Heinzmann Thilo (30 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: Fine.

Condition: New.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: New. **HARDBACK**.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. A collection of paintings from German artist Thilo Heinzmann's diverse oeuvre. For more than three decades, German artist Thilo Heinzmann has been expanding our understanding of what a painting can be. With a material palette spanning the extremes of commonplace-chipboard, Styrofoam, cotton wool-and rare-precious raw pigments from across the world- he has developed a singular visual language that is both rich and restrained. This lavishly illustrated book, Heinzmann's first monograph in 10 years, charts the evolution of his art since the outset of his career in the early 1990s, when he was a student of Thomas Bayrle at Frankfurt's Staedelschule and worked as an assistant in the studio of Martin Kippenberger. A conversation between Heinzman and curator Mark Godfrey, as well as essays by writers Vanessa Onwuemezi and Kristian Vistrup Madsen touch upon these and other influences while drawing out the recurring fascinations with composition, colour, and texture that structure his oeuvre. Heinzmann's paintings are reproduced in high-quality colour reproductions, including 1:1 details and fold-outs that convey their highly tactile surfaces to the reader. Text in English and German. AUTHOR: Amy Sherlock is a London-based art critic and editor. Between 2016 and 2022 she was the deputy editor of Frieze art magazine. SELLING POINTS: . First monograph on distinguished German artist Thilo Heinzmann in more than a decade . Charts the evolution of Heinzmann's art throughout his entire career to date . Lavishly illustrated with high-quality colour reproductions 160 colour illustrations First monograph on distinguished German artist Thilo Heinzmann in more than a decade, charting the evolution of Heinzmanns art throughout his entire career to date. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Buch. Condition: Neu. Neuware -For more than three decades, German artist Thilo Heinzmann has been expanding our understanding of what a painting can be. With a material palette spanning the extremes of the commonplace-like chipboard, Styrofoam, and cotton wool-and the rare-including precious, raw pigments from across the world-he has developed a singular visual language that is both rich and restrained. The artist's first monograph in a decade, Thilo Heinzmann charts his artistic evolution since the early 1990s, when he was a student of Thomas Bayrle at Frankfurt's Städelschule and an assistant to Martin Kippenberger, through to the wind-blown bursts of unfixed pigments, glass shards, and rhythmic marks in oil paint of the 'pigment paintings' that form the core of his art today. A conversation between Heinzmann and curator Mark Godfrey and an essay by writer Kristian Vistrup Madsen expand on the recurring fascinations with composition, color, and texture that structure his oeuvre, while author Vanessa Onwuemezi responds to his art in distinctive poetic prose. Detailed reproductions of Heinzmann's paintings allow the viewer to get close to their highly tactile surfaces.; Thilo Heinzmann erweitert unser Verständnis davon, was ein Gemälde sein kann. Seine Materialpalette reicht vom Alltäglichen - Spanplatten, Styropor und Watte - bis zum Seltenen, wie beispielsweise kostbare Pigmente aus aller Welt. Seine einzigartige Bildsprache ist vielfältig und zurückgenommen zugleich. Diese erste Monografie über das Schaffen von Thilo Heinzmann seit zehn Jahren folgt seiner künstlerischen Entwicklung seit seinem Studium an der Frankfurter Städelschule. Sie reicht bis hin zu seinen Pigmentbildern, die mit ihren Eruptionen ungebundener Pigmente, Glasscherben und rhythmischen Markierungen in Ölfarbe heute einen wesentlichen Teil seiner Kunst ausmachen. Ein Gespräch zwischen Heinzmann und dem Kurator Mark Godfrey sowie ein Essay des Kunstkritikers Kristian Vistrup Madsen erkunden die das Werk des Künstlers prägende Faszination für Komposition, Farbe und Textur. Die britische Autorin Vanessa Onwuemezi geht in ihrem Text in unverwechselbarer poetischer Prosa auf Heinzmanns Kunst ein. Zahlreiche Reproduktionen von Heinzmanns Gemälden in höchster Qualität, insbesondere die Abbildungen von Bilddetails, ermöglichen eine Annäherung an die stark texturierten Oberflächen der Werke. 272 pp. Englisch, Deutsch.

Buch. Condition: Neu. Neuware -For more than three decades, German artist Thilo Heinzmann has been expanding our understanding of what a painting can be. With a material palette spanning the extremes of the commonplace-like chipboard, Styrofoam, and cotton wool-and the rare-including precious, raw pigments from across the world-he has developed a singular visual language that is both rich and restrained. The artist's first monograph in a decade, Thilo Heinzmann charts his artistic evolution since the early 1990s, when he was a student of Thomas Bayrle at Frankfurt's Städelschule and an assistant to Martin Kippenberger, through to the wind-blown bursts of unfixed pigments, glass shards, and rhythmic marks in oil paint of the 'pigment paintings' that form the core of his art today. A conversation between Heinzmann and curator Mark Godfrey and an essay by writer Kristian Vistrup Madsen expand on the recurring fascinations with composition, color, and texture that structure his oeuvre, while author Vanessa Onwuemezi responds to his art in distinctive poetic prose. Detailed reproductions of Heinzmann's paintings allow the viewer to get close to their highly tactile surfaces.; Thilo Heinzmann erweitert unser Verständnis davon, was ein Gemälde sein kann. Seine Materialpalette reicht vom Alltäglichen - Spanplatten, Styropor und Watte - bis zum Seltenen, wie beispielsweise kostbare Pigmente aus aller Welt. Seine einzigartige Bildsprache ist vielfältig und zurückgenommen zugleich. Diese erste Monografie über das Schaffen von Thilo Heinzmann seit zehn Jahren folgt seiner künstlerischen Entwicklung seit seinem Studium an der Frankfurter Städelschule. Sie reicht bis hin zu seinen Pigmentbildern, die mit ihren Eruptionen ungebundener Pigmente, Glasscherben und rhythmischen Markierungen in Ölfarbe heute einen wesentlichen Teil seiner Kunst ausmachen. Ein Gespräch zwischen Heinzmann und dem Kurator Mark Godfrey sowie ein Essay des Kunstkritikers Kristian Vistrup Madsen erkunden die das Werk des Künstlers prägende Faszination für Komposition, Farbe und Textur. Die britische Autorin Vanessa Onwuemezi geht in ihrem Text in unverwechselbarer poetischer Prosa auf Heinzmanns Kunst ein. Zahlreiche Reproduktionen von Heinzmanns Gemälden in höchster Qualität, insbesondere die Abbildungen von Bilddetails, ermöglichen eine Annäherung an die stark texturierten Oberflächen der Werke. 272 pp. Englisch, Deutsch.

Buch. Condition: Neu. Neuware -Thilo Heinzmann erweitert unser Verständnis davon, was ein Gemälde sein kann. Seine Materialpalette reicht vom Alltäglichen - Spanplatten, Styropor und Watte - bis zum Seltenen, wie beispielsweise kostbare Pigmente aus aller Welt. Seine einzigartige Bildsprache ist vielfältig und zurückgenommen zugleich.

Condition: New.

Hardcover. Condition: Brand New. 240 pages. 11.80x9.45x9.45 inches. In Stock.

Condition: New. 2025. 1st Edition. hardcover. . . . . .

Condition: New.

Condition: New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. A collection of paintings from German artist Thilo Heinzmann's diverse oeuvre. For more than three decades, German artist Thilo Heinzmann has been expanding our understanding of what a painting can be. With a material palette spanning the extremes of commonplace-chipboard, Styrofoam, cotton wool-and rare-precious raw pigments from across the world- he has developed a singular visual language that is both rich and restrained. This lavishly illustrated book, Heinzmann's first monograph in 10 years, charts the evolution of his art since the outset of his career in the early 1990s, when he was a student of Thomas Bayrle at Frankfurt's Staedelschule and worked as an assistant in the studio of Martin Kippenberger. A conversation between Heinzman and curator Mark Godfrey, as well as essays by writers Vanessa Onwuemezi and Kristian Vistrup Madsen touch upon these and other influences while drawing out the recurring fascinations with composition, colour, and texture that structure his oeuvre. Heinzmann's paintings are reproduced in high-quality colour reproductions, including 1:1 details and fold-outs that convey their highly tactile surfaces to the reader. Text in English and German. AUTHOR: Amy Sherlock is a London-based art critic and editor. Between 2016 and 2022 she was the deputy editor of Frieze art magazine. SELLING POINTS: . First monograph on distinguished German artist Thilo Heinzmann in more than a decade . Charts the evolution of Heinzmann's art throughout his entire career to date . Lavishly illustrated with high-quality colour reproductions 160 colour illustrations First monograph on distinguished German artist Thilo Heinzmann in more than a decade, charting the evolution of Heinzmanns art throughout his entire career to date. Text in English and German. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condition: Neu. Neuware -Thilo Heinzmann erweitert unser Verständnis davon, was ein Gemälde sein kann. Seine Materialpalette reicht vom Alltäglichen - Spanplatten, Styropor und Watte - bis zum Seltenen, wie beispielsweise kostbare Pigmente aus aller Welt. Seine einzigartige Bildsprache ist vielfältig und zurückgenommen zugleich.GVA Gemeinsame Verlagsauslieferung Göttingen GmbH & Co. KG, Postfach 2021, 37010 Göttingen 272 pp. Englisch, Deutsch.

Hardcover. Condition: Brand New. 240 pages. 11.80x9.45x9.45 inches. In Stock.

Buch. Condition: Neu. Thilo Heinzmann | Thilo Heinzmann (u. a.) | Buch | 272 S. | Deutsch | 2025 | Scheidegger & Spiess | EAN 9783039422760 | Verantwortliche Person für die EU: GVA Gemeinsame Verlagsauslieferung Göttingen GmbH & Co. KG, Postfach 20 21, 37010 Göttingen, info[at]gva-verlage[dot]de | Anbieter: preigu.

Buch. Condition: Neu. Neuware - For more than three decades, German artist Thilo Heinzmann has been expanding our understanding of what a painting can be. With a material palette spanning the extremes of the commonplace-like chipboard, Styrofoam, and cotton wool-and the rare-including precious, raw pigments from across the world-he has developed a singular visual language that is both rich and restrained. The artist's first monograph in a decade, Thilo Heinzmann charts his artistic evolution since the early 1990s, when he was a student of Thomas Bayrle at Frankfurt's Städelschule and an assistant to Martin Kippenberger, through to the wind-blown bursts of unfixed pigments, glass shards, and rhythmic marks in oil paint of the 'pigment paintings' that form the core of his art today. A conversation between Heinzmann and curator Mark Godfrey and an essay by writer Kristian Vistrup Madsen expand on the recurring fascinations with composition, color, and texture that structure his oeuvre, while author Vanessa Onwuemezi responds to his art in distinctive poetic prose. Detailed reproductions of Heinzmann's paintings allow the viewer to get close to their highly tactile surfaces.; Thilo Heinzmann erweitert unser Verständnis davon, was ein Gemälde sein kann. Seine Materialpalette reicht vom Alltäglichen - Spanplatten, Styropor und Watte - bis zum Seltenen, wie beispielsweise kostbare Pigmente aus aller Welt. Seine einzigartige Bildsprache ist vielfältig und zurückgenommen zugleich. Diese erste Monografie über das Schaffen von Thilo Heinzmann seit zehn Jahren folgt seiner künstlerischen Entwicklung seit seinem Studium an der Frankfurter Städelschule. Sie reicht bis hin zu seinen Pigmentbildern, die mit ihren Eruptionen ungebundener Pigmente, Glasscherben und rhythmischen Markierungen in Ölfarbe heute einen wesentlichen Teil seiner Kunst ausmachen. Ein Gespräch zwischen Heinzmann und dem Kurator Mark Godfrey sowie ein Essay des Kunstkritikers Kristian Vistrup Madsen erkunden die das Werk des Künstlers prägende Faszination für Komposition, Farbe und Textur. Die britische Autorin Vanessa Onwuemezi geht in ihrem Text in unverwechselbarer poetischer Prosa auf Heinzmanns Kunst ein. Zahlreiche Reproduktionen von Heinzmanns Gemälden in höchster Qualität, insbesondere die Abbildungen von Bilddetails, ermöglichen eine Annäherung an die stark texturierten Oberflächen der Werke.

Buch. Condition: Neu. Neuware -Thilo Heinzmann erweitert unser Verständnis davon, was ein Gemälde sein kann. Seine Materialpalette reicht vom Alltäglichen - Spanplatten, Styropor und Watte - bis zum Seltenen, wie beispielsweise kostbare Pigmente aus aller Welt. Seine einzigartige Bildsprache ist vielfältig und zurückgenommen zugleich. 272 pp. Englisch, Deutsch.

12 x 9.5 inches. [216] pages. In English and German. Original linen over board, signed in red by the artist on the cover; acetate wrapper. Limited edition, 800 copies signed on the cover. The first monograph on the two-decade-plus career of German painter Thilo Heinzmann (born 1969), who uses materials such as raw pigment, absorbent cotton, Styrofoam, fur and porcelain--as well as paint--to draw out painterly effects of color and texture. A fine, well-preserved copy.

4°, gebunden. Wie neu, minimale Lagerspuren. Sprache: Deutsch Gewicht in Gramm: 0.

Baurs, Copenhagen, 1997, circa 10 Seiten, mit zahlreichen Abbildungen, Broschiert---- text in englisch - 66 Gramm.

Book Condition: new. Buch verlagsfrisch, noch in der ungeöffneten Plastikfolie.An schweizer Kunden versenden wir zwecks Reduzierung der Portokosten einmal im Monat direkt aus der Schweiz. Bitte setzen Sie sich mit uns in Verbindung.

Hardcover/Softcover. AE - 0632 Ehem. Bibliotheksexemplar mit entspr. Merkmalen in gutem Zustand. Former library book in good condition. Sprache: Deutsch Gewicht in Gramm: 550.

Paperback. Condition: new. Paperback. A collection of paintings from German artist Thilo Heinzmann's diverse oeuvre. For more than three decades, German artist Thilo Heinzmann has been expanding our understanding of what a painting can be. With a material palette spanning the extremes of commonplace-chipboard, Styrofoam, cotton wool-and rare-precious raw pigments from across the world- he has developed a singular visual language that is both rich and restrained. This lavishly illustrated book, Heinzmann's first monograph in 10 years, charts the evolution of his art since the outset of his career in the early 1990s, when he was a student of Thomas Bayrle at Frankfurt's Staedelschule and worked as an assistant in the studio of Martin Kippenberger. A conversation between Heinzman and curator Mark Godfrey, as well as essays by writers Vanessa Onwuemezi and Kristian Vistrup Madsen touch upon these and other influences while drawing out the recurring fascinations with composition, colour, and texture that structure his oeuvre. Heinzmann's paintings are reproduced in high-quality colour reproductions, including 1:1 details and fold-outs that convey their highly tactile surfaces to the reader. Text in English and German. AUTHOR: Amy Sherlock is a London-based art critic and editor. Between 2016 and 2022 she was the deputy editor of Frieze art magazine. SELLING POINTS: . First monograph on distinguished German artist Thilo Heinzmann in more than a decade . Charts the evolution of Heinzmann's art throughout his entire career to date . Lavishly illustrated with high-quality colour reproductions 160 colour illustrations First monograph on distinguished German artist Thilo Heinzmann in more than a decade, charting the evolution of Heinzmanns art throughout his entire career to date. Text in English and German. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.