Kyle Frackman Larson Powell (22 results)

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  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

    • Hardcover

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    Hardcover. Condition: Very Good. Ex-library.

  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

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    hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

  • Language: English

    Published by Camden House, Rochester, NY, 2015

    1571139168 / 9781571139160

    • Hardcover
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    Hardcover. Condition: Very Good. No Dust Jacket. Studies In German Literature, Linguistics And Culture, 163; 6.25 X 1 X 9.25 inches; 264 pages; very minor surface rubbing on the back cover. Very minor, faint, barely visible smudge on the top exterior edge of textblock. Very Good condition otherwise. No other noteworthy defects. No markings.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. Stated First Edition; No Printing Stated.

  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

    • Hardcover

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  • Language: English

    Published by Boydell and Brewer Ltd, US, 2015

    1571139168 / 9781571139160

    • Hardcover

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    Hardback. Condition: New. Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.Classical music in the German Democratic Republic is commonly viewed as having functioned as an ideological support or cultural legitimization for the state, in the form of the so-called "bourgeois humanist inheritance." The largenumbers of professional orchestras in the GDR were touted as a proof of the country's culture. Classical music could be seen as the polar opposite of Americanizing pop culture and also of musical modernism, which was decried as formalist. Nevertheless, there were still musical modernists in the GDR, and classical music traditions were not only a prop of the state. This collection of new essays approaches the topic of classical music in the GDR from an interdisciplinary perspective, presenting the work of scholars in a number of complementary disciplines, including German Studies, Musicology, Aesthetics, and Film Studies. Contributors to this volume offer a broad examination of classical music in the GDR, while also uncovering nonconformist tendencies and questioning the assumption that classical music in the GDR meant nothing but (socialist) respectability. Contributors: Tatjana Böhme-Mehner, Martin Brady, Lars Fischer, Kyle Frackman, Golan Gur, Peter Kupfer, Albrecht von Massow, Carola Nielinger-Vakil, Jessica Payette, Larson Powell, Juliane Schicker, Martha Sprigge, Matthias Tischer, Jonathan L. Yaeger, Johanna Frances Yunker Kyle Frackman is Assistant Professor of Germanic Studies at the University of British Columbia. Larson Powell is Professor of German at the University of Missouri-Kansas City.

  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

    • Hardcover

    Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections

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  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

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  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

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  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

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  • Language: English

    Published by Camden House 2015-06-30, 2015

    1571139168 / 9781571139160

    • Hardcover

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  • Language: English

    Published by Boydell and Brewer Ltd, US, 2015

    1571139168 / 9781571139160

    • Hardcover

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    Hardback. Condition: New. Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.Classical music in the German Democratic Republic is commonly viewed as having functioned as an ideological support or cultural legitimization for the state, in the form of the so-called "bourgeois humanist inheritance." The largenumbers of professional orchestras in the GDR were touted as a proof of the country's culture. Classical music could be seen as the polar opposite of Americanizing pop culture and also of musical modernism, which was decried as formalist. Nevertheless, there were still musical modernists in the GDR, and classical music traditions were not only a prop of the state. This collection of new essays approaches the topic of classical music in the GDR from an interdisciplinary perspective, presenting the work of scholars in a number of complementary disciplines, including German Studies, Musicology, Aesthetics, and Film Studies. Contributors to this volume offer a broad examination of classical music in the GDR, while also uncovering nonconformist tendencies and questioning the assumption that classical music in the GDR meant nothing but (socialist) respectability. Contributors: Tatjana Böhme-Mehner, Martin Brady, Lars Fischer, Kyle Frackman, Golan Gur, Peter Kupfer, Albrecht von Massow, Carola Nielinger-Vakil, Jessica Payette, Larson Powell, Juliane Schicker, Martha Sprigge, Matthias Tischer, Jonathan L. Yaeger, Johanna Frances Yunker Kyle Frackman is Assistant Professor of Germanic Studies at the University of British Columbia. Larson Powell is Professor of German at the University of Missouri-Kansas City.

  • Language: English

    Published by Boydell and Brewer Ltd, US, 2018

    1571139923 / 9781571139924

    Series: Book 17 of 24 - Screen Cultures: German Film and the Visual

    • Hardcover

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    Hardback. Condition: New. The first scholarly collection in English or German to fully address the treatment of gender and sexuality in the productions of DEFA across genres and in social, political, and cultural context.The cinema of the German Democratic Republic, that is, the cinema of its state-run studio DEFA, portrayed gender and sexuality in complex and contradictory ways. In doing so, it reflected the contradictions in GDR society in respect to such questions. This is the first scholarly collection in English or German to fully address the treatment of gender and sexuality in the productions of DEFA across genres (from shorts and feature films to educational videos, television productions, and documentaries) and in light of social, political, and cultural contexts. It is also unique in its investigation of previously unresearched subjects, including films and directors that have received little scholarly attention and nonconformist representations of gender and sexual embodiments, identifications, and practices. The volume presents the work of leading scholars on the GDR and allows students and scholars to examine East German film with respect to the acceptance, rejection, or nuanced negotiation of ideas of proper male and female behavior espoused by the country's brand of socialism. Contributors: Muriel Cormican, Jennifer L. Creech, Heidi Denzel de Tirado, Kyle Frackman, Sebastian Heiduschke, Sonja E. Klocke, John Lessard, Larson Powell, Victoria I. Rizo Lenshyn, Reinhild Steingröver, Faye Stewart, Evan Torner, Henning Wrage. Kyle Frackman is Assistant Professor of Germanic Studies at the University of British Columbia. Faye Stewart is Associate Professor of German at Georgia State University.

  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

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    Hardcover. Condition: Brand New. 274 pages. 9.25x6.25x1.00 inches. In Stock.

  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

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  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

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  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

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  • Language: English

    Published by Boydell and Brewer Ltd, 2015

    1571139168 / 9781571139160

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    HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

  • Language: English

    Published by Boydell and Brewer Ltd, 2015

    1571139168 / 9781571139160

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  • Language: English

    Published by Boydell & Brewer, 2015

    1571139168 / 9781571139160

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    Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.InhaltsverzeichnisIntroductio.

  • Language: English

    Published by Boydell & Brewer Ltd, 2015

    1571139168 / 9781571139160

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  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

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    Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Classical music in the German Democratic Republic is commonly viewed as having functioned as an ideological support or cultural legitimization for the state, in the form of the so-called 'bourgeois humanist inheritance.' The large numbers of professional orchestras in the GDR were touted as a proof of the country's culture. Classical music could be seen as the polar opposite of Americanizing pop culture and also of musical modernism, which was decried as formalist. Nevertheless, there were still musical modernists in the GDR, and classical music traditions were not only a prop of the state. This collection of new essays approaches the topic of classical music in the GDR from an interdisciplinary perspective, presenting the work of scholars in a number of complementary disciplines, including German Studies, Musicology, Aesthetics, and Film Studies. Contributors to this volume offer a broad examination of classical music in the GDR, while also uncovering nonconformist tendencies and questioning the assumption that classical music in the GDR meant nothing but (socialist) respectability. CONTRIBUTORS: Tatjana Böhme-Mehner, Martin Brady, Lars Fischer, Kyle Frackman, Golan Gur, Peter Kupfer, Albrecht von Massow, Carola Nielinger-Vakil, Jessica Payette, Larson Powell, Juliane Schicker, Martha Sprigge, Matthias Tischer, Jonathan L. Yaeger, Johanna Frances YunkerKYLE FRACKMAN is Assistant Professor of Germanic Studies at the University of British Columbia. LARSON POWELL is Professor of German at the University of Missouri-Kansas City.

  • Language: English

    Published by Camden House, 2015

    1571139168 / 9781571139160

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    Buch. Condition: Neu. Classical Music in the German Democratic Republic | Production and Reception | Kyle Frackman (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2015 | Camden House | EAN 9781571139160 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.