Guiderdoni a (18 results)

Paperback. Condition: Wie neu. 268 S. Like new. Shrink wrapped. Sprache: Englisch Gewicht in Gramm: 540.

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 1998. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1998. Ammareal gives back up to 15% of this item's net price to charity organizations.

hardcover. Condition: New. 1st.

Gr.-8°, paper back. 1. ed. XXII, 432 p. Shelfmark on spine, stamp on preliminary page and title, otherwise fine copy. Sprache: Englisch Gewicht in Gramm: 0.

Hardcover. Condition: new. Hardcover. The present volume of essays, Emblemata Sacra. The Rhetoric and Hermeneutics of Illustrated Sacred Discourse, follows a conference that took place in January 2005 in Leuven and Louvain-la-Neuve, thanks to the close collaboration between the Katholieke Universiteit Leuven (Literature Department) and the Universite Catholique de Louvain (the research group 'Figures et formes de la spiritualite dans la litterature et les expressions artistiques'). The 38 essays have been organised in seven sections. The first section ('Historical and methodological issues') presents methodological bases for the study of emblematics and spiritual images, as well as the elements necessary for the Christian contextualisation of the corpus. The second section ('Exegesis of the Scriptures and the Creation'), complementary to the first section, is devoted to exegetical processes developed in different contexts and seeks to emphasise the correspondence between the exegesis of Sacred Scripture and the exegesis of the Creation, which are the two central symbolisms in Christianity. The third section ('The image in absentia') focuses on the most critical aspect of the encounter between the Word and the Image, in the form of a paradoxical iconoclastic image, already mentioned in the first section. The fourth section ('Rhetoric and poetics of the image') exposes the mutual exchanges between the word of the images and the images of the word. The last three sections all deal with the uses of figures in determined contexts. Thus, the fifth section ('The image performance') explores staged, incarnated, and exhibited figures, while the sixth section ('Circulation of images among different faiths') gathers studies about different confessional contexts in which spiritual images are used to support and feed the polemics, and the seventh section ('The efficient image') opens up the chronology toward the 19th century and then to our own time. This volume of essays follows a conference that took place in January 2005 in Leuven and Louvain-la-Neuve, thanks to the close collaboration between the Katholieke Universiteit Leuven (Literature Department) and the Universite Catholique de Louvain (the research group 'Figures et formes de la spiritualite dans la litterature et les expressions artistiques'). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Brand New. 01 edition. 479 pages. 9.50x6.50x1.50 inches. In Stock.

Hardcover. Condition: new. Hardcover. The present volume of essays, Emblemata Sacra. The Rhetoric and Hermeneutics of Illustrated Sacred Discourse, follows a conference that took place in January 2005 in Leuven and Louvain-la-Neuve, thanks to the close collaboration between the Katholieke Universiteit Leuven (Literature Department) and the Universite Catholique de Louvain (the research group 'Figures et formes de la spiritualite dans la litterature et les expressions artistiques'). The 38 essays have been organised in seven sections. The first section ('Historical and methodological issues') presents methodological bases for the study of emblematics and spiritual images, as well as the elements necessary for the Christian contextualisation of the corpus. The second section ('Exegesis of the Scriptures and the Creation'), complementary to the first section, is devoted to exegetical processes developed in different contexts and seeks to emphasise the correspondence between the exegesis of Sacred Scripture and the exegesis of the Creation, which are the two central symbolisms in Christianity. The third section ('The image in absentia') focuses on the most critical aspect of the encounter between the Word and the Image, in the form of a paradoxical iconoclastic image, already mentioned in the first section. The fourth section ('Rhetoric and poetics of the image') exposes the mutual exchanges between the word of the images and the images of the word. The last three sections all deal with the uses of figures in determined contexts. Thus, the fifth section ('The image performance') explores staged, incarnated, and exhibited figures, while the sixth section ('Circulation of images among different faiths') gathers studies about different confessional contexts in which spiritual images are used to support and feed the polemics, and the seventh section ('The efficient image') opens up the chronology toward the 19th century and then to our own time. This volume of essays follows a conference that took place in January 2005 in Leuven and Louvain-la-Neuve, thanks to the close collaboration between the Katholieke Universiteit Leuven (Literature Department) and the Universite Catholique de Louvain (the research group 'Figures et formes de la spiritualite dans la litterature et les expressions artistiques'). Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: gut. Emblemata sacra Rhetorique et hermeneutique du discours sacre dans la litterature en images. The Rhetoric and Hermeneutics of Illustrated Sacred Discourse In deutscher Sprache. pages.

Condition: gut. Ut pictura meditatio The Meditative Image in Northern Art, 1500-1700 In deutscher Sprache. pages.

Hardcover. Condition: new. Hardcover. Le present volume explore les echanges entre esthetique et spiritualiteau premier age moderne. Alors quon a eu tendance a etudier ces deuxchamps independamment ou a les penser dans leur succession chronologique(lere de limage/lere de lart), comme dans leur oppositionstructurelle et ideologique (discours laic/discours religieux), ilsagit ici denvisager leur dialogue et leur confrontation a traversdifferents lieux, parmi lesquels la litterature artistique, lalitterature spirituelle, la litterature ekphrastique, lemblematique, lapoetique, la rhetoriqueEn portant lattention sur le role de linspiration, de lacontemplation, de limitation, du prodige, du langage, de limagination,de lentendement, sont mises ainsi en evidence les modalites selonlesquelles les arts et la litterature ont pu sapproprier certainselements du discours theologique relatif a la representation, etcomment, en retour, la litterature spirituelle a pu reconnaitre etexploiter sa dimension esthetique en empruntant a la theorie litteraireet artistique. These collected essays bring together the spiritual and the esthetic during the Early Modern period. Often presented as two opposing fields, the authors demonstrate through comparative studies of artistic and spiritual literature how both borrowed from and contributed to each other. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. 2013. Hardcover. . . . . .

Hardcover. Condition: Brand New. 365 pages. French language. 10.50x7.50x0.75 inches. In Stock.

Condition: New. 2013. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: new. Hardcover. Le present volume explore les echanges entre esthetique et spiritualiteau premier age moderne. Alors quon a eu tendance a etudier ces deuxchamps independamment ou a les penser dans leur succession chronologique(lere de limage/lere de lart), comme dans leur oppositionstructurelle et ideologique (discours laic/discours religieux), ilsagit ici denvisager leur dialogue et leur confrontation a traversdifferents lieux, parmi lesquels la litterature artistique, lalitterature spirituelle, la litterature ekphrastique, lemblematique, lapoetique, la rhetoriqueEn portant lattention sur le role de linspiration, de lacontemplation, de limitation, du prodige, du langage, de limagination,de lentendement, sont mises ainsi en evidence les modalites selonlesquelles les arts et la litterature ont pu sapproprier certainselements du discours theologique relatif a la representation, etcomment, en retour, la litterature spirituelle a pu reconnaitre etexploiter sa dimension esthetique en empruntant a la theorie litteraireet artistique. These collected essays bring together the spiritual and the esthetic during the Early Modern period. Often presented as two opposing fields, the authors demonstrate through comparative studies of artistic and spiritual literature how both borrowed from and contributed to each other. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback, 652 p., 124 b/w ill., 160 x 240 mm. ISBN 9782503524696. The present volume of essays, Emblemata Sacra. The Rhetoric and Hermeneutics of Illustrated Sacred Discourse, follows a conference that took place in January 2005 in Leuven and Louvain-la-Neuve, thanks to the close collaboration between the Katholieke Universiteit Leuven (Literature Department) and the Universite Catholique de Louvain (the research group 'Figures et formes de la spiritualite dans la litterature et les expressions artistiques'). The 38 essays have been organised in seven sections. The first section ('Historical and methodological issues') presents methodological bases for the study of emblematics and spiritual images, as well as the elements necessary for the Christian contextualisation of the corpus. The second section ('Exegesis of the Scriptures and the Creation'), complementary to the first section, is devoted to exegetical processes developed in different contexts and seeks to emphasise the correspondence between the exegesis of Sacred Scripture and the exegesis of the Creation, which are the two central symbolisms in Christianity. The third section ('The image in absentia') focuses on the most critical aspect of the encounter between the Word and the Image, in the form of a paradoxical iconoclastic image, already mentioned in the first section. The fourth section ('Rhetoric and poetics of the image') exposes the mutual exchanges between the word of the images and the images of the word. The last three sections all deal with the uses of figures in determined contexts. Thus, the fifth section ('The image performance') explores staged, incarnated, and exhibited figures, while the sixth section ('Circulation of images among different faiths') gathers studies about different confessional contexts in which spiritual images are used to support and feed the polemics, and the seventh section ('The efficient image') opens up the chronology toward the 19th century and then to our own time. Languages : English, French. 0 g.

Hardback, XXXVII+482 p., 155 b/w ill. + 10 colour ill., 15,6 x 23,4. ISBN 9782503535838. Ut pictura meditatio: The Meditative Image in Northern Art, 1500 -1700 examines the form, function, and meaning of pictorial images produced and/or circulated in the Low Countries, Germany, and northern France as templates for the meditative life and its spiritual exercises. Our epigraph ut pictura meditatio (as is a picture, so is meditation) connotes the ways in which pictures facilitated meditative prayer and, conversely, the extent to which such prayer was experienced visually. Our essayists are prominent scholars in the fields of art history, history, literary studies, philosophy, and religious studies, all of whom study the ways in which visual images served to structure the interior religious life of laity and clergy in the early modern period. The volume asks how and why images were used not only to initiate, sustain, and structure kinds and degrees of meditative and contemplative devotion, but also to figure the soul's cognitive operations, its negotiation between states of being, between interior and exterior sense, between corporeal and spiritual sight. Implicit in this questioning are further explorations of the nature and scope of the interplay among mental, visual, and verbal images, and the subject positions such images allowed the votary to represent and inhabit. These questions touch upon issues of identity, subjectivity, and figuration that should be of interest to historians of art, literature, religion, and society. Languages : English. 0 g.

Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Ut pictura meditatio The Meditative Image in Northern Art, 1500-1700 W. S. Melion, R. Dekoninck, A. Guiderdoni-Bruslé (eds.) XXXVII+482 p., 155 b/w ill. + 10 colour ill., 156 x 234 mm, 2012 ISBN: 978-2-503-53583-8 Languages: English Hardback The publication is available. Retail price: EUR 175,00 The thirteen essays in this volume, first presented at Emory University¿s Lovis Corinth Colloquium II, ¿The Meditative Image in Northern Art, 1500-1700', explore the varied forms, functions, and meanings of meditative imagery and image-making in England, France, and the Low Countries. Ut pictura meditatio: The Meditative Image in Northern Art, 1500 -1700 examines the form, function, and meaning of pictorial images produced and/or circulated in the Low Countries, Germany, and northern France as templates for the meditative life and its spiritual exercises. Our epigraph ¿ ut pictura meditatio (as is a picture, so is meditation) ¿ connotes the ways in which pictures facilitated meditative prayer and, conversely, the extent to which such prayer was experienced visually. Our essayists are prominent scholars in the fields of art history, history, literary studies, philosophy, and religious studies, all of whom study the ways in which visual images served to structure the interior religious life of laity and clergy in the early modern period. The volume asks how and why images were used not only to initiate, sustain, and structure kinds and degrees of meditative and contemplative devotion, but also to figure the soul¿s cognitive operations, its negotiation between states of being, between interior and exterior sense, between corporeal and spiritual sight. Implicit in this questioning are further explorations of the nature and scope of the interplay among mental, visual, and verbal images, and the subject positions such images allowed the votary to represent and inhabit. These questions touch upon issues of identity, subjectivity, and figuration that should be of interest to historians of art, literature, religion, and society. Language : english text - codice articolo 011216.

Buch. Condition: Neu. Handbook of Research on E-Transformation and Human Resources Management Technologies | Organizational Outcomes and Challenges | Tanya Bondarouk (u. a.) | Buch | Englisch | 2011 | Information Science Reference | EAN 9781605663043 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.