Mascelloni (219 results)

Condition: Good. 0th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: Used - Very Good. VG paperback. 1st edition. 2002 1st edition to accompany an exhibition in Perugia (29th June to 12th September); numerous colour illustrations; text in English; spine and cover uncreased, apart from very light crease to top front corner; a clean, tidy copy Used - Very Good. VG paperback.…

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780500976203.

Paperback. Condition: New.

paperback. Condition: Near Fine. DETAILS: tall sewn PAPERBACK, attractive copy, near fine, bit of old label residue on rear cover. MARIGNOLI, DUCCIO K. / MASCELLONI, ENRICO, ed. . A thousand and one days: Pakistani women artists. Edited by Duccio K. Marignoli, Enrico Mascelloni. Milano: Silvana Editoriale, 2005, 127pp., . No ISBN number in book: "The exhibition, A Thousand and One Days, opens a remarkable window into the world of modern-day Pakistan. Through the vehicle of fifty-one contemporary miniature paintings by eight Pakistani women artists, the visitor is presented with an unusual look at a prominent Islamic nation. The Academy is honored to present this exhibition, the first in an ongoing series of explorations of contemporary art from the Islamic world. Organized by Italian guest curators Enrico Mascelloni and Duccio K. Marignoli, this exhibition explores boundaries of experience in realm where for centuries women have been subservient to men. That a woman has recently served as Prime Minister of Pakistan has not changed many of the realities that have historically prevailed for women. Art is one arena of many, however, in which Pakistani women have given shape to their experiences and voiced independent aspirations for their lives. The art of small-scale paintings on paper has been one of the most sophisticated art forms in South and Southwest Asia for centuries. The achievements of the traditional Persian, Mughal, Decanni, Rajput, and Punjab schools of painting are internationally famous today. Revived during the British Colonial period, the miniature painting traditions of Pakistan have been recently rediscovered and transformed by a new generation of women artists. Among the themes developed by these painters are the tensions between traditionalism and modernism in contemporary Islamic cultures, and the ongoing dialogue about identity in post-colonial society. One of the most powerful images explored is the chaador, or veil, with which women cover themselves in many Middle Eastern Islamic nations. Several of the artists in this exhibition studied at the miniature painting department of the National College of Arts in Lahore (formerly the Mayo School of Arts). In her catalogue essay, "Contemporary Women Painters of Pakistan," Salima Hashmi touches on the political dimensions of this art, when she writes, "The homage to tradition and the reverence of its practice affords limitless chances for its subversion." It is noteworthy in this light that Hashmi points out the "irreverence inherent in the Sufi Islamic tradition prevalent in Pakistan." In a completely contemporary manner, the painters in this exhibition question both what we see and how we see it. The exhibition includes works by Tazeen Qayyum, Talha Rathore, Nusra Latif Qureshi, Saira Sheikh, Sumaira Tazeen, Sherbano Qizilbash, Mahreen Zuberi, and Reeta Saeed. The artists represented include women who live in Pakistan and several who are recent expatriates. Nusra Latif Qureshi, for example, lives in Melbourne, Australia, while Talha Rathore lives and works in New York City. The Academy is deeply grateful to Guest Curators Enrico Mascelloni and Duccio K. Marignoli for proposing the exhibition and bringing it to fruition." -- Stephen Little, Director, Honolulu Academy of Arts. - CONTENTS: A Thousand and One Days: A Dialog between Enrico Mascelloni and Duccio Marignoli -- Spinning Stories: The Art of Pakistani Women Miniaturists / Salima Hashmi -- CATALOG OF WORKS: -- Tazeen Qayyum -- Sherbano Qizilbash -- Nusra Latif Qureshi -- Talha Rathore -- Reeta Saeed -- Saira Sheikh -- Sumaira Tazeen -- Mahreen Zuberi -- Biographies -- Bibliography.…

Paperback. Condition: New.

PAPERBACK. Condition: VG. SIGNED & INSCRIBED BY THE ARCHITECT FLORIO GEMIGNANI.

Paperback. Condition: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condition: New.

Paperback. Condition: Usato - Molto Buono. In-8 (Cm 28 x 20,5), pp. 111, brossura editoriale con sovracoperta illustrata, illustrazioni a colori nel testo. Collana "Catalogo regionale dei beni culturali dell'Umbria". Lieve ingiallitura margini. MOLTO BUONO.

Condition: NEW.

brossura. Condition: in ottime condizioni. Catalogo esposizione. Roma, Museo Carlo Bilotti, Aranciera di Villa Borghese, settembre novembre 2010. Illustrazioni a colori e in nero. Testi in italiano e inglese. Copertina morbida con alette. Formato in.8 (17x24 cm). Pagg. 127. Ottimo stato.

Brossura. Condition: fine. Roma, Museo Carlo Bilotti - Villa Borghese, 15 settembre - 21 novembre 2010.A cura di Mascelloni E.Testo Italiano e Inglese.Cinisello Balsamo, 2010; br., pp. 128, 90 ill. col., cm 17,5x24,5. Questo volume accompagna un'ampia antologica dedicata a Filippo Marignoli (1926-1995). Pittore dalla vita affascinante e dall'arte originale, ha operato e vissuto a Spoleto, Roma, New York, Hononulu, Parigi. Dopo il noviziato all'insegna dell'informale, che termina nel 1959 con il trasferimento a New York, inizia una ricerca sul paesaggio che lo condurrà a realizzare un'impresa ambita da ogni artista "moderno": inventare qualcosa di mai visto in precedenza. Si tratta dei primi paesaggi radicalmente verticali della pittura contemporanea, che verranno ripetutamente esposti da Denise René a Parigi e da Bruno e Fabio Sargentini a Roma, i fondatori di due tra le maggiori gallerie europee del dopoguerra. Il catalogo, con testi critici e numerose testimonianze, è completato da una cronologia e da un'antologia critica. Libro.…

Hardcover. Unpaginated hardcover, 8.5x12 inches, very good but for minor scuffing to front cover. Photos of sculptures in marble and bronze. Text in Italian, English, and French.

Brossura. Condition: fine. Siena, Palazzo Pubblico, Magazzini del Sale, 31 marzo - 3 giugno 2007.A cura di Sarenco, Marignoli D. K. e Mascelloni E.Traduzione di Falvo R. M.Testo Italiano e Inglese.Cinisello Balsamo, 2007; br., pp. 120, 76 ill. b/n e col., cm 23x28. Il volume è edito in occasione della prima mostra personale tenuta in Europa dell'artista africano Almighty God, nato a Kumasi, in Ghana, nel 1950. Avvicinatosi alla pittura giovanissimo, Almighty God - "Dio Onnipotente" pseudonimo con cui Kwame Akoto firma tutte le sue opere da quando si è accostato alla setta cristiana House of Faith Ministries, di cui è un fervente predicatore e che molto ha influito sulla sua arte - ha suscitato la curiosità e l'interesse di riviste internazionali e studiosi d'arte africani ed europei, colpiti dalla potente e inequivocabile qualità delle sue opere. Il catalogo che accompagna questa mostra è il primo volume monografico sul suo lavoro: la riproduzione delle opere è preceduta da tre interventi dei curatori della mostra e arricchita da apparati bio-bibliografici. Libro.…

Broschur, 4°. Condition: Sehr gut. Illustrated. 90 S. Das Buch ist in sehr gutem, sauberen Zustand. Einband minimal berieben. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9788843532360 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Italienisch Gewicht in Gramm: 422.…

Softcover. Condition: New in shrinkwrap. Black/blue illus. card wraps; French flaps; 127 pp. with vibrant color plates throughout. Catalogue from the exhibition of October to December 2005 in Honolulu. With a title essay by the editors and an additional essay by Salima Hashmi. Catalogue of works by 8 Pakistani women artists, followed by biographies and a bibliography. A beautiful catalogue.…

Softcover. Black/blue illus. card wraps; French flaps; 127 pp. with vibrant color plates throughout. Catalogue from the exhibition of October to December 2005 in Honolulu. With a title essay by the editors and an additional essay by Salima Hashmi. Catalogue of works by 8 Pakistani women artists, followed by biographies and a bibliography. A beautiful catalogue. NF internally; spine is faded from red to pink. …

Condition: New.

Condition: New.

Condition: MOLTO BUONO. Verona, Ed. Adriano Parise cm.23x31, pp.120 ill a colori. brossura con copertina figurata a colori. Una bella monografia con testo di Nicola Micieli e un'`introduzione privata` di James Beck. Umberto Buscioni è nato a Bonelle, in Provincia di Pistoia, nel 1931. Nel 1966, insieme a Barni e Ruffi, è protagonista della cosiddetta `Scuola di Pistoia`, tra le più interessanti risposte italiane alla Pop Art. Negli anni Settanta sviluppa i caratteri di leggerezza e luminosità pittorica già formulati nel decennio precedente, ma l'attenzione è ora posta a una realtà di oggetti morbidi e fluttuanti (stoffe). In seguito inzia una sua `lettura` dell'iconografia sacra del 500 ispirandosi alla cultura del manierismo toscano. Museo dell'Opera del Duomo, Prato, Palazzo Racani-Arroni, Spoleto. …

Condition: Très bon. 01. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Condition: Comme neuf. Edition 2000. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Edition 2000. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: Très bon. Edition 2000. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2000. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: Comme neuf. Edition 2000. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Edition 2000. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: Comme neuf. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: As New. Unread book in perfect condition.

Wraps. Condition: Very Good. Large 4to, [36] pp., b/w plates. Texts in Italian and German. Wrappers edgeworn, corners bumped.

Condition: BUONO USATO. Da revisionare INTERLINGUE IL LIBRO à USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. In italiano ed inglese, pagine riccamente illustrate e con qualche sporadica fioritura, copertina editoriale flessibile, con lunghe alette, segni di usura per scaffalatura ed etichetta prezzo al risvolto posteriore. Il volume à edito in occasione della prima mostra personale tenuta in Europa dell'artista africano Almighty God, nato a Kumasi, in Ghana, nel 1950. Avvicinatosi alla pittura giovanissimo, Almighty God - "Dio Onnipotente" pseudonimo con cui Kwame Akoto firma tutte le sue opere da quando si à accostato alla setta cristiana House of Faith Ministries, di cui à un fervente predicatore e che molto ha influito sulla sua arte - ha suscitato la curiosità e l'interesse di riviste internazionali e studiosi d'arte africani ed europei, colpiti dalla potente e inequivocabile qualità delle sue opere. Il catalogo che accompagna questa mostra à il primo volume monografico sul suo lavoro: la riproduzione delle opere à preceduta da tre interventi dei curatori della mostra e arricchita da apparati bio-bibliografici. Traduttore: Falvo, R. M. Curatore: Marignoli, D. K.;Mascelloni, E.;Sarenco. Numero pagine 119. Il copyright dei dati à di Informazioni Editoriali I.E. S.…