Roggan, Aïda Ruilova, Anri Sala, Markus Schinwald, Michael Schmidt, Thomas Schütte, Norbert Schwontkowski, Tino Sehgal, Shirana Shahbazi, Steven Shearer, Florian Slotawa, Christiana Soulou, Jaan Toomik, Paloma Varga Weisz, Gillian Wearing, Clemens von Wedemeyer with Maya Schweizer, Andro Wekua, Cathy Wilkes, Francesca Woodman, and Thomas Zipp. "A mysterious object, somewhere between an illustrated anthology of short stories and a scrapbook preserving the experience of visiting a biennial exhibition, this book presents the works of more than sixty artists in a montage of images, mixing historical photos, newspaper clippings, and other reference materials with installation shots and photographs of art works included in the show. Not simply a textual complement to the exhibition but also an unusual combine of art works, this book is much more than just a documentation of an exhibition, it's an exhibition in book form. In spite of its classical design and hardcover binding, it is an artists' book with a truly unusual use of texts and reprints. The book will also feature sections with visual reminders and references for all of the 4th berlin biennial activities including Checkpoint Charley, Gagosian Gallery in Berlin, and the columns presented by the bb4 in Zitty magazine." -- publisher's statement. New. In publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…