Massing A (35 results)

Softcover. Condition: Very Good +. First Edition, First Printing. 671 pages : illustrations (some color), maps (some color) ; 32 cm. Small folio. Stiff Pictorial Wraps. Catalogue for a major quincentenary exhibition held at the National Gallery of Art, Washington, D.C., October 12, 1991-January 12, 1992. Book Condition: Very Good+. Very faint shelf wear to panels with a tiny nick to the edge of the front panel. Interior unmarked and unmarred. A sharp copy of a massive, lavishly appointed National Gallery survey of the last 500 years as reflected in the art of the times (most of which they own). …

Hardcover. Condition: Very good. x, 398 p. 24 cm. Ink stamps and scuff on front endpapers. Another scuff on rear pastedown. A good overview of high school mathematics.

Original hardcover, dustjacket. xiv,240 pp.; 30.5x22.5 cm. Text in English. - Very good. See picture. This volume documents an exhibition held at the Fitzwilliam Museum, Cambridge, from July to September 1993, showcasing late medieval Flemish art. The exhibition featured paintings, sculpture, tapestries, coins, illuminated manuscripts, printed books, and furniture from various Cambridge collections, including the Fitzwilliam Museum, University Library, and several colleges, as well as items from the British Library and Holkham Hall. Highlights include manuscripts from renowned Burgundian libraries and three panels from Queens' College attributed to the Master of the View of Sainte Gudule. The book combines introductory essays with detailed catalogue entries and is generously illustrated in both color and black and white. 1300g. …

Broschiert. Condition: Gut. 207 S. : Ill. ; Das Buch ist in einem neuwertigen Zustand. Neben dem oben aufgeführten Aufsatz befinden sich auch weitere Beiträge auch anderer Autoren in dem Werk. Sprache: Deutsch Gewicht in Gramm: 280.

soft cover. Condition: fine. first edition. In-8° broché, 56 pages - Articles originaux : Pourquoi il faut parler français. - Le bilan des élections à la seconde Chambre. - Réflexions sur les élections lorraines. - La composition de la première Chambre. - Léon Lefébure. - Lettres françaises. - Deutsche Literatur. …

Colour and black and white illus., catalogue; 101 items; xiv+240pp. folio orig. pictorial wrappers, Published to accompany an exhibition at the Fitzwilliam Museum.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 237pp. Extremities lightly rubbed. Dj corners lightly bumped; Dj covers lightly scratched. Illus.; endnotes; appendices; glossary; biblio.; chronology.

Softcover. Condition: Gut. 153 S. m. Abb. Kleine Flecken auf Vorderschnitt, minimale Gebrauchsspuren, insgesamt gut erhalten, Fach: U4 U4 //Rechnung mit ausgewiesener MwSt. liegt bei.// Sprache: Englisch Gewicht in Gramm: 599.

hardcover. Condition: New. 1st.

Condition: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1600grams, ISBN:1872501079. …

Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Gebunden. Condition: New.

Taschenbuch. Condition: Neu. Framing the Penal Colony | Representing, Interpreting and Imagining Convict Transportation | Sophie Fuggle (u. a.) | Taschenbuch | Palgrave Studies in Crime, Media and Culture | xix | Englisch | 2024 | Springer | EAN 9783031193989 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Hardcover. Condition: Brand New. 320 pages. 11.25x9.50x1.00 inches. In Stock.

Buch. Condition: Neu. Neuware - The Thornham Parva Retable is Britain's largest and best preserved medieval altarpiece. It was found in a loft above a stable at Thornham Hall in Suffolk in 1927. Soon afterwards it was installed in the small thatched church of St Mary, Thornham Parva. Despite being extensively repainted some time before the end of the eighteenth century, its importance was immediately recognised. In 1987 a detailed study of the Retable in-situ and the Cluny Frontal, now in the Musee National du Moyen Age, Paris, established that both were parts of the altar which was probably made for the Dominican Priory at Thetford. It was saved from destruction after the dissolution of the monasteries in the early 16th century by a local family who adapted it for use as a private altar. The authors hoped that in time further examination and analysis of the Retable would be possible, and suggested a date of 1335-40 on stylistic grounds. After a sustained period of fund raising, the Parochial Church Council entrusted the examination and conservation of the Retable to theHamilton Kerr Institute, University of Cambridge. It was moved from the church in 1994.This book documents that project. The results of the technical examination are complemented by a series of articles placing the Retable in a technical and art historical context. It was decided to remove the later repaint as the only means to preserve the original paint lying beneath. Far more original paint was found, confirming the results of the initial examination and proposal. Dating of the wooden support suggested that the earliest date of production was probably 1336-40. The altarpiece can now be seen to be of the highest quality and has provided new insights into the sophisticated practice of oil painting in England before the fifteenth century.…

Condition: gut. PIAAC Germany 2012: Technical Report In deutscher Sprache. pages.

Condition: gut. Painting Restoration Before the Restauration. The Origins of the Profession in France In englischer Sprache. pages.

Condition: gut. Harvey Miller. The Westminster Retable. History, Technique, Conservation In englischer Sprache. pages.

Softcover. 22,5 x 15 cm. Originale gelbe Broschur, foliert. Die Schnitte sind etwas angestaubt. IX, 462 Seiten. Der erste Beitrag ( Leinkauf, bis Seite 34 ) mit vielen sauberen Bleistift-Unterstreichungen, radierbar. Der übrige Innenbereich ist sauber. Guter Zustand. --- Original yellow brochure, wrapped in foil. The cuts are a bit dusty. IX, 462 pages. The first contribution (Leinkauf, up to page 34) with many clean pencil underlinings, erasable. The rest of the interior is clean. Good condition. Einige Texte in englischer Sprache. --- ISBN: 3484365153 -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den goldenen Herbst! Machen Sie es sich gemütlich , bei uns finden Sie sicher die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! LitWiss. …

Condition: New.

Softcover. Condition: Gut. Softcover, Schnitt und Seiten gebräunt/ansonsten guter Zustand, Psychosozial-Verlag 1986, Versand weltweit / international shipping.

Softcover. Condition: Gut. Softcover, Einband etwas gebrauchsspurig/ansonsten guter Zustand, Psychosozial-Verlag 1986, Versand weltweit / international shipping.

Taschenbuch. Condition: Neu. Kursbuch Politikwissenschaft I | Grundkenntnisse und Orientierung | Peter Massing (u. a.) | Taschenbuch | 208 S. | Deutsch | 2022 | UTB GmbH | EAN 9783825258283 | Verantwortliche Person für die EU: Wochenschau Verlag, Dr. Kurt Debus GmbH, Eschborner Landstr. 42-50, 60489 Frankfurt am Main, info[at]wochenschau-verlag[dot]de | Anbieter: preigu.…

paperback. Condition: Sehr gut. 96 Seiten; 9783879205899.2 Gewicht in Gramm: 500.

loose_leaf. Condition: Gut. 120 Seiten; Artikel stammt aus Nichtraucherhaushalt! DN4946 Sprache: Deutsch Gewicht in Gramm: 500.

Buch. Condition: Neu. ALOHA | Ein magisches Abenteuer über den wahren Wert des Geldes Der zweite Band einer Trilogie zum Thema Finanzen für Kinder. Mit Neugierde, Fantasie und einer fesselnden Geschichte kann finanzielle Bildung spielerisch gelingen. | Katja Massing (u. a.) | Buch | Deutsch | 2026 | wortweit-Verlag | EAN 9783903326637 | Verantwortliche Person für die EU: wortweit-Verlag, Kraygasse 82, 1220 WIEN, ÖSTERREICH, office[at]wortweit-verlag[dot]at | Anbieter: preigu. Nemec, Alex (illustrator).…

Buch. Condition: Neu. ALOHA | Eine magische Reise durch die Geschichte des Geldes. Der erste Band einer Trilogie zum Thema Finanzen für Kinder. Mit Neugierde, Fantasie und einer fesselnden Geschichte kann finanzielle Bildung spielerisch gelingen. | Katja Massing (u. a.) | Buch | Deutsch | 2025 | wortweit-Verlag | EAN 9783903326415 | Verantwortliche Person für die EU: wortweit-Verlag, Kraygasse 82, 1220 WIEN, ÖSTERREICH, office[at]wortweit-verlag[dot]at | Anbieter: preigu. Nemec, Alex (illustrator).…

paperback. Condition: Sehr gut. 336 Seiten; 9783734407215.2 Gewicht in Gramm: 1.

Hardback, 320 p., 204 b/w ill., 240 x 280 mm. ISBN 9781905375349. The art of painting restoration is almost as old as the art of painting itself. Accidents and time inevitably alter the appearance of a painting, and these changes begin as soon as it leaves the artist's easel. Purposeful alterations due to changes in taste have also contributed to transformations that paintings often underwent. Clearly the type of restoration procedures considered ethically acceptable have changed over the centuries. From the Renaissance until the end of the nineteenth century, European paintings were considered as two-dimensional illusions of a three-dimensional space, and any disruption to this illusion was considered as damage requiring repair. There was no acknowledgement of painting supports as an integral part of a picture; only the paint layer and the subject represented were appreciated. As a result, panels were often thinned and cradled in order to flatten the painted surface so that the image depicted could be viewed with less distraction. Supports were even considered replaceable. Total transfer of a painted surface onto a new surface was an acceptable procedure in the eighteenth century - even until the mid-twentieth century. Invisible retouching was used with the intent of returning the illusion of the painted surface to its 'original state'; the history of the work was not important. Until recent times, it was even acceptable to alter the format of a work of art to fit a frame or a space on the wall. Traditionally, if a painting was accidentally damaged or if 'adjustment' were required, a painter was entrusted with this task. In the past, the professions of painter and painting restorer overlapped, and both were trained as apprentices. Gradually the professional painting restorer appeared in Europe, and by the mid-eighteenth century, the profession was established. Earlier examples of professional restorers, especially in Italy, have been recorded while in other European countries, such as Britain, the career of the professional painting restorer began much later. During the later part of the eighteenth century in France, the painting restorers of the French Royal Collection became celebrated throughout Europe for their achievements. The political situation had an important influence on the development of the profession in France. The reigns of Francois I (1515-47), Louis XIV (1643-1715), Louis XVI (1774-93), and then the coup d'etat by Napoleon Bonaparte and the First Napoleonic Empire (1804-14) led to an increasing centralisation of the French Empire. The arts were meant to reflect the power of the state; thus Louis XIV and his political advisor and Surintendent from 1661 to 1685, Jean-Baptiste Colbert (1619-83), became the patrons of the French Academie de Peinture et Sculpture founded in 1648. A revision of the Academy's statutes in 1665 required students to submit annually drawings that focused on the heroic actions of the king. Paintings conferred status on their owner - in this instance the king and the French nation. It then became a necessity to have the paintings on display looking their best, and the skill of the French painting restorers was even used as a justification for Napoleon's policy of confiscation of works of art from all over Europe. The relationship between the French government's administration, firstly under the Ancien Regime, then under the new Republic, and the painting restorers they employed and supervised is related in this book. The manner in which changes occurred involves colourful personalities whose stories are often amusing and sometimes poignant, but above all they help us to understand the present-day situation. For during the turbulent years of the French Revolution new patterns emerged, which to a large extent remained in place in France for over two centuries. New book. 0 g.…

Hardback, 320 p., 240 b/w ill., 23,8 x 28. ISBN 9781905375349. During the latter half of the eighteenth century, especially the period around and just after the French Revolution, what was happening in France in the field of painting restoration influenced all of Europe. In 1750 the museum in the Luxembourg Palace in Paris was opened to the public, and it became necessary to display to the public paintings which had been in storage for years. In the following decades King Louis XVI and his advisor, the Comte d'Angiviller, developed and enlarged the national collection of paintings. And with this came the need for painting restorers doing quality work - more than just the quick repairs as done by painters in the past - and several full-time painting restorers were employed. By the time the museum in the Louvre was opened to the public in 1793, in the midst of the French Revolution, the profession had been established. During the latter half of the eighteenth century, painting restoration techniques improved and French restorers began to travel to England and to other European countries more frequently, spreading their practical knowledge - especially about the lining and transfer of paintings. In Paris, a national concours was prepared to choose the most capable from a growing group of candidates, and in 1802 plans were drafted for a school of restoration. In this book the lives and careers of several of the more well-documented painting restorers for the French Royal Collection are traced one-by-one - including as much as possible about their restoration techniques. Languages : English. 0 g.…