Hung Yu Ting (14 results)

Paperback. Condition: New.

Paperback. Condition: New.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: New. Print on Demand.

Paperback. Condition: New.

Condition: New. pp. 100.

Paperback. Condition: New.

paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book engages with Taiwanese history by offering a reading of Hou Hsiao-hsien s A City of Sadness (1989), making reference to the film s historical dimensions, cultural representations and gender issues in the period 1945 to 1949. It examines Taiwan s indigenous culture and the impact of Japanese and Chinese cultural practices in A City of Sadness through the post-colonial theories of Perry Anderson, Homi Bhabha, and Chris Berry. I draw on their theories of cultural hegemony and my empiricism to investigate Hou s representation of the political situation in Taiwan. Finally, the book evaluates gender issues in A City of Sadness, with reference to Julia Kristeva s notion of feminine time and the debate between Emilie Yeh and Mizou concerning whether women can really enter history . In evaluating A City of Sadness I argue that Hou Hsiao-hsien s use of a family s micro-history to parallel the national macro-history of the February 28 Incident opens an important historical window through which the audience may re-encounter and reflect on Taiwan s past, and think positively about its future. 100 pp. Englisch.…

Condition: New. Print on Demand pp. 100 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book engages with Taiwanese history by offering a reading of Hou Hsiao-hsien s A City of Sadness (1989), making reference to the film s historical dimensions, cultural representations and gender issues in the period 1945 to 1949. It examines Taiwan s indigenous culture and the impact of Japanese and Chinese cultural practices in A City of Sadness through the post-colonial theories of Perry Anderson, Homi Bhabha, and Chris Berry. I draw on their theories of cultural hegemony and my empiricism to investigate Hou s representation of the political situation in Taiwan. Finally, the book evaluates gender issues in A City of Sadness, with reference to Julia Kristeva s notion of feminine time and the debate between Emilie Yeh and Mizou concerning whether women can really enter history . In evaluating A City of Sadness I argue that Hou Hsiao-hsien s use of a family s micro-history to parallel the national macro-history of the February 28 Incident opens an important historical window through which the audience may re-encounter and reflect on Taiwan s past, and think positively about its future.…

Condition: New. PRINT ON DEMAND pp. 100.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Hung Christine Yu-TingDr. Christine Yu-Ting Hung is from Taipei, Taiwan. After finishing MAs in Theatre Studies and Chinese Studies at the University of New South Wales (UNSW), Australia, she completed her PhD in Cinema Studies at th.…

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book engages with Taiwanese history by offering a reading of Hou Hsiao-hsien's A City of Sadness (1989), making reference to the film's historical dimensions, cultural representations and gender issues in the period 1945 to 1949. It examines Taiwan's indigenous culture and the impact of Japanese and Chinese cultural practices in A City of Sadness through the post-colonial theories of Perry Anderson, Homi Bhabha, and Chris Berry. I draw on their theories of cultural hegemony and my empiricism to investigate Hou's representation of the political situation in Taiwan. Finally, the book evaluates gender issues in A City of Sadness, with reference to Julia Kristeva's notion of 'feminine time' and the debate between Emilie Yeh and Mizou concerning 'whether women can really enter history'. In evaluating A City of Sadness I argue that Hou Hsiao-hsien's use of a family's micro-history to parallel the national macro-history of the February 28 Incident opens an important historical window through which the audience may re-encounter and reflect on Taiwan's past, and think positively about its future.Books on Demand GmbH, Überseering 33, 22297 Hamburg 100 pp. Englisch.…