Henderson Dalrymple (95 results)

Condition: very_good.

Condition: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.…

Hardcover. Condition: Near Fine. Near Fine. 1st. 199 pages, illustrations (some colour); 26 cm. Near fine. Firm binding, clean inside copy. Age toning. Stated First Edition. Dust jacket, with light edgewear, protected in a mylar cover. *** "Although a fascination with the fourth dimension and the search for ways of depicting it have engaged artists for more than a century, only the computer makes such depiction truly possible. Using the computer as a tool, painter and sculptor Tony Robbin has devoted his life as an artist to this quest. Fourfield is both a record of that quest and an eloquent testament to the value of its fulfillment. The understanding and appreciation of space as presented in works of art have changed over the centuries, and Robbin suggests that the time is ripe for our perception of space to undergo another radical shift. He makes clear that "seeing" space in three dimensions is merely a culturally based assumption, no more and no less valid than apprehending space in any other way. This realization frees us to understand space much as a computer might--as fluid, ever changing, and dynamic. It has also freed Robbin to create exhilarating and amazing works, derived from his original blending of art, science, and mathematics. Fourfield is a firsthand account of the artist's visual, intellectual, and philosophical evolution, which has taken him from paintings in a traditional two-dimensional format to those in which rods extending from the canvas and the shadows they produce present a visual experience of four dimensions. Most recently, Robbin has created sculpture that incorporates quasicrystals ('crystals' made up of nonrepeating patterns) and whose appearance varies with the viewer's position and the orientation of light. This experimentation is suggesting startling new directions in architecture as well. To assist the reader in comprehending this seemingly magical world, Fourfield comes with an image of a pattern of four-dimensional cubes, known as hypercubes, and special glasses through which to view it. Also included is an order form for a diskette containing a number of the computer programs developed by Robbin as he explored the world of computers and art. Written with a voice of eloquence and clarity for anyone interested in art, science, mathematics, computers, or philosophy, Fourfield is, however, not for the timid. Just as Douglas Hofstadter's Godel, Escher, Bach and Robert Pirsig's Zen and the Art of Motorcycle Maintenance altered their readers' perceptions, readers of Fourfield will find their way of seeing the world changed forever." - Publisher. *** CONTENTS: Foreword, by Rudy Rucker; Introduction, by Linda Dalrymple Henderson; 1. Einstein's Cave; 2. Emotional Equations: Space in Mathematics and Art; 3. Chinese Boxes and Shadows from Heaven; 4. Patterns in the Ether; 5. Curvature: Lobofour and Nonclid; 6. Time in Space: Three Enigmas of Space; 7. Exebar Speaks!; Appendix 1: Vincent Van Gogh's Letter; Appendix 2: Hardware and Software Notes. Size: 4to. Collectible.…

Hardcover. Condition: Very Good. Revised. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. A Fine copy, wrapped in shrinkwrap.

Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition. As New in the publishers shrinkwrap.

hardcover. Condition: Very Good. Light edge wear. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Soft cover. Condition: Good. pages in Very Good condition, small chip to the front cover.

Broschur. Condition: leichte Gebrauchsspuren. SOFORTVERSAND AUF RECHNUNG! Ein gutes Exemplar In deutscher Sprache. 95 S. 8°.

Hardcover with dustjacket, 108 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Bücher. 8°. 95 Seiten. Mit Abbildungen. Illustrierte Broschur. Sehr guter Zustand.

Condition: New.

Hardcover. Condition: Very Good. First Edition. Hardcover. No Dust Jacket. Good binding and cover. Library stamps and markings. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Paperback. Condition: New. This book offers an innovative examination of the interactions of science and technology, art, and literature in the nineteenth and twentieth centuries. Scholars in the history of art, literature, architecture, computer science, and media studies focus on five historical themes in the transition from energy to information: thermodynamics, electromagnetism, inscription, information theory, and virtuality. Different disciplines are grouped around specific moments in the history of science and technology in order to sample the modes of representation invented or adapted by each field in response to newly developed scientific concepts and models. By placing literary fictions and the plastic arts in relation to the transition from the era of energy to the information age, this collection of essays discovers unexpected resonances among concepts and materials not previously brought into juxtaposition. In particular, it demonstrates the crucial centrality of the theme of energy in modernist discourse. Overall, the volume develops the scientific and technological side of the shift from modernism to postmodernism in terms of the conceptual crossover from energy to information. The contributors are Christoph Asendorf, Ian F. A. Bell, Robert Brain, Bruce Clarke, Charlotte Douglas, N. Katherine Hayes, Linda Dalrymple Henderson, Bruce J. Hunt, Douglas Kahn, Timothy Lenoir, W. J. T. Mitchell, Marcos Novak, Edward Shanken, Richard Shiff, David Tomas, Sha Xin Wei, and Norton Wise.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Softcover. Condition: Very Good. First Edition. First edition, trade paperback, has a moderate lean to the binding, bumps to the spine ends and corners, light sunning to the spine, rubbing with some smudging to the covers, foxing starting to the edges of the text block, and a previous owner's name neatly penned to the inside front cover. Overall, this is a solid, tight, Very Good copy with clean pages.…

Hardback. Condition: New.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Acceptable. 2nd Revised ed. The cover and pages show excessive wear and/or damage. Book edges have stains. Book edges have marks or writing. The cover is damaged. test batch of 200 priced books Neatoscan SKUs.

Condition: New. pp. 760.

Hardcover. Condition: New. This monograph documents the kaleidoscopic, intricately layered, and colorful paintings of artist Tony Robbin, which have explored and experimented with the boundaries of mathematical space in art for more than forty years.

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

1. deutsche Auflage.. umfangreicher Bildanhang, 111 Seiten, Zustand: Innenteil in gutem Zustand, Umschlag mit leichten Gebrauchsspuren. Sprache: Deutsch Gewicht in Gramm: 450 8°, Broschiert, Softcover/Paperback.

hardcover. Condition: Very Good. First Edition. Publisher: Whitney Museum of Art, New York, 1996. NEAR FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, Printing Unstated. Remainder marked. Bottom left tip bumped, otherwise as new.

Paperback. Condition: new. Paperback. The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art.In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception-the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space-were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism.In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak. The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

hardcover. Condition: As New. Hardcover with dust jacket. Book is in excellent condition, text is unmarked and pages are tight.