Marielle Sutherland (26 results)

Condition: good. Paperback Book.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

paperback. Condition: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Trade Paperback. Condition: New. Support Small Business by buying this book.

Paperback. Condition: Brand New. bilingual edition. 416 pages. 7.60x5.10x0.90 inches. In Stock.

Condition: New. In English.

Paperback. Condition: Brand New. bilingual edition. 416 pages. 7.60x5.10x0.90 inches. In Stock.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Hardback. Condition: New. The first anthology to explore early radioBrings into the public domain important texts on early radio, including a large number of translations previously unavailable in EnglishOffers a new transnational perspective on radio's rise as a medium of mass entertainment and as a tool for artistic expressionSheds light on the work of long-forgotten women and men to whom radio owes its longevityWho were the pioneers who first thought of radio as an art form, who debated how to write and perform for radio, who discussed radio's social and political dimensions? Spanning from 1924 to 1938, this anthology brings together long-forgotten texts on sound, listening and writing by radio enthusiasts, journalists, actors, radio producers and literary authors who conceptualised the new radio aesthetic between the two world wars and reflected on radio's future, as a medium requiring the invention of a new literature, new modes of performance and new ways of listening. The texts included here, drawn from British, French, German and Italian radio cultures, are representative of important pan-European debates about radio's potential at a critical moment in its history. Together, they shed light on ideas that shaped not only the emergence of radio drama, sound art and reportage, but radio as we know it today.…

Hardback. Condition: New. The first anthology to explore early radioBrings into the public domain important texts on early radio, including a large number of translations previously unavailable in EnglishOffers a new transnational perspective on radio's rise as a medium of mass entertainment and as a tool for artistic expressionSheds light on the work of long-forgotten women and men to whom radio owes its longevityWho were the pioneers who first thought of radio as an art form, who debated how to write and perform for radio, who discussed radio's social and political dimensions? Spanning from 1924 to 1938, this anthology brings together long-forgotten texts on sound, listening and writing by radio enthusiasts, journalists, actors, radio producers and literary authors who conceptualised the new radio aesthetic between the two world wars and reflected on radio's future, as a medium requiring the invention of a new literature, new modes of performance and new ways of listening. The texts included here, drawn from British, French, German and Italian radio cultures, are representative of important pan-European debates about radio's potential at a critical moment in its history. Together, they shed light on ideas that shaped not only the emergence of radio drama, sound art and reportage, but radio as we know it today.…

Hardback. Condition: New. The first anthology to explore early radioBrings into the public domain important texts on early radio, including a large number of translations previously unavailable in EnglishOffers a new transnational perspective on radio's rise as a medium of mass entertainment and as a tool for artistic expressionSheds light on the work of long-forgotten women and men to whom radio owes its longevityWho were the pioneers who first thought of radio as an art form, who debated how to write and perform for radio, who discussed radio's social and political dimensions? Spanning from 1924 to 1938, this anthology brings together long-forgotten texts on sound, listening and writing by radio enthusiasts, journalists, actors, radio producers and literary authors who conceptualised the new radio aesthetic between the two world wars and reflected on radio's future, as a medium requiring the invention of a new literature, new modes of performance and new ways of listening. The texts included here, drawn from British, French, German and Italian radio cultures, are representative of important pan-European debates about radio's potential at a critical moment in its history. Together, they shed light on ideas that shaped not only the emergence of radio drama, sound art and reportage, but radio as we know it today.…

Hardcover. Condition: Brand New. 368 pages. 9.21x6.14x0.75 inches. In Stock.

Hardback. Condition: New. The first anthology to explore early radioBrings into the public domain important texts on early radio, including a large number of translations previously unavailable in EnglishOffers a new transnational perspective on radio's rise as a medium of mass entertainment and as a tool for artistic expressionSheds light on the work of long-forgotten women and men to whom radio owes its longevityWho were the pioneers who first thought of radio as an art form, who debated how to write and perform for radio, who discussed radio's social and political dimensions? Spanning from 1924 to 1938, this anthology brings together long-forgotten texts on sound, listening and writing by radio enthusiasts, journalists, actors, radio producers and literary authors who conceptualised the new radio aesthetic between the two world wars and reflected on radio's future, as a medium requiring the invention of a new literature, new modes of performance and new ways of listening. The texts included here, drawn from British, French, German and Italian radio cultures, are representative of important pan-European debates about radio's potential at a critical moment in its history. Together, they shed light on ideas that shaped not only the emergence of radio drama, sound art and reportage, but radio as we know it today.…

4°. 215 S. Mit zahlr. tls. farb. Abb. Original-Pappband Text deutsch-englisch. - Vorderkanten mit jeweils 2 Einkerbungen. Gewicht (Gramm): 1650. Übers.: Marielle Sutherland (illustrator).

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Images of Absence: Death and the Language of Concealment in the Poetry of Rainer Maria Rilke discusses Rilke's exploration of death as ambivalence, anonymity and invisibility in images of deferral and encryption, examining poems from New Poems to Sonnets to Orpheus, with special attention to the Requiem poems of 1908. Its contribution to Rilke scholarship is to more fully state Rilke's production of an 'otherness' of death in self-consciously literary devices that emphasise the 'art' in 'articulation' and propose that the human relation to death is made in the paradoxes of poetic writing, integrating death via its resistance to interpretation and integration. Under this focus, the 'death of one's own' ('der eigene Tod') of the middle period takes on more artistic implications than previous interpretations of it have permitted. It becomes the poet's work or 'making' of death, a construct in which death's alienation appears charged, completed and aestheticised in metaphors, similes and poetic forms that represent language reaching beyond modes of familiarisation into depersonalised, estranged spaces. The study traces through the different phases of Rilke's poetry the relation he sets up between the textuality of the text and the hidden quality of death. 302 pp. Englisch.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Images of Absence: Death and the Language of Concealment in the Poetry of Rainer Maria Rilke discusses Rilke's exploration of death as ambivalence, anonymity and invisibility in images of deferral and encryption, examining poems from New Poems to Sonnets to Orpheus, with special attention to the Requiem poems of 1908. Its contribution to Rilke scholarship is to more fully state Rilke's production of an 'otherness' of death in self-consciously literary devices that emphasise the 'art' in 'articulation' and propose that the human relation to death is made in the paradoxes of poetic writing, integrating death via its resistance to interpretation and integration. Under this focus, the 'death of one's own' ('der eigene Tod') of the middle period takes on more artistic implications than previous interpretations of it have permitted. It becomes the poet's work or 'making' of death, a construct in which death's alienation appears charged, completed and aestheticised in metaphors, similes and poetic forms that represent language reaching beyond modes of familiarisation into depersonalised, estranged spaces. The study traces through the different phases of Rilke's poetry the relation he sets up between the textuality of the text and the hidden quality of death.…

Taschenbuch. Condition: Neu. Images of Absence: Death and the Language of Concealment in the Poetry of Rainer Maria Rilke | Marielle Sutherland | Taschenbuch | Amsterdamer Publikationen zur Sprache und Literatur, Band 164 | Englisch | 2006 | Weidler bei Frank & Timme | EAN 9783896934611 | Verantwortliche Person für die EU: Frank & Timme GmbH, Wittelsbacherstr. 27a, 10707 Berlin, info[at]frank-timme[dot]de | Anbieter: preigu Print on Demand.…

Hardcover. Condition: Brand New. 368 pages. 9.21x6.14x0.75 inches. In Stock. This item is printed on demand.