Published by Wiills Music Co, Cincinnati OH, 1926
Seller: Chequamegon Books, Washburn, WI, U.S.A.
Hardcover. Condition: Good with no dust jacket. Some rubbing to cover edges and some light marks on covers, front and back darkened; 267 pages ".shows how to develop a technique of teaching that will enable leaders to train their orchestras and bands. in a professionally technical manner, in the shortest possible time and with little or no lost motion." Possibly an ex-library book -- appears to have had a sticker removed from spine and front free endpage -- no other stamps present. Interior clean.; 7 x 10 ".
Published by Wiills Music Co, Cincinnati OH, 1926
Seller: Chequamegon Books, Washburn, WI, U.S.A.
Hardcover. Condition: Very Good with no dust jacket. Maddy's inscription on free front endpage (also name inked on ffep), spine ends and corners slightly bumped. 267 pages ".shows how to develop a technique of teaching that will enable leaders to train their orchestras and bands. in a professionally technical manner, in the shortest possible time and with little or no lost motion."; 7 x 10 "; Signed by Author.
Published by Carl Fischer, Inc., 1930
Seller: The Story Shop, Elwood, IN, U.S.A.
Softcover. Condition: Very Good+. Part for b-flat clarinets. Text and annotations by Dr. Edwin J. Stringham. ; 4to 11" - 13" tall; 28 pages.
Published by Willis Music Company, Cincinnati, 1926
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
hardcover. Condition: very good. Musical examples. viii + 267pp., 8vo, cloth. Cincinnati: The Willis Music Company, 1926. A very good copy.
Seller: Books From California, Simi Valley, CA, U.S.A.
paperback. Condition: Good. Writting on the title page from the past owner.
Condition: New.
Language: English
Published by Willis Music Company, Cincinnati, OH, 1926
Seller: Yesterday's Books, Richmond, IN, U.S.A.
Cloth. Condition: G. No Jacket. Fourth Edition. 267 pp, b/w photos and illustrations, the book and contents are solid and tight, the pages are clean, the covers have some wear and soil, this is an exhaustive and practical text-book for teachesrs, conductors and students, with appendices on dance orchestra, repairing of intruments and marching band, a very usable book.
Language: English
Published by Ohio University Press, 2019
ISBN 10: 0821423614 ISBN 13: 9780821423615
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Condition: New.
Language: English
Published by Ohio University Press, 2019
ISBN 10: 0821423614 ISBN 13: 9780821423615
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Ohio University Press, US, 2019
ISBN 10: 0821423614 ISBN 13: 9780821423615
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Staging the Amistad collects in print for the first time plays about the Amistad slave revolt by three of Sierra Leone's most influential playwrights of the latter decades of the twentieth century: Charlie Haffner, Yulisa Amadu "Pat" Maddy, and Raymond E. D. de'Souza George. Until the late 1980s, when the first of these plays was performed, the 1839 shipboard slave rebellion and the return of its victors to their homes in what is modern-day Sierra Leone had been an unrecognized chapter in the country's history. The plays recast the tale of heroism, survival, and resistance to tyranny as a distinctly Sierra Leonean story, emphasizing the agency of its African protagonists. For this reason, Haffner, Maddy, and de'Souza George counterbalance the better-known American representations of the rebellion, which center on American characters and American political and cultural concerns. The first public performances of these plays constituted a watershed moment. Written and staged immediately before and after the start of Sierra Leone's decade-long conflict, they brought the Amistad rebellion to public consciousness. Furthermore, their turn to a uniquely Sierra Leonean history of heroic resistance to tyranny highlights the persistent faith in nation-state nationalism and the dreams of decolonization.
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 169 pages. 8.25x5.50x0.50 inches. In Stock.
Language: English
Published by Ohio University Press, 2019
ISBN 10: 0821423614 ISBN 13: 9780821423615
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 232.
Language: English
Published by Ohio University Press, 2019
ISBN 10: 0821423614 ISBN 13: 9780821423615
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Ohio University Press, 2019
ISBN 10: 0821423614 ISBN 13: 9780821423615
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Language: English
Published by Ohio University Press, 2019
ISBN 10: 0821423614 ISBN 13: 9780821423615
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 232.
Condition: New.
Language: English
Published by Ohio University Press, 2019
ISBN 10: 0821423606 ISBN 13: 9780821423608
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Ohio University Press, 2019
ISBN 10: 0821423606 ISBN 13: 9780821423608
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Ohio University Press, US, 2019
ISBN 10: 0821423606 ISBN 13: 9780821423608
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. Staging the Amistad collects in print for the first time plays about the Amistad slave revolt by three of Sierra Leone's most influential playwrights of the latter decades of the twentieth century: Charlie Haffner, Yulisa Amadu "Pat" Maddy, and Raymond E. D. de'Souza George. Until the late 1980s, when the first of these plays was performed, the 1839 shipboard slave rebellion and the return of its victors to their homes in what is modern-day Sierra Leone had been an unrecognized chapter in the country's history. The plays recast the tale of heroism, survival, and resistance to tyranny as a distinctly Sierra Leonean story, emphasizing the agency of its African protagonists. For this reason, Haffner, Maddy, and de'Souza George counterbalance the better-known American representations of the rebellion, which center on American characters and American political and cultural concerns. The first public performances of these plays constituted a watershed moment. Written and staged immediately before and after the start of Sierra Leone's decade-long conflict, they brought the Amistad rebellion to public consciousness. Furthermore, their turn to a uniquely Sierra Leonean history of heroic resistance to tyranny highlights the persistent faith in nation-state nationalism and the dreams of decolonization.
Language: English
Published by Ohio University Press, 2019
ISBN 10: 0821423606 ISBN 13: 9780821423608
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 232 pages. 8.75x5.75x0.75 inches. In Stock.
Language: English
Published by Ohio University Press, 2019
ISBN 10: 0821423606 ISBN 13: 9780821423608
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New.
Language: English
Published by Ohio University Press, 2019
ISBN 10: 0821423606 ISBN 13: 9780821423608
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Ohio University Press, 2019
ISBN 10: 0821423606 ISBN 13: 9780821423608
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Published by The Wills Music Company, 1959
Seller: Bookcase, Carlisle, United Kingdom
First Edition
Hard Cover. Condition: Good. Dust Jacket Condition: Good Minus. Revised Edition. Several small white marks to boards. Book is very clean and tidy internally. D/w chipped and slightly creased, with very minor loss to head of spine. Size: 8vo - over 7¾" - 9¾" tall.
Published by The Willis Music Company, 1926
Seller: BookDepart, Shepherdstown, WV, U.S.A.
Hardcover. Condition: UsedVeryGood. Hardcover; 7th edition, revised and enlarged; with appendices on The Dance Orchestra, The Repairing of Instruments, and The Marching Band; fading, light scuffing, and shelf wear to exterior; corners bumped; fading to pages; in very good condition with clean text, firm binding. No dust jacket.
Language: English
Published by Creative Media Partners, LLC Feb 2026, 2026
ISBN 10: 1025742605 ISBN 13: 9781025742601
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - 'Instrumental Technique for Orchestra and Band' is a comprehensive and practical guide designed for educators and conductors focused on the development of school and community ensembles. Written by pioneers in the field of music education, J. E. Maddy and T. P. Giddings, this work serves as an essential manual for building and maintaining successful instrumental programs. The text provides detailed instruction on the technical aspects of various instruments, while also addressing the broader challenges of ensemble balance, intonation, and rhythmic precision.
Language: English
Published by Ohio University Press, US, 2019
ISBN 10: 0821423614 ISBN 13: 9780821423615
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. Staging the Amistad collects in print for the first time plays about the Amistad slave revolt by three of Sierra Leone's most influential playwrights of the latter decades of the twentieth century: Charlie Haffner, Yulisa Amadu "Pat" Maddy, and Raymond E. D. de'Souza George. Until the late 1980s, when the first of these plays was performed, the 1839 shipboard slave rebellion and the return of its victors to their homes in what is modern-day Sierra Leone had been an unrecognized chapter in the country's history. The plays recast the tale of heroism, survival, and resistance to tyranny as a distinctly Sierra Leonean story, emphasizing the agency of its African protagonists. For this reason, Haffner, Maddy, and de'Souza George counterbalance the better-known American representations of the rebellion, which center on American characters and American political and cultural concerns. The first public performances of these plays constituted a watershed moment. Written and staged immediately before and after the start of Sierra Leone's decade-long conflict, they brought the Amistad rebellion to public consciousness. Furthermore, their turn to a uniquely Sierra Leonean history of heroic resistance to tyranny highlights the persistent faith in nation-state nationalism and the dreams of decolonization.