Fred Puleston (32 results)

hardcover. Condition: Fine. Durenceau, Andre (illustrator).

Condition: New.

Condition: As New. Unread book in perfect condition. Durenceau, Andre (illustrator).

Paperback or Softback. Condition: New. African Drums. Durenceau, Andre (illustrator). Book.

Condition: New. Durenceau, Andre (illustrator).

Condition: New. Durenceau, Andre (illustrator).

Condition: New. Durenceau, Andre (illustrator).

Hardback or Cased Book. Condition: New. African Drums. Book.

Condition: New.

Condition: New. Durenceau, Andre (illustrator).

Condition: VERY GOOD. Early printing. Fred Puleston ran away from home at 17 and went to Africa as an agent for Hattan & Cookson he stayed there off and on for 14 years: 1882 to 1896. This book - which describes those experiences - includes some surprising statements - For example "All white men (except missionaries) of his acquaintance in the Congo had black 'harems'."[one to three native girls - he approved the custom.] Cannibalism was common among the blacks; three of Agent Puleston's friends were eaten. Twice he met Explorer Stanley, "discoverer" of Livingstone. Other chapters deal with witch doctors, and in one he contrasts slavery in Africa as practiced by Africans versus that of white men, whom he accuses of turning two islands into "hell holes." Puleston is also known as one who exposed Alfred Aloysius ("Trader") Horn. Indignation at the gross ignorance of Congo Africa which he detected in the "Horn-books" caused Dr. Puleston (then a prosperous Miami, Florida physician) to exclaim to friends, "I can't believe this man was ever in the Congo!" Illustrated with fantastic art deco paintings and drawings by Andre Durenceau (as one commentator noted "his illustrations tended towards the provocative, and even at times the erotic and grotesque.") including a color frontispiece and endpapers, 5 black and white glossy full page plates and several small drawings at the tail of some of the chapters. 318 pp. Very good in brown cloth with dark brown lettering (some wear to the edges of the boards and the corners, but overall a clean and tight copy), no dust jacket.…

Condition: VG. Reprint. Early edition without the colophon on the copyright page bound in brow n cloth with orange lettering. A Very Good copy. Tiny rub marks to the corners. Frays along the spine tips. The hinge is cracked at the rea r endpapers and the sewing is exposed. The rear cover is wobbly. Mild tanning to the page margins. Contents otherwise about fine. Color fron tis, pictorial endpapers, and illustrations by Andre Durenceau. Curator.Module.BusinessObjects.BookBinding(17832a02-18b7-4766-9383-88b69ed59b3f). …

Condition: As New. Unread book in perfect condition. Durenceau, Andre (illustrator).

Condition: New. Durenceau, Andre (illustrator).

Condition: Good. New York 1930 1st edition (with publisher logo on verso of titlepage) . Farrar. Hardcover. Octavo, 318pp., color frontis, striking illustrations by Andre Durenceau, bold pictorial end papers also by Durenceau, original cloth. Good Plus, no owner marks; paper beginning to crack on front inner hinges but binding still secure; text clean. no dj.…

Taschenbuch. Condition: Neu. Neuware - 'African Drums' is a vivid and unfiltered memoir detailing Fred Puleston's experiences as a young trader in the Congo and West Africa during the late nineteenth century. Spanning the years 1882 to 1896, the narrative provides a raw, first-hand account of life on the African continent during a period of intense colonial expansion and exploration.Puleston chronicles the daily realities of a merchant operating in remote outposts, offering detailed observations of the indigenous cultures, traditions, and social structures he encountered. The work delves into the complexities of the ivory and rubber trades, the challenges of navigating the treacherous Congo River, and the harsh environment that defined the era. Beyond a simple travelogue, the book serves as a historical witness to the interactions between European commercial interests and African societies. Readers will find a compelling narrative that captures the atmosphere of a bygone era, providing insight into the risks, rewards, and moral dilemmas faced by those who ventured into the heart of the continent. 'African Drums' remains a significant document for those interested in African history, colonial memoirs, and the lived experience of nineteenth-century exploration.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Condition: Neu. Neuware - 'African Drums' is a vivid and unfiltered memoir detailing Fred Puleston's experiences as a young trader in the Congo and West Africa during the late nineteenth century. Spanning the years 1882 to 1896, the narrative provides a raw, first-hand account of life on the African continent during a period of intense colonial expansion and exploration.Puleston chronicles the daily realities of a merchant operating in remote outposts, offering detailed observations of the indigenous cultures, traditions, and social structures he encountered. The work delves into the complexities of the ivory and rubber trades, the challenges of navigating the treacherous Congo River, and the harsh environment that defined the era. Beyond a simple travelogue, the book serves as a historical witness to the interactions between European commercial interests and African societies. Readers will find a compelling narrative that captures the atmosphere of a bygone era, providing insight into the risks, rewards, and moral dilemmas faced by those who ventured into the heart of the continent. 'African Drums' remains a significant document for those interested in African history, colonial memoirs, and the lived experience of nineteenth-century exploration.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Condition: Good. Good condition. No Dust Jacket (africa, history, travel) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condition: Used-Very Good. Cloth, no dj. Ilus. Some rubbing to board edges, with a little chipping to head of spine. Internals verfy sound. Possibly from the library of Paul Robeson; this copy is signed twice with that name on the front endpapers and the signatures do bear some resemblance to other examples of Roberson's signature.…

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

First Edition. First printing. Octavo. Publisher's brown cloth; dustjacket; xiv,318pp; color frontispiece and seven unnumbered leaves of b/w plates after André Durenceau, who also designed the endpapers and dustwrapper. A sound, generally clean copy; text over-opened at p.70, a few faint spots of foxing; Very Good. In the original dustwrapper, unclipped but tattered with losses along upper margin and spine ends, closed tears and age-toning; just Good. With the engraved bookplate of Portland, Oregon collector Frederick W. Skiff (d.1947). A colorful but cringingly condescending account by an Anglo-American trader who spent the years 1882-1896 in what was then French Equatorial Africa, today called the Republic of the Congo. Includes chapters on cannibalism, native African slaveholders, and sexual customs, about which the author warns he ".shall speak with the utmost frankness.for the reason that they are the most powerful and dominating factor" in the lives of the natives of Equatorial Africa. With illustrations in dramatic Art Deco style by Franco-American illustrator and muralist André Durenceau.…

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

unbound. 8 pages (front and back), 11 x 8.5 inches, Dayton Beach, August 5, 1929, apologizing for not sending her the manuscript for "African Drums," as Farrar & Rinehart had decided to publish it, and then writing seven and a half additional pages to refute socialite Anne Campbell's accounts of Captain Thomas Horn's "historical" book explorations in Africa, in small part: ".Mrs. Campbell says she knew Captain Horn. Well I think she has him mixed with some other man for she says he was with Hattan & Cooksman 10 years before she reached Africa. I wonder why Horn does not mention Mrs. Campbell in his book? The reason is because he did not know her. Mrs. Campbell says she only finds one error in his book, the one where he accuses Livingston of having black mistresses. It's a puzzle to me why they bug poor Livingston -- they do not seem to realize that Livingston died in 1873, eight years before Campbell reached Africa and that Mary, his wife, died nearly 20 years before. Lots of time for a little scandal to die down yet her letter gives you the idea it was current scandal, whereas, there never was the slightest scandal until Horn started it. Then, if that is the only error, such ridiculous stuff as Horn shipping pickled gorillas to President Grant -- pickled apes, peacocks, etc. to London, his charting of a river as the Admiral of a Cannibal fleet, exploring more of Africa than Stanley is all true.[She] cannot find something more important than me saying that Horn did not rescue Cecil Rhodes. Cecil Rhodes was never rescued by Horn from a crocodile; the facts neither Mrs. Campbell nor Mr. Lewis know what they are talking about." On the subject of rescuing Nina from Peru from the Cannibals, Puleston writes: "If Nina went to Peru then she never returned, but if she did return.she must have returned by the next steamer for Horn did not rescue her until 1884 and Campbell left Africa in 1887 -- too short an interval. Mrs. Campbell conveys to me the impression they knew Nina in Gabon. Well -- if she did, then Nina was never a captive up the Ogrove by Cannibals, for she could not be in five places at one time. If Nina was a product of Gabon then she spoke English and French and yet Horn says she and he made signs to each other. I think Mrs. Campbell is terribly mixed -- probably she is thinking of some good looking octoroon who had been educated at the mission station for Horn's Nina was simply a savage.I did not make the slightest criticism of the book -- but -- when he publicly accused Stanley of killing his men and took to himself the credit of exploring more of Africa than Stanley then I along with Viztetley of the Literary Digest -- got busy.You may be surprised to learn that Stanley was quite snobbish but Stanley's life was so horribly horribly hard (starvation, fighting, sickness, intrigue and all kinds of difficulties) that he lost it all. When you read my manuscript -- you will say like I do 'if you know Africa, the literal truth is interesting and thrilling enough'." This small portion of a most remarkable letter was written when Puleston was the last surviving member of Stanley%u2019s famous expedition. Except for signed books, Puleston is exceedingly rare in letters concerning Africa. Boldly signed twice, natural folds plus a few creases, some portions underlined in pencil; very good(-) condition. English-born adventurer and explorer who left home at 17 and went to Africa as an agent for Hattan & Cooksman. Soon thereafter he became well acquainted with Sir Henry Morton Stanley, becoming a member of the latter's last expedition into the interior, before becoming British consul to the Congo at the age of 25. He later traveled to the United States where he became an accomplished physician/surgeon and the head of the Puleston Sanitarium. In 1930 he released a bestselling book titled "African Drums.".…

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. Durenceau, Andre (illustrator).

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1930. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 376, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 376 376.…