Hilder Thomas R (23 results)

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hardcover. Condition: New. New and unused. Ships daily.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Investigates the significance of a range of digital technologies in contemporary Indigenous musical performance, exploring interdisciplinary issues of music production, representation, and transmission.The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together thework of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century.Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London.…

Condition: New. In English.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: New.

Hardcover. Condition: Brand New. 251 pages. 9.50x6.25x1.00 inches. In Stock.

Hardcover. Condition: Good. Hardcover, xviii + 243 pages, NOT ex-library. Pencil markings (sparse lines in side margins or/and sparse underlining on 11 pages). Else little wear, book is clean and bright, free of inscriptions and stamps, firmly bound. Issued without a dust jacket. -- This study provides a detailed ethnomusicological analysis of contemporary Sámi musical performance and its central role in the politics of indigeneity in Northern Europe. The author examines how Sámi musicians use and adapt traditional musical forms, particularly the joik, to articulate and negotiate their cultural and political identity in the modern nation-states of Norway, Sweden, and Finland. The work explores the complex interplay between musical performance, cultural revitalization, indigenous rights, and the global world music market. It serves as a key text on how music functions as a powerful resource for cultural survival and political expression for an indigenous community.…

First edition. (Eastman/Rochester Studies: Ethnomusicology) Appears as new; matt-laminated boards; pages white and fresh. Used - Very Good. VG hardback (no dust jacket).

Hardback. Condition: New. Investigates the significance of a range of digital technologies in contemporary Indigenous musical performance, exploring interdisciplinary issues of music production, representation, and transmission.The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together thework of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century.Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London.…

Condition: New. In Sami Musical Performance and the Politics of Indigeneity in Northern Europe, ethnomusicologist Thomas Hilder offers the first book-length study of this diverse and dynamic music scene and its intersection with the politics of indigeneity. Series: Europea: Ethnomusicologies & Modernities. Num Pages: 262 pages, 11 black & white halftones. BIC Classification: 1DN; AVA; AVGH; JFSL9; JHMC. Category: (P) Professional & Vocational. Dimension: 240 x 162 x 24. Weight in Grams: 503. . 2014. Hardcover. . . . . …

Hardcover. Condition: Brand New. 264 pages. 9.25x6.25x1.00 inches. In Stock.

Condition: New. In Sami Musical Performance and the Politics of Indigeneity in Northern Europe, ethnomusicologist Thomas Hilder offers the first book-length study of this diverse and dynamic music scene and its intersection with the politics of indigeneity. Series: Europea: Ethnomusicologies & Modernities. Num Pages: 262 pages, 11 black & white halftones. BIC Classification: 1DN; AVA; AVGH; JFSL9; JHMC. Category: (P) Professional & Vocational. Dimension: 240 x 162 x 24. Weight in Grams: 503. . 2014. Hardcover. . . . . Books ship from the US and Ireland. …

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

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Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Investigates the significance of a range of digital technologies in contemporary Indigenous musical performance, exploring interdisciplinary issues of music production, representation, and transmission.InhaltsverzeichnisMusic, Indige. …

Buch. Condition: Neu. Music, Indigeneity, Digital Media | Thomas R. Hilder (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2017 | University of Rochester Press | EAN 9781580465731 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.