Laura Cottingham (90 results)

Paperback. Condition: Good. In Rainer Werner Fassbinder?s Fear Eats the Soul (Angst Essen Seele Auf, 1974) Emma (Brigitte Mira), a working-class widow and former member of the Nazi party, marries Ali (El Hedi ben Salem), a much younger Moroccan migrant worker. Set in Munich during the 1970s, the film melds the conventions of melodrama with a radical sensibility to present a portrait of racism and everyday hypocrisy in post-war Germany. It is a film about the way conventional society detests anything and anybody unfamiliar - but also a film about the hopes and limits of love. Intricately directed, beautifully performed, and designed to show Munich life in all its shabby kitschiness, Fear Eats the Soul may be Fassbinder?s finest film.Laura Cottingham celebrates Fassbinder?s achievement, placing Fear Eats the Soul in relation to his extraordinarily prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. She also explores the director?s debt to the lush Hollywood melodramas made by fellow German Douglas Sirk, especially All That Heaven Allows (1955). In a detailed scene-by-scene analysis, Cottingham shows how Fassbinder managed to combine beauty and tenderness with fierce political critique.…

Paperback. Condition: Good. In Rainer Werner Fassbinder?s Fear Eats the Soul (Angst Essen Seele Auf, 1974) Emma (Brigitte Mira), a working-class widow and former member of the Nazi party, marries Ali (El Hedi ben Salem), a much younger Moroccan migrant worker. Set in Munich during the 1970s, the film melds the conventions of melodrama with a radical sensibility to present a portrait of racism and everyday hypocrisy in post-war Germany. It is a film about the way conventional society detests anything and anybody unfamiliar - but also a film about the hopes and limits of love. Intricately directed, beautifully performed, and designed to show Munich life in all its shabby kitschiness, Fear Eats the Soul may be Fassbinder?s finest film.Laura Cottingham celebrates Fassbinder?s achievement, placing Fear Eats the Soul in relation to his extraordinarily prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. She also explores the director?s debt to the lush Hollywood melodramas made by fellow German Douglas Sirk, especially All That Heaven Allows (1955). In a detailed scene-by-scene analysis, Cottingham shows how Fassbinder managed to combine beauty and tenderness with fierce political critique.…

Condition: New.

Paperback. Condition: New. In Rainer Werner Fassbinder's Fear Eats the Soul (Angst Essen Seele Auf, 1974) Emma (Brigitte Mira), a working-class widow and former member of the Nazi party, marries Ali (El Hedi ben Salem), a much younger Moroccan migrant worker. Set in Munich during the 1970s, the film melds the conventions of melodrama with a radical sensibility to present a portrait of racism and everyday hypocrisy in post-war Germany. It is a film about the way conventional society detests anything and anybody unfamiliar - but also a film about the hopes and limits of love. Intricately directed, beautifully performed, and designed to show Munich life in all its shabby kitschiness, Fear Eats the Soul may be Fassbinder's finest film.Laura Cottingham celebrates Fassbinder's achievement, placing Fear Eats the Soul in relation to his extraordinarily prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. She also explores the director's debt to the lush Hollywood melodramas made by fellow German Douglas Sirk, especially All That Heaven Allows (1955). In a detailed scene-by-scene analysis, Cottingham shows how Fassbinder managed to combine beauty and tenderness with fierce political critique.…

Paperback. Condition: Near Fine. Clean and solid. ; BFI Film Classics; Color Illustrations; 12mo; 100 pages.

Paperback. Condition: Near Fine. A nice, solid copy. ; BFI Film Classics; B & W and color illustrations; 143.51 X 5.08 X 203.71 millimeters; 100 pages.

Condition: New. pp. 100.

Paperback. Condition: new. Paperback. In Rainer Werner Fassbinders Fear Eats the Soul (Angst Essen Seele Auf, 1974) Emma (Brigitte Mira), a working-class widow and former member of the Nazi party, marries Ali (El Hedi ben Salem), a much younger Moroccan migrant worker. Set in Munich during the 1970s, the film melds the conventions of melodrama with a radical sensibility to present a portrait of racism and everyday hypocrisy in post-war Germany. It is a film about the way conventional society detests anything and anybody unfamiliar - but also a film about the hopes and limits of love. Intricately directed, beautifully performed, and designed to show Munich life in all its shabby kitschiness, Fear Eats the Soul may be Fassbinders finest film.Laura Cottingham celebrates Fassbinders achievement, placing Fear Eats the Soul in relation to his extraordinarily prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. She also explores the directors debt to the lush Hollywood melodramas made by fellow German Douglas Sirk, especially All That Heaven Allows (1955). In a detailed scene-by-scene analysis, Cottingham shows how Fassbinder managed to combine beauty and tenderness with fierce political critique. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

0 28 p. Includes illustrations. Very good. light shelf wear, ex museum stamp on blank flyleaf.

Condition: new.

Soft cover. Condition: Fair. Louisiana, 1996. Hft. Bruksspår. Hörnen något tummade/veckade. Ryggen med något skavda kanter. I övrigt ett fräscht exemplar i gott antikvariskt skick. 159, [1] s. ISBN 87-90029-09-7.

softcover. Condition: Collectible; Like New. First Edition. Unpaginated [16 pp]. 8 full-page color plates. With a poem by John Ashberry. Essay by Laura Cottingham. Published in an edition of 2000 copies on the occasion of the exhibition, 01 October through 05 November, 1994. ; Tight, clean and crisp. In excellent condition. As New.…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New. pp. 100.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New. 2020. 2nd edition. Paperback. . . . . .

Softcover brochure; single folded sheet, very good condition, light rubbing to covers; no internal marks.

First Edition. First edition and first printing. Softcover. Features text by John B. Ravenal and with essays by Laura Cottingham, Eleanor Heartney, and Jonathan Knight Crary. Includes numerous illustrations. A fine copy in wrappers.

Paperback. Condition: Brand New. 2nd edition. 96 pages. 7.25x5.25x0.25 inches. In Stock.

Condition: New. 2020. 2nd edition. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: Good. 1st. 32 pages; illustrations; 28 cm. Firm binding. Previous owner's blind stamp and a few pencil marks. *** Includes: Matthew Abbott - Polly Apfelbaum - L. C. Armstrong - Christine Borland - Christopher Borrok - Karen Caldicott - Richard Caldicott - Fieroza Doorsen - Barry Hylton - Siobhan Liddell - Simon Patterson - Charles Spurrier - Lauren Szold. Size: 4to. …

Condition: New. pp. 100.

Paperback. Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: Fine. 1st. [16] pages, colour illustrations; 23 cm. Published on the occasion of an exhibition of paintings by Jane Hammond held at Jose Freire Fine Art, New York, October 1 to November 5, 1994. Firm binding, clean inside copy. *** Visual artist Jane Hammond's collaboration with poet John Ashbery. Size: 8vo. Collectible.…

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. x, 213p., wraps, 6x9 inches, wraps lightly worn else very good condition. Signed and inscribed by the author on the half-title. Signed.

First Edition. First edition. Exhibition brochure for a show that ran June 11 through July 18, 1999. Single sheet folded three times to create 8 pages. Features an essay by Laura Cottingham. Includes color illustrations, list of previous exhibitions, and a selected bibliography. A very near fine copy. Uncommon with only 3 copies listed in OCLC.…

Soft cover. Condition: Near Fine. 1st Edition. First edition, first printing. Near Fine trade paperback. A clean copy.