Leon Eli (34 results)

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Very Good. Gently used with no markings in text. Binding is tight.

Tapa blanda. Condition: Buen estado. Édition préliminaire. 16x24 358 pp. 358 pp. 16x24.

Stapled, Wrappers. Condition: Very Good. 28pp. Exhibition catalogue. Very Good w/ an original price sticker on back cover, minute corner wears.

Paperback. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Condition: Very Good. 1st Edition.

~ Rústica original con solapas ~ XX+295p ~ 24x17x3cm. ~ Muy Buen estado e intonso con el lomo algo insolado ~ LANGUAGE: Español // We accept PayPal & EU bank transfer in EUROS //.

paperback. Condition: Very Good. 1987 Museum of Craft & Folk Art. Pages are clean and bright, cover is clean spine is smooth, light shelf rub at lower edge of front cover.

Broche, 160 + 240mm, 407pp. Bon etat, Thom 2, Travaux preparatoires de la loi du 30 juillet 1963. 777 g.

Taschenbuch. Condition: Sehr gut. 1. Altersbedingte Gebrauchsspuren, evtl. auch sehr gutes Mängelexemplar---. nein.

Taschenbuch. Condition: Gut. 1. Altersbedingte Gebrauchsspuren !---. nein.

Paperback , 16x24cm, 395pp Etudes juridiques 777 g.

Condition: New. WE CAN PROVIDE ANY BOOK FROM BRAZIL ! ---- All our books are Shipped with Fedex or the Brasilian Post for standard Shipment, Fedex or DHL for expedited shipment. ---- For more information, please contact us. ---- The book will be sent from Brazil. Luiz Podavin; Eli Marcos M. Leon; Moacir Rodrigues Soares (illustrator). …

Condition: New.

Condition: Good. Envoi rapide couverture ternie défraîchie tachée de rousseurs sous papier de soie intérieur propre jauni marges un peu plus jaunies. in8. 1941. Broché. Good.

Paperback. Condition: Near Fine. Square 4to, 175 pp, near fine in pictorial wraps. 128 color illustrations + numerous b&w text illustrations. Quiltmakers' profiles. Bibliography. Scarce.

Taschenbuch. Condition: Wie neu. 1. Altersbedingte Gebrauchsspuren, evtl. auch sehr gutes Mängelexemplar---. nein.

Soft cover. Condition: Very Good. A few spots of discoloration to rear cover, otherwise light handling to french-fold covers. Binding tight and text clean.

17 x 25, 367 pp., broché, non coupé, bon état (couverture défraîchie).

Softcover. Condition: Very Good. (NAP). Stapled wraps. Catalog for the exhibition at the Diggs Gallery 1/15-3/29, 1992. Errata slip laid in. Apparently the author's own copy of the catalog. Leon has signed his name on the title page, and he has entered his corrections in the text in ink. Firm binding, some handling wear to cover. Color and B&W reproductions (illustrator).…

paperback. Condition: As New.

Soft cover. Condition: Very Good. 1st Edition. Softcover. Square format. 8vo(9.5 x 9.5 in.). White wraps with French flaps adding stability. Color quilt image on front with black titling. Rear is blank. Lightly used condition. Little surface wear. Corners are good. Printed on nice low-gloss paper. This is an extensive study of quilt designs from Africa that traveled and were used by African American quilters. Page after page of color images. Brief profiles of quilters are mixed in with text and images. The images are well-captured, dense in color, many are extraordinary. A special book, hard to find. …

Condition: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Paperback. Condition: New. This exuberantly illustrated book celebrates the sophistication, vivacity, and significance of improvisational African-Aemrican quilts, both as artistic achievements and as expressions of African-American traditions. The knowledge, attitudes, and values carried across the Atlantic by enslaved Africans appear to have informed a quiltmaking tradition so powerful that, to this day, it preserves its identity in a special province of African-American quilts. Such "Afro-traditional" quilts are made by people who have no formal art training and who usually do not consider themselves artists; they learned their craft and absorbed its aesthetics by watching and helping their mothers, aunts, and grandmothers who, in turn, learned form previous generations. The resulting--often highly idiosyncratic--quilts call out to be seen as the works of art that they are. The brilliance of this work must be partially credited to a tradition which encourages individual expression and provides a context in which the talents of individual artists can flourish. Improvisation, pervasive in black African art and familiar as a basic element of many African-American musical forms, is a vital force in this tradition. The artists maintain a generous attitude toward the accidental, embracing innovations that originate beyond the conscious domain. they use approximate measurement and "flexible patterning," in which the design, conceived of as a an invitation to variation, will not repeat, but will materialize in a sequence of visual elaborations. Afro-traditional attitudes and methods are antithetical to the standard American quiltmaking tradition--practiced by both whites and blacks--in which great value is placed on precise measurement and exact pattern replication. Instead they bear a keen likeness to the improvisatory practices of the textile-makers of Kongo and West Africa, regions from which American slaves were taken. These antipathies and affinities suggest an enduring African influence on the Afro-traditional quilt.…

Condition: Good. 8vo, oblong. 13p. Stapled wrapping. Good, minor tearing on cover and inside pages, slight sunning, creasing on cover and inside pages. B&W and color prints throughout. From the Collection of the Art Historian Peter Selz.

Condition: Bueno. Cedam, Casa Editrice Dott. Antonio Milani, 1970, buen estado, 56 p.//// Nota de la librería: Si no se especifica en la descripción anterior, los libros no tienen subrayados, anotaciones, firmas o defectos reseñables. ATENCIÓN: EL ENVÍO GRATUITO ES ORDINARIO SIN NÚMERO DE SEGUIMIENTO, y puede sufrir retrasos de varios días. Le dejarán un aviso en el buzón PARA LA RECOGIDA EN OFICINA. PRIORITARIO/CERTIFICADO CON ENTREGA A DOMICILIO POR SOLO 2,90 euros. AR22441.…

First Edition. Near fine paperback copy. Slightest suggestion only of dust dulling to the spine bands and panel edges. Remains uncommonly well-preserved: tight, bright, clean and sharp-cornered. ; 8vo 8" - 9" tall; 714 pages; Description: 714 p. Subject: Social legislation. Series: Les Cahiers de l'Institut de Sociologie Solvay. No. 4. 1 Kg.…

First Edition. Near fine paperback copy. Slightest suggestion only of dust dulling to the spine bands and panel edges. Remains uncommonly well-preserved: tight, bright, clean and sharp-cornered. ; 8vo 8" - 9" tall; 714 pages; Description: 714 p. Subject: Social legislation. Series: Les Cahiers de l'Institut de Sociologie Solvay. No. 4. 1 Kg.…

Couverture souple. Condition: Bon. 1ère Édition. Editions du Carrefour, 1929 - Petit in-4° broché, couv. cart., reproductions photographiques (Germaine Krull, André Kertesz, Eli Lotar, Moholy-Nagy, M. Tabard) en noir en planches, 191 pages, petite trace de pli à l'angle inférieur du premier plat de couverture sinon bon exemplaire, frais. Edition originale, tirage limité à 3200 exemplaires, un des 3000 sur papier Alfa de Lafuma-Navarre (n°2467). Germaine Krull, André Kertesz, Eli Lotar, Moholy-Nagy, M. Tabard (illustrator).…