Lisbon Laura (12 results)

Softcover, 48 pages; as new condition; clean and crisp; no internal marks.

Trade Paperback. Condition: Near Fine. No Jacket. First Edition. 8vo - over 7¾" - 9¾" Tall (small). Slight rubbing to wrappers; else a near fine copy as issued. 48 pages. Upper wrapper title: Lisbon / Matzko. Catalogue of the joint exhibition/installation at the Wexner Center for the Arts, Ohio State University, May - August 1995. Foreword by Sherri Geldin; introduction and essays by Rogers.18 Color & b/w Photographs.…

softcover. Condition: Collectible; Like New. First Edition. Numerous illustrations. Introduction and essays by Sarah J. Rogers. Published on the occasion of the exhibition, May 6 - August 13, 1995. Tight, clean and crisp. The book appears unread and looks New.

paperback. Condition: Very Good. gallery pamphlet with multiple essays throughout Very Good paperback with light shelfwear - NICE! Standard-sized.

First edition. 48 pp. Sunning to spine, else near fine in printed wrappers. Illustrated exhibition catalogue.

dj. First Edition. First edition and first printing. Hardcover. 241 pages. Published in conjunction a traveling exhibition. Text in English. Features contributions by Philip Armstrong, Robert Bonaccorsi, Agnes Foiret, Laura Lisbon, Jean-Marc Poinsot, and Molly Warnock. Includes numerous black and white illustrations. A clean and tight very near fine copy in a very near fine dust jacket.…

Hardcover. square black cloth boards w/ silver spine printing. 256 pgs w/ bw illustration, section of color. blue illustrated dustjacket w/ red spine stripe, white printing. "As Painting, which accompanies an exhibition of the same name at the Wexner Center for the Arts, offers thought-provoking new perspectives on the evolution of painting in the United States and Europe since the mid-1960s. It illuminates the flexible boundaries of what can be seen or interpreted "as painting" and that medium's interrelationships with sculpture, photography, and installation, highlighting points of convergence and divergence.Pivotal to the discussion is the work of a number of significant but relatively unfamiliar French painters, including Martin Barre, Christian Bonnefoi, Simon Hantaï, Michel Parmentier, and Francois Rouan. The book serves as an introduction to their work while providing fresh interpretations of the more familiar artists. Also highlighted are several artists not usually thought of as "painters," among them Polly Apfelbaum, Mel Bochner, Judd, Smithson, Anne Truitt, and James Welling. The book features two extended essays, detailed commentaries on each of the twenty-six artists in the exhibition, and fourteen additional essays by artists and commentators noted for their engagement with the issues raised here. These include a commentary on Simon Hantaï by Alfred Pacquement, Director of the Centre Georges Pompidou in Paris; original essays by French critics Catherine Millet and Christian Prigent; interviews with artists Martin Barre and Mel Bochner; and a little-known set of notes by Jacques Lacan on the painting of Francois Rouan."--Amazon. VG/VG (Minor wear to edges and corners. Sticker on front free end page.).…

Hardcover. square black cloth boards w/ silver spine printing. 256 pgs w/ bw illustration, section of color. blue illustrated dustjacket w/ red spine stripe, white printing. "As Painting, which accompanies an exhibition of the same name at the Wexner Center for the Arts, offers thought-provoking new perspectives on the evolution of painting in the United States and Europe since the mid-1960s. It illuminates the flexible boundaries of what can be seen or interpreted "as painting" and that medium's interrelationships with sculpture, photography, and installation, highlighting points of convergence and divergence.Pivotal to the discussion is the work of a number of significant but relatively unfamiliar French painters, including Martin Barre, Christian Bonnefoi, Simon Hantaï, Michel Parmentier, and Francois Rouan. The book serves as an introduction to their work while providing fresh interpretations of the more familiar artists. Also highlighted are several artists not usually thought of as "painters," among them Polly Apfelbaum, Mel Bochner, Judd, Smithson, Anne Truitt, and James Welling. The book features two extended essays, detailed commentaries on each of the twenty-six artists in the exhibition, and fourteen additional essays by artists and commentators noted for their engagement with the issues raised here. These include a commentary on Simon Hantaï by Alfred Pacquement, Director of the Centre Georges Pompidou in Paris; original essays by French critics Catherine Millet and Christian Prigent; interviews with artists Martin Barre and Mel Bochner; and a little-known set of notes by Jacques Lacan on the painting of Francois Rouan."--Amazon. VG/VG (spine top bump & crinkled. light scuffs, smudges to cloth. dustjacket has scuffs, scratches; curled edge-wear; rubbing to some corners; previous price sticker to back).…

Hardcover. Condition: Brand New. 256 pages. 9.00x8.25x0.75 inches. In Stock.

The MIT Press, Cambridge 2001. Large square 8vo. 256 pages. Orig. cloth binding with dust wrapper. Near Fine-/Very Good+.

The M.I.T. Press, Cambridge 2001. xv, 256 pp. Publisher's cloth with d/w. Wrapper slightly chipped. Illustrated.

Imperial octavo, black cloth boards with silver lettering to spine, black eps, xv + 257pp, illus, VG+ (some underlining in ink on pages 123-127. light rubbing to boards, v v slight browning to page edges) in d/w, VG+ (light rubbing, slight creasing to edges).