Haydon B R (30 results)

hft. Condition: Very Good.

Hardcover. Condition: Fine. None. With an original introductory essay by Huxley. A clean, tight, unmarked copy in a Brodart jacket cover.

Condition: Poor. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. Introduction by Aldous Huxley. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN.…

Hardcover. Condition: Very Good. No Dust Jacket. Ex-library book. Good quality library binding. Faint traces of sticker on top of front board. Minor grubby marks and a few superfiical scores on foot of page block. Very slight age spotting to head of page block. Library stamps on foot of page block and title page. Library plate and sticker on inside front cover. Lower leading corners of some middle pages are lightly bumped; otherwise pages are clean and tight throughout. No dust jacket. T. Ex-Library.…

Hardcover. Condition: Very Good. No Dust Jacket. Ex-library book. Good quality library binding. Traces of sticker on top of front board. Library stamp on title page. Library plate and sticker on inside front cover. Pages are clean, binding is sound, and text remains clear throughout. No dust jacket. T. Ex-Library. …

Hardcover. Condition: Very Good. No Dust Jacket. Ex-library book. Good quality library binding. Faint traces of sticker on top of front board. Page block has a few minor grubby marks. Library stamp on title page. Library plate and sticker on inside front cover. Pages are clean and tight throughout. No dust jacket. T. Ex-Library. …

Hardcover. Condition: Very Good. No Dust Jacket. Ex-library book. Good quality library binding. Faint traces of sticker on top of front board. Library stamps on foot of page block, title and catalogue pages. Library plate and sticker on inside front cover. Pages are clean, binding is sound, and text remains clear throughout. No dust jacket. T. Ex-Library.…

Hardcover. Condition: Very Good. No Dust Jacket. Ex-library book. Good quality library binding. Faint traces of sticker on top of front board. Minor age spotting to head of page block.Library stamps on foot of page block and title page. Library plate and sticker on inside front cover. Pages are clean, binding is sound, and text remains clear throughout. No dust jacket. T. Ex-Library.…

Hardcover. Condition: Good. No Dust Jacket. Hardcover. No jacket. Ex-library. A few light marks on boards. Sticker residue on front board and copyright page. Page block is marked. Library stamps on page block foot, title and copyright pages. Library plate and bardcode sticker on front pastedown. Pages are clean and contents are clear throughout. Binding is sound. HJW. Ex-Library. …

Hardcover. Condition: Very Good. No Dust Jacket. Ex-Library book. Good quality library binding with traces of small sticker on front board. Library stamp on title page. Library plate and sticker on inside front cover. Pages are clean, binding is sound, and text remains clear throughout. No dust jacket. T. Ex-Library.…

Hardcover. Condition: Very Good. No Dust Jacket. Ex-library book. Good quality library binding. Traces of sticker on top of front board. Very minor spotting to head of page block. Library stamp on title page. Library plate and sticker on inside front cover. Pages are clean and tight throughout. No dust jacket. T. Ex-Library.…

Hardcover. Condition: Very Good. No Dust Jacket. Ex-Library book. Good quality library binding with traces of small sticker on front board. Library stamps on foot of page block, title and catalogue pages. Library plate and sticker on inside front cover. Pages are clean and tight throughout. No dust jacket. T. Ex-Library.…

Hardcover. Condition: Good. No Dust Jacket. Hardcover. No jacket. Ex-library. A few light marks on boards, pastedowns and endpapers. Sticker residue on front board and copyright page. Page block is marked. Library stamps on page block foot, title and copyright pages. Library plate and bardcode sticker on front pastedown. Pages are clean and contents are clear throughout. Binding is sound. HJW. Ex-Library.…

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. A new one-volume edition with an original introductory essay by Aldous Huxley. Book si fine, clean and unmarked. Jacket is bright and clean, with minor nicking of corners and spine edge. protected by a Brodart cover.

hardcover. Condition: Acceptable. Violume II only but front board detached otherwise perfecly readbale and tight binding on brown cloth.

Hardcover. Condition: Good. 1st Edition. 5 books in similar style all around 350 pp with numerous bw illustrations red cloth with gilt titles , 33 has a much faded spine, 31 has split cloth along front gutter, 30 has marked and scratched cloth, general wear and signs of age, pages clean and firmly held . Set over 4 Kg will need extra postage.…

No Binding. Condition: Very Good. An original antique portrait, printed in 1840. Mounted (matted) and ready to frame. This portrait of the Marquess of Lansdowne was engraved by B Holl from a drawing by B R Haydon, with his facsimile signature underneath. Henry Petty-Fitzmaurice, 3rd Marquess of Lansdowne KG, PC, FRS (2 July 1780 - 31 January 1863), known as Lord Henry Petty from 1784 to 1809 and then as The Earl of Kerry to 1818, was a British statesman. In a ministerial career spanning nearly half a century he notably served as Home Secretary and Chancellor of the Exchequer and was three times Lord President of the Council. B R Haydon (illustrator).…

Condition: Good. Volume 10. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN. …

Hardcover. Condition: Good. First Edition. Hardback. 8vo. 4], 227, [1] pp.; 20cms by 12.5. Original publisher's green cloth lettered gilt at the spine ('Painting, And The Fine Arts, 6s'). Front paste-down paper advertisement for Encylop¾dia Britannica. Appears to lack half title, title page is first page. Worn but complete vg minus copy with inner hinges slightly cracked but holding , spine ends slightly nicked, and covers marked. These two articles first appeared in the 1824 edition of the Encyclopaedia Britannica. Hazlitt's article, 'The Fine Arts', is largely an attack on Sir Joshua Reynolds's concept of the Ideal as set out in his Discourses: Hazlitt's theory is that Art is first and last the imitation of Nature. The printer is named on the title page verso and in the colophon: 'Edinburgh: Printed by Balfour and Jack.'.…

Hardcover (Original Cloth). Condition: Good. 1st Edition. Spine a trifle cocked. Quantity Available: 1. Category: Art & Design; Painting; Pictures of this item not already displayed here available upon request. Inventory No: 24365.

Two volumes bound in one. (Also issued in two volumes in a slipcase). Spine a bit faded, some minor spotting to cloth but still a very nice copy in the d/w, which is somewhat darkened on the spine and has light wear to the extremities.

1844. Longman, Brown, Green and Longmans. Hardback. Book - Fair, ex-lib.

First edition. [4], 227pp, [1]. Uncut in original publisher's gilt-stamped dark green cloth. Lightly rubbed and marked. Upper hinge exposed. Presentation copy, inscribed by the publisher to recto of FFEP: 'To William Lawson Esq. / From his Scotch Friend / Charles Black / Edinburgh / 9 April 1838'. Two substantial essays relating to the arts - extracted from the seventh edition of the Encyclopaedia Brittanica (1830-1842) - by history painter Benjamin Robert Haydon (1786-1846) and writer and artist William Hazlitt (1778-1830) respectively. Hazlitt's contribution, 'The Fine Arts', is primarily a critique of the concept of the ideal as laid out in the Discourses of Sir Joshua Reynolds. Charles Black (1807-1854) partnered with his uncle, Scottish publisher Adam Black (1784- 1874), in 1834, formerly establishing the renowned firm A. & C. Black. The senior Black had acquired the copyright to the Encyclopaedia Britannica in 1831. Size: 8vo. …

hardcover. Origin of the Art.The Skeleton - the Muscles of Man and Quadruped.Composition - Colour- Effect of the Societies on Taste - on Fresco - Elgin Marbles etc. 2 volumes, lithograph frontispiece portrait of Haydon, tissue guard, 2 folding anatomical plates, woodcut text illus., 8vo, blind stamped brown cloth, volume 1 neatly recased. London: Longman, Brown, Green, 1844. Scarce.Very good copy with scattered foxing. Very scarce book in beautiful condition with the small ownership signature of art historian Meyer Schapiro.…

London: Peter Davies, 1926. 8vo. Original cloth. Dustjackets. Uncut. NOTE: Haydon was an English historical painter who believed himself a genius. Inferior as a painter, he was a writer of unusual distinction, and initmate with Keats, Wordsworth & Lamb et al.

Large-8vo.With illustrations and frontispieces. Orig. cloth. Labels on spines and both entdpapers several stamps. EINZELN AUF ANFRAGE. Sprache: Englisch.

TWO VOLUMES. FIRST EDITIONS. 8vo. 9 x 6 inches. Vol. I, xii + 331 pp; Vol. II, xvi + 295 pp. 2 Errata slips tipped in. Bound in original brown cloth, gilt, with blind stamped borders to boards and spine decoration. Deckled edges. Some wear to extremities and occasional scattered foxing, but otherwise a very good set. Illustrated by 3 folding plates, including two frontispieces to Vol. I and by text figures. Fourteen lectures on art covering theory, anatomy, composition and colour, beauty, fresco painting, the Greeks and the Elgin Marbles (which fascinated Haydon) and on individual artists, Fuzeli and his friend, David Wilkie. Benjamin Robert Haydon (1786-1846) was an historical artist, painting on the grand scale and occasional portraitist. ART REFERENCE PAINTING ARTS- PAINTING 19TH CENTURY ART REFERENCE.…

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1838. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 246, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 246 246.…