Lorenzo Quinteros (7 results)

Condition: Very Good. : Este libro recopila tres obras teatrales del dramaturgo británico Harold Pinter: 'El Cuidador', que le valió su primer éxito en 1960, y que presenta a Davies, un obsesivo personaje en una relación con dos enigmáticos hermanos; 'Los Enanos', escrita originalmente para la radio, donde Pinter experimenta con una estructura flexible; y 'La Colección', una obra televisiva que explora las relaciones sexuales entre dos parejas. Esta edición es una traducción al español y forma parte de la colección 'Gran Teatro'. EAN: 9789500363068 Tipo: Libros Categoría: Otros Título: El Cuidador, Los Enanos, La Colección Autor: Harold Pinter| Laura Thieberger| Lorenzo Quinteros Editorial: Losada/Argentina Idioma: es-ES Páginas: 176 Formato: tapa blanda.…

Rústica. Condition: New. Dust Jacket Condition: Nuevo. 1. LIBRO.

Condition: New.

Taschenbuch. Condition: Neu. Neuware.

Condition: New.

Rústica. Condition: Bueno. Primera edición. 103. Revista LITERAL - Buenos Aires - N° 1 al N° 4/5. Colección completa [5 números en 3 volúmenes]. Directores: Germán L. García, Luis Gusmán, Osvaldo Lamborghini, Lorenzo Quinteros y Jorge Quiroga. N° 1 [nov 1973], N° 2/3 [mayo 1975] y N° 4/5. Rústica original. Colaboradores: Susana Constante, Oscar del Barco, Marcelo Guerra, Julio Ludueña, Oscar Steimberg, Josefina Ludmer, Héctor Libertella, Oscar Masotta, Ricardo Zelarayán, entre otros. Textos sin firma. Buen estado general, leves desgastes en cubiertas y lomos. A. Fundada por Germán García, Osvaldo Lamborghini y Luis Gusmán como disidencia lacaniana de la izquierda sartreana, LITERAL introduce el psicoanálisis, Barthes y Lacan en la literatura argentina y propone una "política de la escritura" contra el realismo comprometido. Solo 3 entregas en 4 años, tirada mínima y clandestina. En el N° 1 aficharon toda Buenos Aires con "Literal n°1: una intriga". Publicó Soré y resoré, Sebregondi retrocede y poemas de Lamborghini que después serían Poemas, los primeros textos teóricos de Ludmer y Libertella, y documentos colectivos sin firma para borrar la figura de autor. Colección completa es rarísima y muy buscada, sobre todo el último número doble dirigido solo por García ya en dictadura.…

Encuadernación de tapa blanda. Condition: Muy bien. In-8. #1 1973 - #4/5 1977. (Complete set). Wrappers. Collaborators : Susana Constante, Oscar del Barco, Marcelo Guerra, German Leopoldo Garcia, Osvaldo Lamborghini, Julio Ludueña, Lorenzo Quinteros, Oscar Steimberg, Among others. A cult magazine, Literal, like Martín Fierro in the 1920s, had a strange influence on Argentina in the 1970s. It brought a perverse novelty: the slow distillation of psychoanalysis in literature, which a few years earlier, at the hands of Oscar Masotta, produced the hybrid of a cross between the unconscious and the letter. The result was an extreme proposal that many drank from to clarify things and produce texts. The secret of "the Literal generation" (as academic critics would later baptize them) was simply rhetorical: to shift forces in the field of argumentation. Its members were a group of boys, the times were not tame: the turbulence of Cámpora in power, the return and death of Perón, the military coup of '76. The illustrious ancestors were announced by Osvaldo Lamborghini in what he called "the caste of knowledge and language", namely: Macedonio, Girondo, Borges. Germán García published an epilogue to El fiord de Lamborghini, yes, but he did it undercover behind his middle name (Leopoldo) and his second surname (Fernández). Lamborghini himself promised to write an invisible book of critical imagination that he never wrote. Its title matches that of this prologue. From Paris, Sarduy launched the most hermetic definition of the baroque: Everything to convince , and Lacan completed the proposal with that masterful and no less hermetic class on the baroque that appeared in the magazine. The Literal proposal lasted just four years and only three volumes appeared. But from number 1 and through the bars of numbers 2/3 and 4/5, a political, social and economic Argentina was making a frog leap that today seems endless. In this sense, and only in this sense, it could be calculated that Literal was longer-lived than Sur. The composition of the successive drafting and management committees varied from García, Lamborghini, Gusmán and Lorenzo Quinteros to Lamborghini, García, Gusmán and Jorge Quiroga, and to García alone. Those committees, one could say, changed the way they changed the architecture of the gaze. Tarcus p68. C1. …