Leslie David Blasius (61 results)

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Previous owner's name marked in pen on first blank page, otherwise an unmarked and undamaged text with an intact dust jacket. Music theory text.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Pen markings on first blank page, otherwise unmarked and undamaged with an intact dust jacket. Category: Music.

Condition: Good. Volume 9. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:0521550858.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. About the book: Hardcover with jacket. First Edition, First Printing. Both book and jacket are in near fine condition. Additional photos available upon request.

Condition: New.

Condition: New.

Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. Near mint.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condition: As New. Unread book in perfect condition.

hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. Shelf wear/rubbing to dust jacket; creased at top edge. Book in very good condition, though bumped at top and bottom edges of spine. Contents clean and sound throughout. First edition. Cambridge Studies in Music Theory and Analysis, no. 9. Used.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Neat ink inscription on title page - otherwise as new.

Condition: New.

Soft cover. Condition: Fine.

Condition: Como nuevo. 60389 Blasius, Leslie David 1997 Princeton University, 1997. Hardcover,163 páges Department of Music, Princeton University.

Condition: New. In English.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: Brand New. 184 pages. 9.21x6.14x0.60 inches. In Stock.

Condition: New. pp. 176.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Heinrich Schenker's theoretical and analytical works claim to resubstantiate the unique artistic presence of the canonic work, and thus reject those musical disciplines such as psychoacoustics and systematic musicology which derive from the natural sciences. In this respect his writing reflects the counter-positivism endemic to the German academic discourse of the first decades of the twentieth century. The rhetoric of this stance, however, conceals a sophisticated programme wherein Schenker situates his project in relation to these sciences, arguing his reading of the musical text as a synthesis of a descriptive psychology and an explanatory historiography (which itself embeds both paleographic and philological assumptions). This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the empirical musical sciences of the later nineteenth century.…

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: New. In English.

Condition: New.

Condition: New. In English.

Hardcover. Condition: Brand New. 163 pages. 9.25x6.25x0.75 inches. In Stock.

Condition: New. pp. 176 Indices.

Condition: New. Satisfaction Guaranteed or your money back.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Heinrich Schenker's theoretical and analytical works claim to resubstantiate the unique artistic presence of the canonic work, and thus reject those musical disciplines such as psychoacoustics and systematic musicology which derive from the natural sciences. In this respect his writing reflects the counter-positivism endemic to the German academic discourse of the first decades of the twentieth century. The rhetoric of this stance, however, conceals a sophisticated programme wherein Schenker situates his project in relation to these sciences, arguing his reading of the musical text as a synthesis of a descriptive psychology and an explanatory historiography (which itself embeds both paleographic and philological assumptions). This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the empirical musical sciences of the later nineteenth century.…