Gorlee Dinda (106 results)

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Ludwig Wittgenstein's works encompass a huge number of published philosophical manuscripts, notebooks, lectures, remarks, and responses, as well as his unpublished private diaries. The diaries were written mainly in coded script to interpolate his writings on the philosophy of language with autobiographic passages, but were previously unknown to the public and impossible to decode without learning the coding system.This book deciphers the cryptography of the diary entries to examine what Wittgenstein's personal idiom reveals about his public and private identities. Employing the semiotic doctrine of Charles S. Peirce, Dinda L. Gorlée argues that the style of writing reflects the variety of Wittgenstein's emotional moods, which were profoundly affected by his medical symptoms. Bringing Peirce's reasoning of abduction together with induction and deduction, the book investigates how the semiosis of the emotional, energetic, and logical interpretations of signs and objects reveal Wittgenstein's psychological states in the coded diaries.…

Soft cover. Condition: Good. No Jacket. 311pp. Ex-university library copy with associated library stamps and labels. Soft cover. No highlighting or annotations to text.

paperback. Condition: New. 1st.

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Condition: New. In English.

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Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9789042016873. …

Condition: New. Reprint edition NO-PA16APR2015-KAP.

Condition: New.

Large-8°, original softcover. 1. ed. XIX, 407 p. English, French, German and Spanish texts. Rare and very fine copy. Sprache: Englisch Gewicht in Gramm: 0.

Condition: New.

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Paperback. Condition: Brand New. reprint edition. 270 pages. 9.00x6.00x0.75 inches. In Stock.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

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Paperback. Condition: Brand New. 1st edition. 272 pages. 9.25x6.25x0.75 inches. In Stock.

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Condition: New. 2015. Paperback. . . . . .

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Condition: New. 2015. Paperback. . . . . . Books ship from the US and Ireland.

Hardback. Condition: New. Roman Jakobson gave a literary translation of the double words and concepts of poetical hyper translation. Language can transmit verbal translation to explore new ways of thinking about music and other arts. Thomas A. Sebeok deconstructed the energy of translation into the duplicated genres of artistic transduction. In semiotics, transduction is a technical expression involving music, theater, and other arts. Jakobson used Saussure's theory to give a single meaning in a different art but with other words and sounds, later followed by Peirce's dynamic energy with a floating sensation of the double meaning of words and concepts. For semiotician Peirce, literary translation becomes the graphical vision of ellipsis, parabole, and hyperbole. Ellipsis is illustrated by Virginia Woolf's novel The Waves to give a political transformation of Wagner's opera Das Rheingold. Parabole is illustrated by the two lines of thought of Hector Berlioz. He neglected his own translation of Virgil's Aeneid, when he retranslated the vocal text to accompany the musical lyrics of his opera The Trojans. Hyperbole is demonstrated by Bertold Brecht's auto-translation of Gay's The Beggar's Opera. In the cabaret theater of The Three penny Opera, Brecht recreated his epic hyper-translation by retranslating the language of the folk speech of the German working classes with the jargon of criminal slang.…

Condition: New. In English.

Hardback. Condition: New. Wittgenstein's philosophy is directly related to the semiotic discipline to understand the signs, their processes, and signalling. Wittgenstein's nervous system was a semiotic model of control and power to make choices. To examine this critical question, Wittgenstein and Semiotics discusses the cultural climate of Wittgenstein to follow (or not) the classics, Saussure and Peirce. His word-play reflects historically how modern society transfigured the disasters of two World Wars into belief and action to meet with Wittgenstein's linguistic reaction. Wittgenstein's polemical style reflected the Zeitgeist of a new structure of writing philosophy based on the special force of semiotics. By coding and decoding one message to another, Wittgenstein saw how the exchanges of signs are carried out to renew cultural society. His linguistic sign functions in direct speech to interpret the structure of signs into the signification to the readers. Wittgenstein's use of semiotics contributed to the cultural technique of the growth of interdisciplinary fields in scholarly disciplines, both humanistic and scientific, which Wittgenstein's "free" speech enjoys today.…

Paperback. Condition: New. Ludwig Wittgenstein's works encompass a huge number of published philosophical manuscripts, notebooks, lectures, remarks, and responses, as well as his unpublished private diaries. The diaries were written mainly in coded script to interpolate his writings on the philosophy of language with autobiographic passages, but were previously unknown to the public and impossible to decode without learning the coding system.This book deciphers the cryptography of the diary entries to examine what Wittgenstein's personal idiom reveals about his public and private identities. Employing the semiotic doctrine of Charles S. Peirce, Dinda L. Gorlée argues that the style of writing reflects the variety of Wittgenstein's emotional moods, which were profoundly affected by his medical symptoms. Bringing Peirce's reasoning of abduction together with induction and deduction, the book investigates how the semiosis of the emotional, energetic, and logical interpretations of signs and objects reveal Wittgenstein's psychological states in the coded diaries.…

Hardback. Condition: New. Roman Jakobson gave a literary translation of the double words and concepts of poetical hyper translation. Language can transmit verbal translation to explore new ways of thinking about music and other arts. Thomas A. Sebeok deconstructed the energy of translation into the duplicated genres of artistic transduction. In semiotics, transduction is a technical expression involving music, theater, and other arts. Jakobson used Saussure's theory to give a single meaning in a different art but with other words and sounds, later followed by Peirce's dynamic energy with a floating sensation of the double meaning of words and concepts. For semiotician Peirce, literary translation becomes the graphical vision of ellipsis, parabole, and hyperbole. Ellipsis is illustrated by Virginia Woolf's novel The Waves to give a political transformation of Wagner's opera Das Rheingold. Parabole is illustrated by the two lines of thought of Hector Berlioz. He neglected his own translation of Virgil's Aeneid, when he retranslated the vocal text to accompany the musical lyrics of his opera The Trojans. Hyperbole is demonstrated by Bertold Brecht's auto-translation of Gay's The Beggar's Opera. In the cabaret theater of The Three penny Opera, Brecht recreated his epic hyper-translation by retranslating the language of the folk speech of the German working classes with the jargon of criminal slang.…