Gabor Tamas Molnar (27 results)

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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hardcover. Condition: New. 1st.

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Buch. Condition: Neu. Neuware -The aim of this volume is to present a quite recent focus on the ways biological materiality of bodily existence comes into closest contact with literary or cultural communication. The studies examine not only how breathing, understood as a complex site of intersections between life and language, is thematised, but also how it becomes a textual factor in literary writing. The topicality of the subject, given the broader cultural, social, and political context, is obvious: the climate crisis and the pandemic in recent years, or even a sentence that occupied the political public for months in 2020 ('I can't breathe'), have confronted us with the fact that breathing has become a visible medium. Literature's interest in breathing is of course nothing new: as the fundamental intersection of the linguistic and biological conceptions of life, it has been present in ideas about the creation, transmission, and reception of literature since the beginnings of European culture.Breathing, therefore, must clearly be a starting point for all examinations of literature and language in cultural studies, as it bears witness to the dependence of language on life in a biological context. 343 pp. Englisch, Deutsch.…

Buch. Condition: Neu. Neuware -The aim of this volume is to present a quite recent focus on the ways biological materiality of bodily existence comes into closest contact with literary or cultural communication. The studies examine not only how breathing, understood as a complex site of intersections between life and language, is thematised, but also how it becomes a textual factor in literary writing. The topicality of the subject, given the broader cultural, social, and political context, is obvious: the climate crisis and the pandemic in recent years, or even a sentence that occupied the political public for months in 2020 ('I can't breathe'), have confronted us with the fact that breathing has become a visible medium. Literature's interest in breathing is of course nothing new: as the fundamental intersection of the linguistic and biological conceptions of life, it has been present in ideas about the creation, transmission, and reception of literature since the beginnings of European culture.Breathing, therefore, must clearly be a starting point for all examinations of literature and language in cultural studies, as it bears witness to the dependence of language on life in a biological context. 343 pp. Englisch, Deutsch.…

Buch. Condition: Neu. Neuware -The aim of this volume is to present a quite recent focus on the ways biological materiality of bodily existence comes into closest contact with literary or cultural communication. The studies examine not only how breathing, understood as a complex site of intersections between life and language, is thematised, but also how it becomes a textual factor in literary writing. The topicality of the subject, given the broader cultural, social, and political context, is obvious: the climate crisis and the pandemic in recent years, or even a sentence that occupied the political public for months in 2020 ('I can't breathe'), have confronted us with the fact that breathing has become a visible medium. Literature's interest in breathing is of course nothing new: as the fundamental intersection of the linguistic and biological conceptions of life, it has been present in ideas about the creation, transmission, and reception of literature since the beginnings of European culture.Breathing, therefore, must clearly be a starting point for all examinations of literature and language in cultural studies, as it bears witness to the dependence of language on life in a biological context.…

Hardcover. Condition: Brand New. 343 pages. German language. 6.97x1.06x9.69 inches. In Stock.

Condition: New.

Buch. Condition: Neu. Neuware -The aim of this volume is to present a quite recent focus on the ways biological materiality of bodily existence comes into closest contact with literary or cultural communication. The studies examine not only how breathing, understood as a complex site of intersections between life and language, is thematised, but also how it becomes a textual factor in literary writing. The topicality of the subject, given the broader cultural, social, and political context, is obvious: the climate crisis and the pandemic in recent years, or even a sentence that occupied the political public for months in 2020 ('I can't breathe'), have confronted us with the fact that breathing has become a visible medium. Literature's interest in breathing is of course nothing new: as the fundamental intersection of the linguistic and biological conceptions of life, it has been present in ideas about the creation, transmission, and reception of literature since the beginnings of European culture.Breathing, therefore, must clearly be a starting point for all examinations of literature and language in cultural studies, as it bears witness to the dependence of language on life in a biological context.GPSR Kontakt, Harvestehuder Weg 42, 20149 Hamburg 343 pp. Englisch, Deutsch.…

Buch. Condition: Neu. Neuware - The aim of this volume is to present a quite recent focus on the ways biological materiality of bodily existence comes into closest contact with literary or cultural communication. The studies examine not only how breathing, understood as a complex site of intersections between life and language, is thematised, but also how it becomes a textual factor in literary writing. The topicality of the subject, given the broader cultural, social, and political context, is obvious: the climate crisis and the pandemic in recent years, or even a sentence that occupied the political public for months in 2020 ('I can't breathe'), have confronted us with the fact that breathing has become a visible medium. Literature's interest in breathing is of course nothing new: as the fundamental intersection of the linguistic and biological conceptions of life, it has been present in ideas about the creation, transmission, and reception of literature since the beginnings of European culture.Breathing, therefore, must clearly be a starting point for all examinations of literature and language in cultural studies, as it bears witness to the dependence of language on life in a biological context.…

hardcover. Condition: New. 1st.

Condition: New.

Hardcover. Condition: new. Hardcover. Die Integration der Dokumente wird als eine Geste der Spaltung betrachtet, die das Zusammenspiel der faktischen und fiktionalen Wahrheitsbehauptungen in literarischen Texten hervorhebt (Riffaterre, 1990). Dadurch kommen der dokumentarische Anspruch auf Glaubwuerdigkeit und die Literarizitaet des Textes in Widerspruch. Daher ist die erste Praemisse des Bandes die Auswirkung des dokumentarischen Paktes (Foley, 1986) auf die Bestimmung der Literatur. Die betonte Referenzfunktion der Dokumentarliteratur fuehrt zum staendigen UEberschreiten der Grenze zwischen Fakt und Fiktion, wobei sich diese Grenze als instabil erweist und die Realitaet transfiguriert (A. Danto). Um die unterschiedlichen Auspraegungen des Dokumentarischen zu erfassen, wird eine kommunikativ-funktionale Bestimmung der Literatur vorgeschlagen, die vom dokumentarischen Gestus und der exponierten Text-Kontext-Beziehung ausgeht. Die naechste Praemisse ist, dass das Jahr 1989 mit dem Fall der Berliner Mauer, dem Zerfall des Ostblocks und dem Ende des Kalten Krieges als eine weitreichende politische Zaesur angesehen werden kann, die nicht nur das Aufkommen neuer dokumentarischer Verfahren in zentraleuropaeischen Literaturen beguenstigte, sondern auch die Grenzen des Literarischen und Dokumentarischen neu positioniert. The use of documentary is viewed as a gesture of split, as it places literary fiction between factual and fictional claims to truth (Riffaterre, 1990). In other words, the documentary claim to authenticity violates literary structural principles. As a result, the volume's first premise is the impact of the documentary pact (Foley, 1986) on defining literature. The emphasized referential function of documentary literature results in the constant crossing of the boundary between fact and fiction, which proves unstable and transfigures reality (A. Danto). The second premise is that 1989, with the fall of the Berlin Wall, the disintegration of the Eastern Bloc, and the end of the Cold War, can be viewed as a wide-ranging political caesura that not only encouraged the emergence of new documentary literary practices in Central European literatures, but also repositioned the boundaries between the literary and the documentary. Zur Pluralitaet der dokumentarischen Formen in zentraleuropaeischen Gegenwartsliteraturen On the Plurality of Documentary Forms in Central European Contemporary Literatures Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. 2023. 1st Edition. hardcover. . . . . .

Condition: As New. Unread book in perfect condition.

8°, Pappband. Condition: Gut. Erstauflage, EA. 277 Seiten zweisprachig Deutsch - Englisch, guter bis sehr guter Zustand Sprache: Deutsch Gewicht in Gramm: 1100.

8°, Pappband. Condition: Gut. Erstauflage, EA. 277 Seiten zweisprachig Deutsch - Englisch, guter bis sehr guter Zustand Sprache: Deutsch Gewicht in Gramm: 1100.

Condition: New. Die Integration der Dokumente wird als eine Geste der Spaltung betrachtet, die das Zusammenspiel der faktischen und fiktionalen Wahrheitsbehauptungen in literarischen Texten hervorhebt (Riffaterre, 1990). Dadurch kommen der dokumentarische Anspruch auf Glau.

Hardcover. Condition: Brand New. 277 pages. German language. 9.06x6.06x0.98 inches. In Stock.

Condition: New. 2023. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Condition: Neu. Neuware - Die Integration der Dokumente wird als eine Geste der Spaltung betrachtet, die das Zusammenspiel der faktischen und fiktionalen Wahrheitsbehauptungen in literarischen Texten hervorhebt (Riffaterre, 1990). Dadurch kommen der dokumentarische Anspruch auf Glaubwürdigkeit und die Literarizität des Textes in Widerspruch. Daher ist die erste Prämisse des Bandes die Auswirkung des dokumentarischen Paktes (Foley, 1986) auf die Bestimmung der Literatur. Die betonte Referenzfunktion der Dokumentarliteratur führt zum ständigen Überschreiten der Grenze zwischen Fakt und Fiktion, wobei sich diese Grenze als instabil erweist und die Realität transfiguriert (A. Danto). Um die unterschiedlichen Ausprägungen des Dokumentarischen zu erfassen, wird eine kommunikativ-funktionale Bestimmung der Literatur vorgeschlagen, die vom dokumentarischen Gestus und der exponierten Text-Kontext-Beziehung ausgeht. Die nächste Prämisse ist, dass das Jahr 1989 - mit dem Fall der Berliner Mauer, dem Zerfall des Ostblocks und dem Ende des Kalten Krieges - als eine weitreichende politische Zäsur angesehen werden kann, die nicht nur das Aufkommen neuer dokumentarischer Verfahren in zentraleuropäischen Literaturen begünstigte, sondern auch die Grenzen des Literarischen und Dokumentarischen neu positioniert.The use of documentary is viewed as a gesture of split, as it places literary fiction between factual and fictional claims to truth (Riffaterre, 1990). In other words, the documentary claim to authenticity violates literary structural principles. As a result, the volume's first premise is the impact of the documentary pact (Foley, 1986) on defining literature. The emphasized referential function of documentary literature results in the constant crossing of the boundary between fact and fiction, which proves unstable and transfigures reality (A. Danto). The second premise is that 1989, with the fall of the Berlin Wall, the disintegration of the Eastern Bloc, and the end of the Cold War, can be viewed as a wide-ranging political caesura that not only encouraged the emergence of new documentary literary practices in Central European literatures, but also repositioned the boundaries between the literary and the documentary.…

Hardcover. Condition: new. Hardcover. Die Integration der Dokumente wird als eine Geste der Spaltung betrachtet, die das Zusammenspiel der faktischen und fiktionalen Wahrheitsbehauptungen in literarischen Texten hervorhebt (Riffaterre, 1990). Dadurch kommen der dokumentarische Anspruch auf Glaubwuerdigkeit und die Literarizitaet des Textes in Widerspruch. Daher ist die erste Praemisse des Bandes die Auswirkung des dokumentarischen Paktes (Foley, 1986) auf die Bestimmung der Literatur. Die betonte Referenzfunktion der Dokumentarliteratur fuehrt zum staendigen UEberschreiten der Grenze zwischen Fakt und Fiktion, wobei sich diese Grenze als instabil erweist und die Realitaet transfiguriert (A. Danto). Um die unterschiedlichen Auspraegungen des Dokumentarischen zu erfassen, wird eine kommunikativ-funktionale Bestimmung der Literatur vorgeschlagen, die vom dokumentarischen Gestus und der exponierten Text-Kontext-Beziehung ausgeht. Die naechste Praemisse ist, dass das Jahr 1989 mit dem Fall der Berliner Mauer, dem Zerfall des Ostblocks und dem Ende des Kalten Krieges als eine weitreichende politische Zaesur angesehen werden kann, die nicht nur das Aufkommen neuer dokumentarischer Verfahren in zentraleuropaeischen Literaturen beguenstigte, sondern auch die Grenzen des Literarischen und Dokumentarischen neu positioniert. The use of documentary is viewed as a gesture of split, as it places literary fiction between factual and fictional claims to truth (Riffaterre, 1990). In other words, the documentary claim to authenticity violates literary structural principles. As a result, the volume's first premise is the impact of the documentary pact (Foley, 1986) on defining literature. The emphasized referential function of documentary literature results in the constant crossing of the boundary between fact and fiction, which proves unstable and transfigures reality (A. Danto). The second premise is that 1989, with the fall of the Berlin Wall, the disintegration of the Eastern Bloc, and the end of the Cold War, can be viewed as a wide-ranging political caesura that not only encouraged the emergence of new documentary literary practices in Central European literatures, but also repositioned the boundaries between the literary and the documentary. Zur Pluralitaet der dokumentarischen Formen in zentraleuropaeischen Gegenwartsliteraturen On the Plurality of Documentary Forms in Central European Contemporary Literatures Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…