Kurt Heinzelman (79 results)

Soft cover. Condition: As New.

Condition: very_good. This book is in excellent condition. This book is signed by the author! There may be minimal writing on the inside cover or cover page. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer.

Condition: very_good. This book is in excellent condition. There may be minimal writing on the inside cover or cover page. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer.

Paperback. Condition: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Condition: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Fine. A beautiful clean crisp uncracked softcover in fine condition.

Condition: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.…

Trade Paperback. Condition: Used - Very Good.

Paperback. Condition: Fair. Includes original essays offering perspectives on Modernist figures including William Gaddis, Ezra Pound, William Faulkner, E M Forster, Paul Robeson, Virginia Woolf, Henry James, Joseph Conrad, Frank Lloyd Wright, and Le Corbusier.

Trade Paperback. Condition: Used - Good. What was Modernism, and why does it still matter? The term itself first gained currency in the 1930s, describing a kind of art that already may have peaked, some would say as early as 1922. Whatever its ups and downs in its own time, as the novelist Julian Barnes claims in one of the twenty essays commissioned for the present volume, Modernism never vanished. It remains our immovable feast. Modernism was international in scope; it left its mark on all genres, from literature and painting to opera, dance, and architecture; it pushed the boundaries of what was artistically possible and aesthetically important; and finally, for all its destructive urges which it shared with the century itself, it was also celebrative. This book is a response to the exhibition of the same name that opened at the Harry Ransom Center in October 2003. It includes original essays by such noted writers and artists as Russell Banks, Anita Desai, David Douglas Duncan, Elizabeth Hardwick, and Penelope Lively, which offer fresh perspectives on important Modernist figures, including William Gaddis, Ezra Pound, William Faulkner, E. M. Forster, Paul Robeson, Virginia Woolf, Henry James, Joseph Conrad, Frank Lloyd Wright, and Le Corbusier. In addition, essays by leading scholars in literature and art history focus on specific artifacts included in the exhibit. As the Center's Director, Thomas F. Staley, puts it in the Foreword, 'Ours is an attempt not of definition but of discovery and rediscovery.' Book and exhibition permit both reader and viewer to experience the textures, structures, and resonances which made the first part of the twentieth century so innovative that its art is still virtually synonymouswith what 'newness' means. Book has minor shelf wear. Interior pages in very nice condition.…

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condition: Very Good. 2 This book is in very good condition; hurt stamp on bottom edge. It does have some cover shelfwear and corner wear. Inside pages are clean. ; 0.36 x 12.06 x 10.04 Inches; 156 pages.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. First Edition. Light edge wear to edges and corners; top front corner is starting to peel. Text and images unmarked. 155pp.

TRADE PAPERBACK. Condition: Used; Very Good. Used; Very Good. 23-C-18 Harry Ransom Humanities Research Center 2003 Paperback. Stated First Edition. Text is clean and unmarked. Covers have light shelf wear. Spine is tight. Book Condition; Very Good . 2003. TRADE PAPERBACK.

Condition: New.

Condition: New.

Hardcover. Condition: Good. Dust Jacket Included. Hardback w/ jacket; unmarked; some handling wear to jacket.

Condition: Good. None. 155 pages, illustrated throughout. Crease to cover and light edge wear, otherwise, very clean and tight copy. Record # 456744.

Paperback. Condition: Very Good. First Edition. THE POETRY MISCELLANY: VOL. 7: 1977. [Chattanooga, Poetry Miscellany, 1977]. Edited by Richard Jackson, Michael Panori and Kurt Heinzelman. Bibliographical references. Stiff light tan wrappers, printed red and black (slight rubbing and wear to wrappers), else very good-fine. Contains a special section on Richard Eberhart (including an interview) and critical commentary on Robert Pack and Robert Penn Warren; plus contributions by Philip Booth, Donald Finkel, David Ignatow, Paul Ramsey, Barry Spacks, Peter Wild, et al. Size: 8vo - over 7¾" - 9¾" tall. Book.…

Paperback. Condition: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

French Wraps. Condition: Near Fine. Dust Jacket Condition: Wraps. First Edition. First Edition, First printing. Soft cover narrow 4to in illustrated French wraps. Near Fine. Top corner bent throughout book, else Fine. INSCRIBED, SIGNED AND DATED BY AUTHOR on 1/2 title page. 45pp. Poetry. Inscribed, Signed and Dated By Author. Book. …

Paperback or Softback. Condition: New. Pollen, Salt, & Chimes: New Poems & Others. Book.

Paperback. Condition: New.

Condition: New.