Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659324X ISBN 13: 9780226593241
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Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Language: English
Published by The University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Language: English
Published by The University of Chicago Press, US, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Paperback. Condition: New. Over the past two centuries Western culture has largely valorized a particular kind of "good" music-highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original-and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately.
Language: English
Published by The University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2018. First. Paperback. . . . . .
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 320.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Paperback. Condition: Brand New. 320 pages. 9.25x5.75x0.75 inches. In Stock.
Language: English
Published by The University of Chicago Press, Chicago, IL, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Paperback. Condition: new. Paperback. Over the past two centuries Western culture has largely valorized a particular kind of good musichighly serious, wondrously deep, stylistically authentic, heroically created, and strikingly originaland, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Condition: New. 2018. First. Paperback. . . . . . Books ship from the US and Ireland.
Language: English
Published by University of Chicago Press 2018-11-29, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
Seller: Chiron Media, Wallingford, United Kingdom
£ 26.24
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Add to basketPaperback. Condition: New.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 320.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Language: English
Published by The University of Chicago Press, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
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Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659324X ISBN 13: 9780226593241
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Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659324X ISBN 13: 9780226593241
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Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659324X ISBN 13: 9780226593241
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2018. First. Hardcover. . . . . .
Language: English
Published by The University of Chicago Press, 2018
ISBN 10: 022659324X ISBN 13: 9780226593241
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Language: English
Published by The University of Chicago Press, 2018
ISBN 10: 022659324X ISBN 13: 9780226593241
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Language: English
Published by The University of Chicago Press, Chicago, IL, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. Over the past two centuries Western culture has largely valorized a particular kind of good musichighly serious, wondrously deep, stylistically authentic, heroically created, and strikingly originaland, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659324X ISBN 13: 9780226593241
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Language: English
Published by University of Chicago Press, 2018
ISBN 10: 022659324X ISBN 13: 9780226593241
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Language: English
Published by The University of Chicago Press, US, 2018
ISBN 10: 022659338X ISBN 13: 9780226593388
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. Over the past two centuries Western culture has largely valorized a particular kind of "good" music-highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original-and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately.