Marc Decimo (48 results)

soft cover. Condition: fine. first edition. in-8 broché sous couverture illustrée, 173 pages illustrées de hors texte : reproductions sur papier couché.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Condition: AS NEW. Etat de NEUF / AS NEW condition 2840681919 9782840681915 1054C 5.

soft cover. Condition: as new. first edition. 800 pages. Un panorama complet sur la figure étonnante de l'écrivain méconnu, grammairien, cosmologue et inventeur ; une biographie, une étude linguistique et philosophique, des textes critiques.

Paperback. Condition: new. Paperback. The volume accompanying an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 invites us to reflect on the role a face can play in mediating communication through the gaze. We are all aware of how powerful it can be when eyes meet, as well as their crucial role in giving dignity to people through caring. But the face can also be considered from another, almost conflicting, point of view, as a visible surface masking the invisible aspects of the human being: it can either reveal or conceal feelings and emotions, thoughts and concerns The subject of faces deserves to be explored here in all its anthropological depth. In Art Brut, its production marked as it is by a powerful creative urge, this exploration takes on a singular dimension, with the presentation of works whose figurative content facilitates the encounter with this inalienable aspect of humanity, which becomes somehow inevitable, regardless of the marginality of the social and cultural acknowledgement of the artists. These faces, whether withdrawn or seeking, with their attentive, questioning, communicative, absent, or empty expressions, reflect a manner of relating to the world that interrogates, through a mise en abyme of sorts, our very encounter with humanity. AUTHORS: Pascal Roman is a professor of Clinical Psychology, Psychopathology, and Psychoanalysis. Marco Decimo is a professor of Contemporary Art History at the University of Paris Ouest-Nanterre and director of the College de Pataphysique. SELLING POINTS: . The theme of the sixth Biennale de l'Art Brut (20232024) is faces, a distinctive feature of human beings, which, thanks to their expression, can encompass the complexity of the entire person-their body and their spirit . Published to accompany an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 125 colour illustrations The volume invites us to reflect on the role a face can play in mediating communication through the gaze. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

In-8 broché ( 240x155 mm ) de 171 pages.Illustrations photographiques hors-texte. Varia.

soft cover. Condition: as new. first edition. Si la notoriété de la Joconde doit beaucoup à « l'Illustre Sapeck », un des Incohérents, qui, le premier, l'a chargée, elle doit plus encore à Vincent Peruggia qui, en 1911, l'a volée. En 1919, Marcel Duchamp lui ajoute moustaches, barbiche et ses lettres de gloire, un titre scandaleusement scabreux : L.H.O.O.Q. Depuis 1870, on a recensé 180 Jocondes à moustaches de par le monde - pré- et post-duchampiennes. On les doit à des caricaturistes du Monde pour rire, du Rire et de Fantasio et à de nombreux artistes, dont Francis Picabia, Marinus, Salvador Dalí et Philippe Halsman, Gaston Chaissac, Lee Miller et Dorothea Tanning, aux amis de Boris Vian, et Erró, Jean Boullet, Max Ernst, Asger Jorn, Arman, Jean-Jacques Lebel, Batman, Frank Zappa, Henri Maccheroni, Thomas James Chimes, Romero Britto, Bruno Caruso, Marcel Mariën, le collectif Lódz Kaliska, Susan Herbert, César, Huang Yong Ping, Zofia Szalowska, C. de Moi, Tadanori Yokoo, Eduardo Arroyo, Subodh Gupta, Manuel Ocampo et tant d'autres.

Condition: NEW.

Couverture souple. Condition: Très bon. Ed. limitée. Petit in-8. 52 pages. Essai de qualité.

Cloth. Condition: Very Good. No Jacket. 231 pages 186 illustrations 56 in color. Some pencil markings to the second page. Some gummy residue and a tear from a library sticker to the base of the spine. No dustjacket. Illustrated boards. Published on the occasion of the exhibition from the Museum Jean Tinguely Basel 20 March-30 June 2002. List of Exhibited Works.

Brossura. Condition: new. Edited by Pascal Roman and Decimo Marc.Translation by Comoy J.English Text.Milano, 2024; paperback, pp. 168, col. ill., cm 20,5x25,5. The volume accompanying an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 invites us to reflect on the role a face can play in mediating communication through the gaze. We are all aware of how powerful it can be when eyes meet, as well as their crucial role in giving dignity to people through caring. But the face can also be considered from another, almost conflicting, point of view, as a visible surface masking the invisible aspects of the human being: it can either reveal or conceal feelings and emotions, thoughts and concerns. The subject of faces deserves to be explored here in all its anthropological depth. In Art Brut, its production marked as it is by a powerful creative urge, this exploration takes on a singular dimension, with the presentation of works whose figurative content facilitates the encounter with this inalienable aspect of humanity, which becomes somehow inevitable, regardless of the marginality of the social and cultural acknowledgement of the artists. These faces, whether withdrawn or seeking, with their attentive, questioning, communicative, absent, or empty expressions, reflect a manner of relating to the world that interrogates, through a mise en abyme of sorts, our very encounter with humanity. Libro.

Condition: new.

Paper. Condition: Très Bon. Tres bon etat. 173pp. Book.

Condition: Tres bon etat. Format in-12 broch.

Couverture souple. Condition: Comme neuf. 2ème Édition. Paris 2007. 1 Volume/1. -- Comme Neuf, non coupé. -- Broché cousu. Couvertures à rabats. Format 18,8 x 12,2 cm ( 72 gr ). ------ 52 pages + 2 photos et quelques fac-similes *********************** ref att 888.

Hardcover. Condition: Gut. M : 232 Seiten, 230 Abbildungen Leinen mit Schutzumschlag - This book endeavours to trace the different periods of Duchamp´s oeuvre by means of a selection of his works, focussing mainly on aspects that influenced Jean Tinguely's oeuvre: the mechanical, movements and the optical, play and humour. His painting Nu descendant un escalier [Nude Descending a Staircase] from 1912, in which he dissects the movement of the nude into stills composed of abstract surfaces, thus creating a "static picture of movement", is but one example. The publication contains statements by Duchamp himself as well as essays by renowned authors on such topics as the emergence and development of the ready-made concept and its impact on the art of the 1960s.

Condition: Tres bon etat. Format in-8 broch.

Cloth. Condition: Good. Dust Jacket Condition: Good. 231 pages 186 illustrations 56 in color. There is a water stain to the lower corner of the front and rear board that strangely does not seem to have affected either the dustjacket or the interior pages. The front free endpaper has been creased. Published on the occasion of the exhibition from the Museum Jean Tinguely Basel 20 March-30 June 2002. List of Exhibited Works.

Couverture souple. Condition: Bon état. In-8 broché, 171 pp. cahier central de photos en noir et blanc. Couverture tachée, intérieur pages jaunies. Bon état. Jean-Pierre Brisset, Linguiste admiré par les plus grands Max Jacob, André breton, Robert Desnos, . Et surtout de Marcel Duchamps qui le plaçait au rayon de sa bibliothèque idéale. in-8°.

Condition: Bon état. in-8, broché, 171 pp., nombreuses figures et 8 planches hors-texte. Bon état général.

Couverture souple. Condition: Bon. Dos carré collé, couverture illustrée, 145 X 205 mm, 60 p. Nombreuses illustrations in-texte en noir et blanc. Accroc à la coiffe supérieure, intérieur frais.

Couverture souple. Condition: Comme neuf. Edition originale. Paris 2022. 1 Volume/1. -- Comme Neuf -- Broché cousu. Format in-8°( 24 x 17 cm )( 602 gr ). ---------- 310 pages . Nombreuses illustrations. ********************** Présentation éditeur : "" Une enquête érudite et passionnante sur l'énigme de la grande uvre testamentaire de Marcel Duchamp, installation conçue pendant vingt ans dans le plus grand secret avant d'être dévoilée au public un an après la mort de l'inventeur du ready-made, qui donne des clés d'interprétation inédites au regardeur, en examinant à la fois ce que vient clore et ce à quoi ouvre Étant donnés. Quelle solution imaginaire jouer contre la Postérité, qui escamote les uns, fait renaître les autres, change d'avis ? Avec Étant donnés 1° La chute d'eau 2° Le gaz d'éclairage qui fait irruption et énigme en 1969, Marcel Duchamp joue un coup post-mortem dans une partie engagée depuis le Nu descendant un escalier n° 2 et les readymades, dont Fontaine. Que mettre en uvre pour tenter dès 1943 de retenir Maria Martins, l'amante des tropiques, quand, déjà, il sait qu'échappera l'Amour ? Brouillages, brouilles et mises au point, passion, perte, peine et perroquets, s'agitent dans quelque allégorie réaliste pour dire les échecs, le désir de l'autre, la frustration, l'angoisse, la vie, la mort, son rapport à l'art. "" *************************** ref srmArm02.

Paperback. Condition: new. Paperback. The volume accompanying an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 invites us to reflect on the role a face can play in mediating communication through the gaze. We are all aware of how powerful it can be when eyes meet, as well as their crucial role in giving dignity to people through caring. But the face can also be considered from another, almost conflicting, point of view, as a visible surface masking the invisible aspects of the human being: it can either reveal or conceal feelings and emotions, thoughts and concerns The subject of faces deserves to be explored here in all its anthropological depth. In Art Brut, its production marked as it is by a powerful creative urge, this exploration takes on a singular dimension, with the presentation of works whose figurative content facilitates the encounter with this inalienable aspect of humanity, which becomes somehow inevitable, regardless of the marginality of the social and cultural acknowledgement of the artists. These faces, whether withdrawn or seeking, with their attentive, questioning, communicative, absent, or empty expressions, reflect a manner of relating to the world that interrogates, through a mise en abyme of sorts, our very encounter with humanity. AUTHORS: Pascal Roman is a professor of Clinical Psychology, Psychopathology, and Psychoanalysis. Marco Decimo is a professor of Contemporary Art History at the University of Paris Ouest-Nanterre and director of the College de Pataphysique. SELLING POINTS: . The theme of the sixth Biennale de l'Art Brut (20232024) is faces, a distinctive feature of human beings, which, thanks to their expression, can encompass the complexity of the entire person-their body and their spirit . Published to accompany an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 125 colour illustrations The volume invites us to reflect on the role a face can play in mediating communication through the gaze. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: new. Paperback. The volume accompanying an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 invites us to reflect on the role a face can play in mediating communication through the gaze. We are all aware of how powerful it can be when eyes meet, as well as their crucial role in giving dignity to people through caring. But the face can also be considered from another, almost conflicting, point of view, as a visible surface masking the invisible aspects of the human being: it can either reveal or conceal feelings and emotions, thoughts and concerns The subject of faces deserves to be explored here in all its anthropological depth. In Art Brut, its production marked as it is by a powerful creative urge, this exploration takes on a singular dimension, with the presentation of works whose figurative content facilitates the encounter with this inalienable aspect of humanity, which becomes somehow inevitable, regardless of the marginality of the social and cultural acknowledgement of the artists. These faces, whether withdrawn or seeking, with their attentive, questioning, communicative, absent, or empty expressions, reflect a manner of relating to the world that interrogates, through a mise en abyme of sorts, our very encounter with humanity. AUTHORS: Pascal Roman is a professor of Clinical Psychology, Psychopathology, and Psychoanalysis. Marco Decimo is a professor of Contemporary Art History at the University of Paris Ouest-Nanterre and director of the College de Pataphysique. SELLING POINTS: . The theme of the sixth Biennale de l'Art Brut (20232024) is faces, a distinctive feature of human beings, which, thanks to their expression, can encompass the complexity of the entire person-their body and their spirit . Published to accompany an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 125 colour illustrations The volume invites us to reflect on the role a face can play in mediating communication through the gaze. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

soft cover. Condition: as new. first edition. In-4° broché Où commence et finit la Littérature ? Où commence et finit la folie ? De l'histoire de ces limites traitent depuis le XVIIIe siècle jusqu'à nos jours Disraeli, Philarète Chasles, Gabriel Peignot, Nodier - autour de la question des « fous littéraires » -, Delepierre, les Agathopèdes, les deux Brunet, de nombreux érudits, Alfred Jarry, et des aliénistes, Calmeil, Sentoux, Lombroso, Nordau, Réja, puis Chambernac, Queneau, Breton, Perec, Blavier, des universitaires et tant d'autres.Ainsi que faire du Journal de Madopolis, du prêtre adamite Fulmen Cotton, des pré-oulipiens, de Gleïzès (l'inventeur du végétarisme), des farfadets de Berbiguier de Terre-Neuve du Thym, de Jules Allix (atteint d'escargotomanie), de la philanthropophagie de Paulin Gagne, de Jean-Pierre Brisset (atteint de grenouillomanie), du marquis de Camarasa et de ses brouettes, de Perreaux (l'inventeur de la moto), de Normand Lamour et de tant d'autres ? Professeur d'histoire de l'art contemporain à Paris-X Nanterre, Régent du Collège de 'Pataphysique (chaire d'Amôriographie littéraire, ethnographique et architecturale), Marc Décimo est linguiste, sémioticien et historien d'art. Il a publié un vingtaine de livres et de nombreux articles sur la sémiolologie du fantastique, sur les fous littéraires (Jean-Pierre Brisset - dont il a édité l'oeuvre complète aux Presses du réel -, Paul Tisseyre Ananké) et sur l'art brut, sur Marcel Duchamp (La bibliothèque de Marcel Duchamp, peut-être, Marcel Duchamp mis à nu, Le Duchamp facile, les mémoires de Lydie Fischer Sarazin-Levassor, Marcel Duchamp et l'érotisme) et sur l'histoire et l'épistémologie de la linguistique. Tanka G. Tremblay est professeur au collège Jean-de-Brébeuf de Montréal, associé à l'O. Québécois de 'Pataphysique.

Couverture rigide. Condition: Neuf. Edition originale. Paris 2008. 1 Volume/1. -- Neuf -- Reliure éditeur cartonnée illustrée. Format 24 x 17,5 cm . ------- 320 pages avec 52 illustrations en noir et en couleurs. ************************* "" Une vingtaine de spécialistes internationaux convoqués autour du thème de l'érotisme chez Recueil des interventions dans le cadre du colloque Marcel Duchamp et l'érotisme organisé par Marc Décimo à l'Université d'Orléans, du 7 au 9 décembre 2005. Interventions de Marc Décimo, Jean Suquet, Michael R. Taylor, Patrick de Haas, James McManus, Julian Bourg, Sébastien Rongier, Lewis C. Kachur, David A. Gerstner, Tania Lorandi, Fae Brauer, Gavin Parkinson, Derek Sayer, Philippe Dagen, Elfreide Dreyer, Leah Sweet, Frédérique Joseph-Lowery, Ornella Volta, Cécile Bargues et Séverine Gossart. . ************************.

Couverture souple. Condition: Neuf. 21 CM X 28 CM-NON PAGINE-(100P).

Couverture souple. Condition: bon. R260118019: 1986. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 171 pages. Premier plat illustré en noir et bmanc. Quelques illustrations en noir et blanc dans le texte. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française.

. In-8 br. Première biographie consacrée à J.-P. Brisset, illustrations, bibliographie. E.O.