Khanna Indra (25 results)

Condition: good. Jeyaraj (illustrator).

paperback. Condition: Good. Ex-library copy with usual markings. Cover and edges may have some wear.

paperback. Condition: Very Good. Cover and edges may have some wear.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Jeyaraj (illustrator).

Condition: New.

paperback. Condition: New. 1st Edition. This is a new book. All orders ship by next business day! We are a small company and very thankful for your business.

Condition: As New. Unread book in perfect condition.

paperback. Condition: New. *Brand new* Ships from USA.

Paperback. Condition: New. 'A remarkable book. a precious album or scrapbook of ideas, insights and specially chosen images of objects that have a multitude of stories to tell.' - Art Africa magazine 'What have we here? presents us with the overlooked and excluded segments of British legacy, utilising the power of art to question what we already know, and what there is yet to learn.' - Palatinate Together with his own artworks, contemporary artist Hew Locke uses the British Museum's collection as a springboard to explore themes of colonialism and cultural interactions. Hew Locke is interested in dissecting the messy and complex ways in which museums are implicated in histories of empire. 'This project has enabled me to engage with the museum's collections in a much deeper way than ever before, and in a way few artists have had the privilege of doing. I have always been interested in the way objects are interpreted through display in museums. What story has been distilled and is being told or implied about the past? How does it relate to the present? How can this telling be questioned, disrupted, or complicated?' The British Museum's history and collections are closely linked to those of the British Empire, which this book addresses alongside a consideration of today's often contentious and deeply felt debates around cultural heritage. Focusing on Britain's historic interactions with Africa, India and the Caribbean from around 1600 onwards, all of which had an impact on Guyana (where Locke grew up), Locke creates a personal exploration of the subject, weaving in his own works such as the Souvenir series and a new commission titled The Watchers. Using interventionist techniques to reframe the collection's historical objects, the artist hopes to leave readers with more questions than answers. …

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover without dustjacket as issued, 120 pages, good condition, bumps to corners of covers and tiny indent to rear cover; no internal marks. Foreign shipping may be extra.

Condition: New. Brand New.

Condition: New.

Condition: New. In English.

Condition: New.

Soft cover. Condition: Very Good. 1st Edition. Catalogue published to accompany an exhibition held at the Spacex Gallery/Exe Gallery, 28 June - 19 July 1986. 32 p. : ill. ; 21 cm. Slight shelf wear to cover, no inscriptions. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 208 pages. 0.38x0.28x0.67 inches. In Stock.

Hardcover. Condition: Fine. Qto., 120 pages, illustrated. Unused, a Fine copy.

Condition: New.

Condition: New.

FIRST EDITION, Signed Presentation Copy. Square 4to. laminated hardback. 120pp., profusely illustrated in colour and b/w. Artist's ink inscription to title page reads "To Broder, Tim Shaw". No other markings or inscriptions. A VERY GOOD COPY. (Shelf 25) ISBN: 9781908326812 PLEASE NOTE: Heavy Book (1.2 kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.…

Taschenbuch. Condition: Neu. Neuware - 'A remarkable book. a precious album or scrapbook of ideas, insights and specially chosen images of objects that have a multitude of stories to tell.' - Art Africa magazine 'What have we here presents us with the overlooked and excluded segments of British legacy, utilising the power of art to question what we already know, and what there is yet to learn.' - Palatinate Together with his own artworks, contemporary artist Hew Locke uses the British Museum's collection as a springboard to explore themes of colonialism and cultural interactions. Hew Locke is interested in dissecting the messy and complex ways in which museums are implicated in histories of empire. 'This project has enabled me to engage with the museum's collections in a much deeper way than ever before, and in a way few artists have had the privilege of doing. I have always been interested in the way objects are interpreted through display in museums. What story has been distilled and is being told or implied about the past How does it relate to the present How can this telling be questioned, disrupted, or complicated ' The British Museum's history and collections are closely linked to those of the British Empire, which this book addresses alongside a consideration of today's often contentious and deeply felt debates around cultural heritage. Focusing on Britain's historic interactions with Africa, India and the Caribbean from around 1600 onwards, all of which had an impact on Guyana (where Locke grew up), Locke creates a personal exploration of the subject, weaving in his own works such as the Souvenir series and a new commission titled The Watchers. Using interventionist techniques to reframe the collection's historical objects, the artist hopes to leave readers with more questions than answers.…

Condition: NEW.

Paperback. Condition: New. 'A remarkable book. a precious album or scrapbook of ideas, insights and specially chosen images of objects that have a multitude of stories to tell.' - Art Africa magazine 'What have we here? presents us with the overlooked and excluded segments of British legacy, utilising the power of art to question what we already know, and what there is yet to learn.' - Palatinate Together with his own artworks, contemporary artist Hew Locke uses the British Museum's collection as a springboard to explore themes of colonialism and cultural interactions. Hew Locke is interested in dissecting the messy and complex ways in which museums are implicated in histories of empire. 'This project has enabled me to engage with the museum's collections in a much deeper way than ever before, and in a way few artists have had the privilege of doing. I have always been interested in the way objects are interpreted through display in museums. What story has been distilled and is being told or implied about the past? How does it relate to the present? How can this telling be questioned, disrupted, or complicated?' The British Museum's history and collections are closely linked to those of the British Empire, which this book addresses alongside a consideration of today's often contentious and deeply felt debates around cultural heritage. Focusing on Britain's historic interactions with Africa, India and the Caribbean from around 1600 onwards, all of which had an impact on Guyana (where Locke grew up), Locke creates a personal exploration of the subject, weaving in his own works such as the Souvenir series and a new commission titled The Watchers. Using interventionist techniques to reframe the collection's historical objects, the artist hopes to leave readers with more questions than answers. …