Kris Heuckelom (37 results)

Paperback. Condition: Fine.

Softcover. Condition: As New. First Edition. Another fine contribution to the series, Polonistik Im Kontext, 2, Band 2. Sterling condition softcover copy, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the glossy card-stock wrappers. Contributions by the editor, Ursula Phillips, and by other recognized experts. From the publisher's blurb, "This volume emerged from the conference Polish Literature Since 1989 held at the University College London School of Slavonic and East European Studie. It shows how the profound political and economic transformation that has taken place in Poland since the end of communism in 1989 has affected literary culture and literary scholarship: changing conceptions of Polish nationhood and identity; the impact of European integration (since 2004); the effects of migration; revised conceptions of the foreign or the marginal, and new understandings of what is understood by émigré or emigrant literature; sensitivity to issues of gender and sexual identity, as well as the impact of feminism and queer studies; the huge impact of revived interest in the Jewish heritage, in Holocaust memory, and in Polish-Jewish relations." Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. ii, 1 [1], 3-307 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …

Hardcover. Condition: Very Good. Privately owned, unmarked text, printed boards; no dust jacket presumably as issued. Ships from Berlin Bookshop bxn05.

Hardcover. Condition: Very Good. Hardback book. Nice clean condition. Slight closed tear at bottom of spine. Actual photos.The blurb - This study explores the representation of international migration on screen and how it has gained prominence and salience in European filmmaking over the past 100 years. Using Polish migration as a key example due to its long-standing cultural resonance across the continent, this book moves beyond a director-oriented approach and beyond the dominant focus on postcolonial migrant cinemas. It succeeds in being both transnational and longitudinal by including a diverse corpus of more than 150 films from some twenty different countries, of which Roman Polanski's The Tenant, Jean-Luc Godard's Pas.…

Hardcover. Condition: Very Good. Hardback book. Nice clean condition. Slight closed tear at bottom of spine. Actual photos.The blurb - This study explores the representation of international migration on screen and how it has gained prominence and salience in European filmmaking over the past 100 years. Using Polish migration as a key example due to its long-standing cultural resonance across the continent, this book moves beyond a director-oriented approach and beyond the dominant focus on postcolonial migrant cinemas. It succeeds in being both transnational and longitudinal by including a diverse corpus of more than 150 films from some twenty different countries, of which Roman Polanski's The Tenant, Jean-Luc Godard's Pas.…

Condition: Very Good.

Paperback. Condition: Neu. Neu Neuware, Importqualität, auf Lager - This volume emerged from the conference Polish Literature Since 1989 held at the University College London School of Slavonic and East European Studie. It shows how the profound political and economic transformation that has taken place in Poland since the end of communism in 1989 has affected literary culture and literary scholarship: changing conceptions of Polish nationhood and identity; the impact of European integration (since 2004); the effects of migration; revised conceptions of the foreign or the marginal, and new understandings of what is understood by émigré or emigrant literature; sensitivity to issues of gender and sexual identity, as well as the impact of feminism and queer studies; the huge impact of revived interest in the Jewish heritage, in Holocaust memory, and in Polish-Jewish relations.…

Condition: New.

Condition: New.

Condition: Very Good.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This study explores the representation of international migration on screen and how it has gained prominence and salience in European filmmaking over the past 100 years. Using Polish migration as a key example due to its long-standing cultural resonance across the continent, this book moves beyond a director-oriented approach and beyond the dominant focus on postcolonial migrant cinemas. It succeeds in being both transnational and longitudinal by including a diverse corpus of more than 150 films from some twenty different countries, of which Roman Polanski's The Tenant, Jean-Luc Godard's Passionand Krzysztof Kieslowski's Trois couleurs: Blanc are the best-known examples. Engaging with contemporary debates on modernisation and Europeanisation, the author proposes the notion of 'close Otherness' to delineate the liminal position of fictional characters with a Polish background. Polish Migrants in European Film 1918-2017 takes the reader through a widerange of genres, from interwar musicals to Cold War defection films; from communist-era exile right up to the contemporary moment. It is suitable for scholars interested in European or Slavic studies, as well as anyone who is interested in topics such as identity construction, ethnic representation, East-West cultural exchanges and transnationalism.…

Condition: New. In English.

Condition: New. Editor(s): Engelen, Leen; Heuckelom, Kris Van. Series: Film and History. Num Pages: 214 pages, 32 black & white halftones. BIC Classification: 1D; 3JJPR; 3JM; APFA; APFN. Category: (P) Professional & Vocational. Dimension: 153 x 235 x 19. Weight in Grams: 476. . 2013. Hardcover. . . . . …

Hardcover. Condition: Brand New. 283 pages. 8.25x6.00x0.75 inches. In Stock.

Condition: New.

Condition: New. Editor(s): Engelen, Leen; Heuckelom, Kris Van. Series: Film and History. Num Pages: 214 pages, 32 black & white halftones. BIC Classification: 1D; 3JJPR; 3JM; APFA; APFN. Category: (P) Professional & Vocational. Dimension: 153 x 235 x 19. Weight in Grams: 476. . 2013. Hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: Brand New. 224 pages. 9.50x6.50x1.00 inches. In Stock.

Condition: Very Good.

Condition: new. Questo è un articolo print on demand.

Condition: New. Print on Demand.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This study explores the representation of international migration on screen and how it has gained prominence and salience in European filmmaking over the past 100 years. Using Polish migration as a key example due to its long-standing cultural resonance across the continent, this book moves beyond a director-oriented approach and beyond the dominant focus on postcolonial migrant cinemas. It succeeds in being both transnational and longitudinal by including a diverse corpus of more than 150 films from some twenty different countries, of which Roman Polanski's The Tenant, Jean-Luc Godard's Passionand Krzysztof Kieslowski's Trois couleurs: Blanc are the best-known examples. Engaging with contemporary debates on modernisation and Europeanisation, the author proposes the notion of 'close Otherness' to delineate the liminal position of fictional characters with a Polish background. Polish Migrants in European Film 1918-2017 takes the reader through a wide range of genres, from interwar musicals to Cold War defection films; from communist-era exile right up to the contemporary moment. It is suitable for scholars interested in European or Slavic studies, as well as anyone who is interested in topics such as identity construction, ethnic representation, East-West cultural exchanges and transnationalism. 300 pp. Englisch.…

Condition: New. PRINT ON DEMAND.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Provides a profoundly transnational approach, drawing on case studies from more than 15 countriesAdds a longitudinal and diachronic perspective to the subject of migration in European cinemaOffers an .…

Hardcover. Condition: new. Hardcover. Since the fall of the Berlin Wall in 1989, transnational European cinema has risen, not only in terms of production but also in terms of a growing focus on multiethnic themes within the European context. This shift from national to trans-European filmmaking has been profoundly influenced by such historical developments as the collapse of the Iron Curtain and the subsequent ongoing enlargement of the European Union. In European Cinema after the Wall: Screening EastWest Mobility, Leen Engelen and Kris Van Heuckelom have brought together essays that critically examine representations of post-1989 migration from the former Eastern Bloc to Western Europe, uncovering an array of common tropes and narrative devices that characterize the influences and portrayals of immigration. Featuring essays by contributors from backgrounds as divergent as film studies, Slavic and Russian studies, comparative literature, sociology, contemporary history, and communication and media studies, this volume will appeal to scholars of film, European history, and those interested in the impact of migration, diaspora, and the global flow of cinematic culture. The past three decades have seen the rise of a transnational European cinema, not only in terms of production, but also in terms of a growing focus on multi-ethnic themes within the European context. The collapse of the Iron Curtain and the subsequent (and on-going) enlargemen. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…