Kramer Albert (90 results)

Hardcover. Condition: Good. Dust Jacket Condition: Fair.

Soft cover. Condition: Good. 1st Edition. Binding has light wear and minor soil; cover and pages at front have small top-corner crease; tight, text clean. 217, [7] p. [br 15].

Soft cover. Condition: Good. No Jacket.

Hardcover. Condition: Good +. Normal to moderate age/use wear. Book.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Hardcover. Condition: Good. Dust Jacket Condition: Fair. Not marked; 8vo - over 7¾" - 9¾" tall.

Condition: Very Good. 61 pp., hardcover, very good in a chipped dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Broschiert. Condition: Gut. 111 S. ; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Neben dem oben aufgeführten Aufsatz befinden sich auch weitere Beiträge auch anderer Autoren in dem Werk. Sprache: Deutsch Gewicht in Gramm: 220.…

, Kramer, Franz Albert, 1900-1950, Hrsg. Politische Leitsätze. Koblenz, Historisch-Politischer Verlag, no date, preface dated 1946, 95pp., sewn PAPERBACK, very good stiff sewn paper wraps. Ideas on rebuilding the state, from: Constantin Frantz, Julius Ficker, Philipp von Segesser. On the German catastrophe, from: Georg Gottfried Gervinus, Jakob Burckhardt. Kramer: Der Weg in die Zukunft, pp. 79-95.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: New.

141 S., 1 Bl. Orig.-Brosch.

Soft cover. Condition: Very Good. 1st Edition. Popular sheet music for the 1948 hit Love Somebody, written by the husband-and-wife songwriting team Joan Whitney and Alex Kramer and introduced by Doris Day and Buddy Clark on Columbia Records. The song became one of Day's early signature recordings, reaching the top of the Billboard charts and helping establish her as one of America's leading popular vocalists during the transition from the big-band era to traditional pop. The interior prints the complete vocal arrangement with piano accompaniment and includes publisher advertisements for additional Kramer-Whitney compositions, including Curiosity and Two Weeks With Pay. An especially appealing feature of this copy is its publication by Kramer-Whitney, Inc., the independent publishing company established by Whitney and Kramer themselves. Rather than assigning their compositions to one of Tin Pan Alley's dominant music publishers, the songwriting team briefly controlled publication under their own imprint - an entrepreneurial approach that was relatively uncommon among successful commercial songwriters of the late 1940s. The cover is also signed "Barbelle," identifying the work of Albert Wilfred Barbelle (1887-1957), one of the most influential commercial artists of the American sheet music era. Best known for his elegant Art Deco and illustrated music covers from the 1910s through the 1930s, Barbelle successfully transitioned into photographic cover layouts during the postwar years, making this an interesting example of his later career as popular music marketing shifted from illustration toward celebrity photography. Condition: Very Good. Complete and sound. Moderate age toning and light handling wear throughout. Small corner creases to the upper wrapper, several short edge tears and small chips along the fore edge and lower margins, and a short closed tear at the bottom edge of the interior sheet. Pencil notation ("40") on the front cover, likely indicated the common price of this era. Interior remains clean with no writing to the music, staples secure, and pages firmly attached. A solid collectible example suitable for both display and use. The Barbelle signature on the front cover is a noteworthy bibliographic feature often overlooked by sellers. Albert Wilfred Barbelle was among the premier commercial illustrators of the Tin Pan Alley period, producing hundreds of iconic music covers and later adapting his style to photography-based designs as recording artists increasingly became the focal point of music marketing. Coupled with the uncommon Kramer-Whitney imprint - representing a rare instance of successful songwriters publishing under their own company - this edition appeals not only to Doris Day collectors but also to enthusiasts of American commercial illustration, Tin Pan Alley history, and music publishing. Joan Whitney (1917-1998) and Alex Kramer (1903-1998) were among the most successful American songwriting teams of the 1940s and early 1950s. Married in 1946, they composed numerous popular standards recorded by artists including Doris Day, Frank Sinatra, Dinah Shore, and Jo Stafford. Their songs blended sophisticated popular melodies with accessible lyrics, and many became staples of postwar American popular music. Their brief venture into independent music publishing through Kramer-Whitney, Inc. reflects an uncommon effort by successful composers to retain greater control over their own works during the waning years of the Tin Pan Alley publishing system. Albert Wilfred Barbelle (illustrator). …

gebundene Ausgabe. Condition: Gut. 224 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann entsprechende Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.). Aufgrund des Alters und der häufigen Nutzung können Stabilität, Einband sowie Papierqualität beeinträchtigt sein. In FRANZÖSISCHER Sprache. Sprache: Französisch Gewicht in Gramm: 395.…

Condition: New.

OBroschur. Condition: Sehr gut. Premiere 27. November 1999. 32 S. mit Stab u. Besetzung, geheft. OBroschur, 8°. Mit 11 Probenfotos. Umfangr., durchgeh. typogr. gestaltet. Textzusammenstellung, mit u.a. Texten v. Vilem Flusser, Adorno/ Horkheimer, Rimbaud u. zahlr. (Zeitungs-)Texten der Zeit. Ecken u. Kanten gering berieben. Schönes, sehr gutes Exemplar, nahezu tadellos. Broschüre.…

Condition: gut. 49 S., 23 cm, Bibliotheksexemplar, sekundär gebunden, gebräunt, Rand leicht geknickt, einzelne Bleistiftanstreichungen. Sprache: Deutsch.

No Binding. Condition: Near Fine. Original Photograph. Original Photograph, Image 9" X 6 7/8". Inscribed By The Subject. Photographer's Logo At Lower Left. , And His Stamp On Verso. Albert Witzel (1879-1929) Moved To Los Angeles, Where He Opened His Studio At 811 S. Hill St. He Was Soon Recognized As One Of Los Angeles' Top Society Photographers, With Many Of His Images Appearing In The Los Angeles Times, Starting In 1912. He Began Reaching Out To Theatrical Entertainers In Need Of Carefully Crafted Portraits To Lure Customers. Around The Same Time, Moving Picture Companies Migrated To Los Angeles To Film In The Ever-Present Sunshine, Away From Motion Picture Trust Interference. These Companies Had Recently Introduced The Practice Of Promoting The Stars Of Their Films, Helping To Create Brand Awareness Among Consumers, Who Flocked To Movies Starring Their Favorites. Witzel'S Theatrical Clients Promoted His Talents To Their Movie-Making Friends, Who Quickly Began Hiring Him To Take Their Portraits. Film Companies Employed His Services Too. The Balboa Film Co. Hired Him In 1913-1914 To Shoot Portraits Of Their Star Stable, Quickly Followed By Companies Like Triangle-Ince.Witzel'S Photograph Of Viola Barry From Balboa Films "The Sea Wolf" Was The First Movie Star Portrait To Appear In The Los Angeles Times, 1913. His Images Often Employed Rembrandt Lighting And Offered Moody Shadows And Sheen. Witzel'S Work Began Running Regularly In The Times In 1915, And Film Fan Magazines Like Photoplay And Motion Picture Regularly Published His Work As Well. Witzel Expanded His Work With Studios, Occasionally Shooting Freelance Images Of Sennett Bathing Beauties In 1916 That Were Published In Magazines And Newspapers, And Working On Assignment For Fox Studios In 1917, Photographing Theda Bara In A Series Of Somewhat Soft Pictorialist Images For Her Iconic Films, "Cleopatra," "Salome," And Madame Du Barry." In Order To Handle The Increased Workload, Witzel Added New Studios And Employed Retouchers Like Photographer William Mortensen And Extra Photographers Like Otto Schellenberg, W. F. Seely, George Cannons, And Max Munn Autrey To Shoot Portraits. Autrey Eventually Became Head Of Witzel'S Hollywood Studio At 6324 Hollywood Blvd. From 1922-1924. Their Work Became More Intense And Exotic, Emphasizing A Glamorous Star Look. The Witzel Studio Downtown Also Handled One Of The More Infamous Special Photo Shoots In Silent Film History. Harold Lloyd Posed In The Studio With A "Fake" Bomb That Turned Out To Be Real, Losing His Right Thumb And Forefinger. The Comedian Performed All Of His Action Stunts, Including Hanging Off A Downtown Building, With Only Three Fingers On His Right Hand. N 1923, Witzel Was Forced Out Of His Lease At 828 S. Hill St. By The May Co., New Owners Of The Original Hamburger'S Department Store, Who Wanted To Make Additions To Their Building. The Firm Opened A New Studio At 1007 W. 7Th St., Run By His Brother Charles, To Go Along With One At 536 S. Broadway. This Studio Occupied The Entire Second Floor And The Lobby Of The Recently Constructed Building, With New Up-To-Date Equipment In What The Times Called The "Largest Photography Studio In The West." The Witzel Hollywood Studio Remained Its Most Attractive, With The South Broadway Studio The Most Modern. During The Mid-1920S, However, Studios Began Establishing Their Own Portrait Galleries To Maintain A Firm Hand And Established Look With The Requirement For An Ever Increasing Production Of Prints. Spurr Left To Establish His Own Studio, Schellenberg Ended Up At Universal, Cannons Went To Sennett, And Autrey Departed To Found Fox'S Portrait Department. Witzel And His Staff Of Photographers Focused More On Special Shoots For Newspapers And Magazines, Like The Peggy Hamilton Fashion Features For The Los Angeles Times, And Other Select Sections. Signed by Author(s).…

Hardcover. Condition: Very Good -. No Jacket. PRESENTATION COPY FROM AUTHOR. Front pastedown bookplate states it is from author, however there is no signature or inscription. Normal scuffs, soils and edge wear on exterior, with typical library marks. A story of the search for spirituality. 88 pages. PRESENTATION COPY FROM AUTHOR'S WIFE. Book. …

Paperback. Condition: Brand New. 160 pages. 10.00x7.00x0.40 inches. In Stock.

Condition: New.

gebundene Ausgabe. Condition: Gut. 225 S. guter Zustand, franz. sprachig, Einband kaum berieben u. leicht stockfleckig, Seiten kaum gebräunt LIEFERZEITEN / DELIVERY TIMES: DEUTSCHLAND 5 - 14 Tage EUROPA/EUROPE: 7 - 30 Tage/Days USA/WELTWEIT/WORLDWIDE: 14 - 60 Tage/Days (!!!) +++ Sprache: Französisch Gewicht in Gramm: 450.…

Softcover. 4° (26,8 x 18,7 cm). Graue Originalbroschur (Paperback), mit schwarzen Einbandtiteln. 354, (2) Seiten mit 58 Tafeln (Tafelabbildungen) sowie viele Abbildungen und Skizzen im Text und einige Karten. Die Schnitte teils minimal braunfleckig. Offensichtlich unbenutztes, insgesamt wirklich gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wenn es draußen stürmt, können Sie es sich mit einem guten Buch gemütlich machen und ein warmes Getränk dazu genießen. Bei uns finden Sie die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! Archae.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.