Head Pauline E (14 results)

Paperback. Condition: Near Fine. 166 pp. Tightly bound. Spine not compromised. Text is Free of Markings.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Paperback. 166pp., illus. As new, clean, tight & bright condition.

Condition: Used. pp. 166 Index.

Condition: Used. pp. 166 Illus.

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condition: Used. pp. 166 Acknowledgements.

Paperback. Condition: Brand New. 190 pages. 9.25x6.00x0.50 inches. In Stock.

Condition: New. In English.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

hardcover. Condition: Fine.

Taschenbuch. Condition: Neu. Neuware - Examines Old English poetry from the point of view of its interpretation, drawing on Anglo-Saxon pictorial art as a model for the interaction of representation and design.Representation and Design examines Old English poetry from the point of view of its interpretation, beginning with the assumption that Anglo-Saxon concepts of reading were probably very different from those that dominate our own literary culture. The book insists on the semantic interaction of representation and design, two aspects of Old English poetry that traditionally have been examined separately, and draws on Anglo-Saxon pictorial art as a model throughout. It disputes the conventional dichotomy that interpretation makes between content and form; redefines content as a particular mode of representation-a reflection of texts and ideologies; and recognizes form as complex and meaningful design so that the 'two' no longer can be distinguished in the process of interpretation.The author examines a range of texts-Beowulf, The Wanderer, the Exeter Book riddles, manuscript illuminations, and the sculpture of the Ruthwell cross-in order to consider the place of the reader, the frame, and the past in Anglo-Saxon representation. Through this process, she traces a fluidity of signification and suggests that an Anglo-Saxon aesthetic would be both complex and enigmatic.…

Condition: New. KlappentextrnrnRepresentation and Design examines Old English poetry from the point of view of its interpretation, beginning with the assumption that Anglo-Saxon concepts of reading were probably very different from those that dominate our own l.