Martina Droth (183 results)

Paperback. Condition: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Illustrated. Used - Very Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: New.

paperback. Condition: New.

paperback. Condition: New. Brand New.

Condition: New.

Paperback. Condition: New. "My desire has been to indicate the most practical modes in which we can employ the noblest and the most refined of the plastic arts in the adornment of our streets and public buildings on the one hand, and of our private houses on the other." -Edmund Gosse.Author, translator, librarian, and scholar Edmund Gosse (1849-1928) was one of the most important art critics writing about sculpture in late-nineteenth century Britain. In 1895, he published the The Place of Sculpture in Daily Life, a quirky, four-part series of essays that ran in the Magazine of Art under the headings "Certain Fallacies," "Sculpture in the House," "Monuments," and "Decoration." Often cited but never before reprinted, Gosse's essays sought to demystify sculpture and to promote its patronage and appreciation. Martina Droth's introduction and commentary contextualize the essays within their era, providing insight into the world of late-Victorian sculpture. David J. Getsy's afterword connects the essays' themes to the present, offering a resonant perspective on the sculpture of today. …

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. "My desire has been to indicate the most practical modes in which we can employ the noblest and the most refined of the plastic arts in the adornment of our streets and public buildings on the one hand, and of our private houses on the other." -Edmund Gosse.Author, translator, librarian, and scholar Edmund Gosse (1849-1928) was one of the most important art critics writing about sculpture in late-nineteenth century Britain. In 1895, he published the The Place of Sculpture in Daily Life, a quirky, four-part series of essays that ran in the Magazine of Art under the headings "Certain Fallacies," "Sculpture in the House," "Monuments," and "Decoration." Often cited but never before reprinted, Gosse's essays sought to demystify sculpture and to promote its patronage and appreciation. Martina Droth's introduction and commentary contextualize the essays within their era, providing insight into the world of late-Victorian sculpture. David J. Getsy's afterword connects the essays' themes to the present, offering a resonant perspective on the sculpture of today. …

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Fine. still in original shrinkwrap with dust jacket - VERY NICE With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Oversized Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Book and dust jacket in very solid overall condition, with no markings, light amount of shelf wear.

Paperback. Condition: Good. Good condition paperback with light wear. Contents are clean with slight age tone.

Paperback. Condition: Brand New. 88 pages. 7.50x5.25x0.25 inches. In Stock.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine Dust Jacket. FINE ART. 209pp. Biblio. Illustrated in color.

Condition: New. In English.

Hardcover w/DJ. Condition: Good+/Good. First Edition. Los Angeles, CA: J. Paul Getty Museum. Good+/Good. (2009). First Edition. Hardcover w/DJ. 4to., 209 pp., DJ rubbed, frayed, cover bumped . Black & White/Color Illus. & Photos (illustrator).

Hardback or Cased Book. Condition: New. Tracey Emin: I Loved You Until the Morning. Book.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Near fine in near fine dust jacket. No markings, no bookplate, no remainder mark. No jacket chips or tears.

Hardcover. Condition: New.

pamphlet. Condition: Very Good. stapled gallery pamphlet Very Good paperback with light shelfwear - NICE! Standard-sized.

Condition: New.

Hardcover. Condition: New. Dust Jacket Condition: New. New from our store. Still in publisher's shrink wrap.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.