Hannah B Higgins (36 results)

Condition: New.

Condition: As New. Unread book in perfect condition.

Stapled Wraps. Condition: Very Good. 4to, 56 pp., illus. Kuspit on the legacy of Duchamp; Yood on sculpture in Chicago; Higgins on international Fluxus exhibitions; etc. Spine and corners bumped, wrappers a bit handled and edgeworn.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Brand New. 80 pages. 13.00x7.50x129.92 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condition: New.

Condition: New. 2012. 0th Edition. Paperback. Challenges the conventional wisdom that digital arts arose out of Silicon Valley's technological revolutions in 1970s. This title demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites. Editor(s): Higgins, Hannah B.; Kahn, Douglas. Num Pages: 376 pages, 30 b/w photographs. BIC Classification: ACX; AJR. Category: (P) Professional & Vocational. Dimension: 227 x 156 x 26. Weight in Grams: 572. Early Computing and the Foundations of the Digital Arts. 376 pages, illustrations. Editor(s): Higgins, Hannah B.; Kahn, Douglas. Challenges the conventional wisdom that digital arts arose out of Silicon Valley's technological revolutions in 1970s. This title demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites. Cateogry: (P) Professional & Vocational. BIC Classification: ACX; AJR. Dimension: 227 x 156 x 26. Weight: 538. . . . . .…

Paperback. Condition: Brand New. 80 pages. 13.00x7.50x129.92 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New. 2012. 0th Edition. Paperback. Challenges the conventional wisdom that digital arts arose out of Silicon Valley's technological revolutions in 1970s. This title demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites. Editor(s): Higgins, Hannah B.; Kahn, Douglas. Num Pages: 376 pages, 30 b/w photographs. BIC Classification: ACX; AJR. Category: (P) Professional & Vocational. Dimension: 227 x 156 x 26. Weight in Grams: 572. Early Computing and the Foundations of the Digital Arts. 376 pages, illustrations. Editor(s): Higgins, Hannah B.; Kahn, Douglas. Challenges the conventional wisdom that digital arts arose out of Silicon Valley's technological revolutions in 1970s. This title demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites. Cateogry: (P) Professional & Vocational. BIC Classification: ACX; AJR. Dimension: 227 x 156 x 26. Weight: 538. . . . . . Books ship from the US and Ireland.…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Wraps. Condition: Very Good. Square 8vo, pp. unnumbered, b/w illus. Upper fore-edge corner lightly bumped, otherwise Fine.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

First Edition. First edition. Softcover. Retrospective exhibition on Fluxus. Features an introduction and essay by Hannah B. Higgins and with additional essays by Simon Anderson, Karen Moss, Eric Anderson, and Ina Blom. Includes some black and white illustrations. A clean near fine copy in wrappers.

Paperback. Condition: Brand New. 1st edition. 376 pages. 8.75x6.00x1.00 inches. In Stock.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: New.

Condition: As New. Unread book in perfect condition.

paperback. Condition: As New.

Hardcover. Condition: Brand New. 1st edition. 376 pages. 9.25x6.25x1.25 inches. In Stock.

First edition. 12 x 10 inches. 536 pages. Profusely illustrated in color. Original green boards; original slipcase. "The fourth volume of the John Baldessari Catalogue Raisonné comprises approximately 370 works that represent the activity of this iconic conceptual artist between 1994 and 2004. Here, John Baldessari (b. 1931) continues to interrogate the possibilities of photographic appropriation, further developing his unique strategies for the production of meaning and narrative within the picture frame. Included in this crucial volume is the landmark Goya series, which shows the artist revisiting his characteristic photo-text pieces established early in his career. In the serial trio Overlap, Intersection, and Junction, produced between 2000 and 2002, Baldessari riffs on the notion of pictorial space, with each series building on the preceding one. Along with a full chronology, an essay contributed by the eminent critic Robert Storr closely examines a selection of these works, articulating their place within the evolution of the artist's career and their much broader historical climate" (the publisher). As-new. …

First edition. 11.5 x 10 inches. 534 pages. Profusely illustrated in color. Original orange boards. "The fifth volume of the John Baldessari Catalogue Raisonné compiles the approximately 367 works made by the influential American conceptual artist (b. 1931) from 2005 through 2010. During these years, the artist undertook a number of series, including the shaped erasures of "Blockage"; the word-and-image juxtapositions of "Prima Facie"; the explorations of the face in "Nose and Ears, Etc." and "Raised Eyebrows/Furrowed Foreheads"; and the muted, spare "Sediment" works on canvas. Catalogue entries allow readers to trace the shifts and developments in Baldessari's work during these years, a time of continued experimentation and aesthetic distillation that is further explored in a conversation between Baldessari and fellow artist David Salle. A critical essay by Hannah B. Higgins provides a close reading of selected works and gives a historical context for understanding Baldessari's art from this period" (the publisher). Missing original slipcase; otherwise a generally clean copy.…

Condition: New.

Buch. Condition: Neu. Neuware - Challenges the conventional wisdom that digital arts arose out of Silicon Valley's technological revolutions in 1970s. This title demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites.…

Condition: New.

Hardcover. Condition: Brand New. 536 pages. 11.50x9.87x2.17 inches. In Stock.