Larisa Dryansky (48 results)

Softcover, staple-bound, 24 pages of photos plus 20 partial pages of text in English and French; good condition; long crease to lower right corner of first page; light edgewear to pages; no internal marks. Foreign shipping may be extra.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Cover has light wear to edges and corners. Textblock edges are slighlty dusty. Its spine is slightly skewed to the right and its binding is tight. Pages are lightly tanned otherwise they are clean and unmarked. Dust jacket has light wear to its edges, otherwise it has no tears, is in great condition and is now in a protective cover. A great copy overall.…

Soft cover. Condition: Fine. 1st Edition. 119pp. Pictorial French Wraps. Color, black and white photos throughout. As new.Josef Breitenbach was a an escaped Jewish refugee from Germany whose photography was representative of the Surrealist movement of the 30's and 40's. Size: 11 1/4" x 9 1/4". Book.

Softcover, 120 pages; in English and French; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. First edition. Very Good+ paperback with French flaps with a light bend/crease to one corner, a crease to the first page, and rub off to the first and last pages; otherwise appears to be new. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The catalogue for an exhibition of work by Valerie Belin, held at the Galerie Jerome de Noirmont, Paris, November 7, 2008 - January 8, 2009. The catalogue present three series: the same woman in the same pose but with different showgirl costumes; different men in the same pose shuffling cards and; flower arrangements. Photographs by Valerie Belin; essay by Larisa Dryansky. From a first edition limited to 2000 copies. 52 pages; 16 duo-toned b&w plates; 10.75 x 13 inches. Biography/exhibition history, bibliography. Text in English and French. B/w Photos (illustrator).…

First Edition. First edition. Softcover. 115 pages. Published in conjunction an exhibition that ran October 2001, through January 27, 2002. Text in English and French. Features a contribution by Larisa Dryansky. Includes some color and numerous black and white images, checklist, a chronology, list of previous exhibitions, and a bibliography. A fine copy in French style wrappers and still in the publisher's shrinkwrap slit open to verify edition.…

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover, 52 pages, in English and French; as new condition,except light rubbing to cover; no internal marks. Foreign shipping may be extra. B/w Photos (illustrator).

Paperback. Ref. F60981. 24x29. 116 pág. Texto en ingles. Fotos en b/n. Fotografía. 31-I Fotografía Sin categorizar.

Couverture souple. Condition: Très bon.

dj. First Edition. First edition and first printing. Hardcover. 223 pages. Edited by gallerist Edynn Houk. Features text by Laris Dryansky. A retrospective monograph that includes 110 quadtone black and white images. A clean near fine copy in cloth boards with a small remainder dot to the top of the page edges and in a very near fine dust jacket. A nicely printed book.…

Hardcover. Condition: As New. Dust Jacket Condition: None, As Issued. 1st Edition. 1st Printing. 52 pages. Published in 2008. Retrospective Catalog, presented as an Artist Book. One of the most beautiful art photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. An austerely elegant production by Nazraeli Press: Oversize-volume format. Cream cloth boards with photographic reproduction pasted in front and titles embossed on the cover and spine, as issued. Photographs by Josef Breitenbach. Essay by Larisa Dryansky. Printed on pristine-white, thick coated stock paper to the highest standards. In publisher's original plastic wrappers. Without DJ, as issued. Published in conjunction with The Josef Breitenbach Trust. Presents Josef Breitenbach's "Manifesto". A most beautiful portfolio. "Born in Munich in 1896, Josef Breitenbach began taking photographs while working in the family wine merchant business. Proving less than successful at the latter, he opened his first photographic studio in 1932. Munich at that time was a stronghold of libertarians and bons vivants, and Breitenbach's clients included actors, cabaret stars, writers, and political figures. It was a short-lived venture. When Hitler became Chancellor in 1933, the photographer escaped to Paris, where he stayed for the next six years. There, Breitenbach's close friendship with Max Ernst brought him into contact with the Surrealist Movement although he never became a formal member of that group. His work was included in a number of exhibitions, alongside that of Man Ray, Brassai, and Cartier-Bresson. After the outbreak of war and a period of internment, he fled to New York and established himself as a teacher and commercial photographer. His early work remained unseen until its surprise re-discovery after his death, in 1984" (Publisher's blurb). Josef Breitenbach was the classic Modernist case: A tough-minded, serious, soulful artist whose work was ahead of its time even as he absorbed whatever he found useful among the Movements swirling around him. He is now considered a major forerunner of Andy Warhol in his application of color to black-and-white photographs through toning and bromoil transfer. His Bauhaus-inspired work, especially the photograms (such as "Bird, New York, 1948") are masterpieces that have all the color, warmth, and detail of a painting combined with the clarity, precision, and fluidity of a photograph. Breitenbach's most famous champion/collector today is Sir Elton John, who has amassed what is probably the finest collection of his work. The Sir Elton John Photography Collection has been promised to the City of Houston, which should help make Breitenbach's magnificent work permanently available to the public. An absolute "must-have" title for Josef Breitenbach collectors. This title is a contemporary art photography book classic. This is one of few copies of the First Hardcover Edition/First Printing still available online, is still in the publisher's original plastic wrappers, and isinespecially fine condition: Clean, crisp, and bright. Please note: Copies available online have serious flaws because the cream cloth covers soil very easily. A scarce copy thus. 29 full-page plates. One of the greatest artist/photographers of the 20th century. A fine copy. (SEE ALSO OTHER JOSEF BREITENBACH TITLE IN OUR CATALOG) ISBN 1590051858. no.…

Condition: AS NEW. Etat de NEUF / AS NEW condition 9782735508501 9782735508501 1034E 3.

Editions de l'Amateur, Musée Nicéphore Nièpce, 2001, 115 p., broché, bon état.

Couverture souple. Condition: Neuf. NA12025, 1184E1, 9782735508501.

Hardcover. Condition: Brand New. 1st edition. 930 pages. 9.50x7.25x1.50 inches. In Stock.

28,5 x 26 cm. 223 S. miz zahlr. s/w Fotoabb. OLn. mit fotoillustr. Orig.-Umschlag (dieser etwas gebraucht und mit kl. Löchlein im Falz).

Hardcover. Condition: Brand New. bilingual edition. 247 pages. French language. 10.25x7.25x0.75 inches. In Stock.

Hardcover without dustjacket; unpaginated; in English and French; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New.

Paperback. Condition: Brand New. new edition. 160 pages. French language. 9.01x5.98x0.47 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: fine/fine. First edition. Quarto. (28cm x 26cm) 221pp.

Condition: New.

Soft cover. Condition: As New. Softcover with no marks or flaws. As new, with no evidence of handling or distress. 336 pages, illustrated. Features examination of the relationships between cartography and photography as exemplified in works of artists such as Ed Ruscha, Mel Bochner, Dennis Oppenheim, Douglas Huebler, and Robert Smthson. Text is in French. French-language paperback.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Couverture souple. Condition: Comme neuf. Edition originale. Paris 2001. 1 Volume/1. -- Parfait état -- Broché cousu. Couverture rempliée illustrée.Format in-4°( 29 x 23,6 cm )( 782 gr ). ------ 120 pages très illustrées. ********* ref 517-183 zimp.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition. Exceedingly scarce in the trade, this volume being compiled jointly by Larisa Dryansky, writer and curator based in Paris who has published a number of fine artist biographies of Josef Breitenbach, Jacques Henri Lartigue, and Julia Margaret Cameron, and has curated numerous photographic exhibitons, and by Edwynn Houk, the founder of the Edwynn Houk Gallery in New York, which specializes in masters of twentieth-century photography. A superior copy inside and out, being a sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bright and shiny dust jacket, paper-backed, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Gift-quality condition inside and out. Replete with several score black-and-white reproductions of her best photographic works, including the iconic 1931 "Self-Portrait With Leica," which graces the front cover. [5], 6-231 ppMember, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …