Lo Luca (210 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

paperback. Condition: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

paperback. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

paperback. Condition: Used-Very Good. Pap. Two volumes. Minor shelf wear overall. Else a bright, clean copy.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. A hybrid monograph/artist book of Nathalie Du Pasquier's work.A hybrid monograph/artist book of Nathalie Du Pasquier's work.Published on the occasion of Nathalie Du Pasquier's solo show at MACRO (Museum of Contemporary Art of Rome), which will travel to the MRAC (Musee Regional d'Art Contemporain Occitanie/Pyrenees-Mediterranee), this book navigates the space between an exhibition catalogue and the artist book with juxtapositions of photographs of Nathalie Du Pasquier's works, installation views of the show at MACRO, and extracts from texts by various writers and figures fundamental for her practice. These come together to create an extension of the exhibition itself, in a form that channels the spirit of the show: the pages become exhibition spaces embracing associations and combinations allowing for a deeper understanding and exploration of Du Pasquier's work, and her imagination at large.RO-S offers a glimpse into the possibilities offered by Du Pasquier's oeuvre, which can be approached, interpreted, and experienced from countless perspectives. It is the very vastness and variety of her work, and her inspirations, that make its exploration-and as a result, this publication-nonexhaustive. This publication is part of an ongoing study of her career and documents her exhibition at MACRO, "Campo di Marte," Du Pasquier's biggest show to date which brought together over one hundred paintings, sculptures, drawings, prints, and cabins, from the early 1980s to present day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condition: Fine. Fine - Pages are mostly intact and not marred by notes or highlighting, but book spine has slightly faded in color. This publication documents the 2016 exhibition One, No One and One Hundred Thousand, which took place at Kunsthalle Wien Karlsplatz. Curated by Luca Lo Pinto, the show took its inspiration from Oulipo, a literary strategy whose objective was to propose new "structures" for writing that were mathematical in nature. Using A Thousand Billion Poems, a 1961 book by Raymond Queneau, one of Oulipo's founders, as a manifesto for the exhibition, nine artists were invited to create new works in a display that would change depending on the wishes of the visitor. Investigating and reformulating the conventional structure and limitations of exhibition making, One, No One and One Hundred Thousand challenged curatorial authorship and explored potentiality. The main actor of the exhibition was the viewer who was not a consumer but a coproducer, alongside the artists and the curator. This publication, which comprises photographs, dates, time stamps, and the names of the visitors, is a record of the 178 unique exhibitions realized. With artist contributions by Darren Bader, Jason Dodge, Phanos Kyriacou, Adriana Lara, Jonathan Monk, Marlie Mul, Amalia Pica, Martin Soto Climent, Lina Viste Grønli.…

Condition: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Condition: New.

Condition: New.

Paperback. Condition: new. Paperback. This first monograph on Italian artist Emilio Prini and his radical approach to art.This first monograph on Italian artist Emilio Prini and his radical approach to art.This is the first monograph dedicated to one of Italy's most enigmatic and complex artistic figures, Emilio Prini (1943-2016), a key figure of Arte Povera whose work has never been fully surveyed. Structured chronologically from 1966 to 2016, it examines his work via a systematic iconographic and bibliographic analysis of Prini's archives along with the institutions he exhibited at. As he considered the medium secondary to the concept, no distinction is made between installations, sculptures, invitations, posters, or documents; and by presenting the works first individually and then situated in different contexts, the book provides a unique insight into his particular methodology. Prini also consistently rejected the notion of the artwork as a closed and defined object, interrogating the very framework of the exhibition format. In our current context, marked by the overproduction and overconsumption of images and objects, the ongoing relevance of Prini's independent, elusive, and uncompromising approach lies in his questioning the necessity of production itself.The volume includes a text by curator Luca Lo Pinto and scholarly contributions from Alexander Alberro, Stefano Chiodi, Hans Ulrich Obrist, Timotea Prini, and Andrea Viliani, alongside artist interventions by four international artists: Lara Favaretto, Adam Harrison, John Knight, and Anri Sala. It has been designed by Experimental Jetset, one of the most influential graphic design studios working today.Copublished by MACRO-Museum of Contemporary Art of Rome Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Condition: As New. Unread book in perfect condition.

Condition: NEW.

Condition: New. Lo Scarabeo Decks ed. edition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Brossura. Condition: new. Milano, 2022; br., pp. 128, cm 12,5x20,5. "Museo per l'Immaginazione Preventiva - EDITORIALE" è la mostra-manifesto che ha riaperto il MACRO e introdotto il lavoro curatoriale del nuovo direttore artistico Luca Lo Pinto. Attraverso le opere esposte, chiamate ad anticipare i temi che si sviluppano in un programma triennale, la mostra ha aperto una riflessione più ampia sull'identità dell'istituzione museale contemporanea, invitando il visitatore a lasciarsi guidare dagli interrogativi e dalle visioni degli artisti. Il volume EDITORIALE raccoglie le voci di dieci tra i più importanti scrittori contemporanei italiani - Emanuele Trevi, Valerio Magrelli, Veronica Raimo, Ivan Carozzi, Nadia Terranova, Igiaba Scego, Alessandro Lolli, Elena Stancanelli, Francesco Pacifico, Chiara Valerio - che hanno tradotto la loro visita alla mostra in narrazione e immaginato ulteriori dialoghi con le opere esposte. Il libro, volutamente privo di immagini, restituisce la mostra esclusivamente attraverso la parola. Libro.…

Paperback. Condition: New.

Paperback. Condition: New.

CRD. Condition: Brand New. gmc crds edition. Spanish language. 4.75x2.75x1.00 inches. In Stock.

Paperback. Condition: New.

Condition: New.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.