Franseen Kristin (21 results)

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Hardback. Condition: New. An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.Imagining Musical Pasts explores the complicated archive of sources, interpretations, and people present in queer writings on opera and symphonic music from ca. 1880-1935. It focuses primarily on the work of three turn-of-the-twentieth-century music scholars-philosopher and horror writer Vernon Lee (pseud. Violet Paget), biographer and program note annotator Rosa Newmarch, and critic and amateur sexologist Edward Prime-Stevenson. Each of the three major sections of the book is organized according to the authorial personae each author adopted in their creative and scholarly work. These categories reflect the particular intellectual commitments of each figure: Lee's fascination with the failure of written documentation to fully capture the "ghosts" of past musical experience, Newmarch's reliance on documentary evidence to reveal some of her subject's secrets and her stated discomfort with the role of the biographer, and Prime-Stevenson's nostalgic use of repetition, revision, and dedication to "return" to the 1890s decades after the fact. By reframing these ways of knowing as central to each scholar's individual approach to constructing and interpreting musical and sexual knowledge, the book draws attention to aspects of their work previously neglected or considered only in isolation.Identifying the coded references, careful nuances, and intentional and accidental gaps that make ambiguity an inherent feature of these sources requires an awareness of multiple approaches to music history beyond biography and historiography, intersecting as it does with literary scholarship, art history, the histories of science and medicine, and sound studies. This project proposes some ways in which the histories of sexuality and musicology might be more intertwined than commonly assumed. …

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Buch. Condition: Neu. Neuware - An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.Imagining Musical Pasts explores the complicated archive of sources, interpretations, and people present in queer writings on opera and symphonic music from ca. 1880-1935. It focuses primarily on the work of three turn-of-the-twentieth-century music scholars--philosopher and horror writer Vernon Lee (pseud. Violet Paget), biographer and program note annotator Rosa Newmarch, and critic and amateur sexologist Edward Prime-Stevenson. Each of the three major sections of the book is organized according to the authorial personae each author adopted in their creative and scholarly work. These categories reflect the particular intellectual commitments of each figure: Lee's fascination with the failure of written documentation to fully capture the 'ghosts' of past musical experience, Newmarch's reliance on documentary evidence to reveal some of her subject's secrets and her stated discomfort with the role of the biographer, and Prime-Stevenson's nostalgic use of repetition, revision, and dedication to 'return' to the 1890s decades after the fact. By reframing these ways of knowing as central to each scholar's individual approach to constructing and interpreting musical and sexual knowledge, the book draws attention to aspects of their work previously neglected or considered only in isolation.Identifying the coded references, careful nuances, and intentional and accidental gaps that make ambiguity an inherent feature of these sources requires an awareness of multiple approaches to music history beyond biography and historiography, intersecting as it does with literary scholarship, art history, the histories of science and medicine, and sound studies. This project proposes some ways in which the histories of sexuality and musicology might be more intertwined than commonly assumed.…

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Buch. Condition: Neu. Imagining Musical Pasts | The Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson | Kristin M. Franseen | Buch | Clemson University Press w/ LUP | Einband - fest (Hardcover) | Englisch | 2023 | Clemson University Digital Press | EAN 9781638040583 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Hardback. Condition: New. An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.Imagining Musical Pasts explores the complicated archive of sources, interpretations, and people present in queer writings on opera and symphonic music from ca. 1880-1935. It focuses primarily on the work of three turn-of-the-twentieth-century music scholars-philosopher and horror writer Vernon Lee (pseud. Violet Paget), biographer and program note annotator Rosa Newmarch, and critic and amateur sexologist Edward Prime-Stevenson. Each of the three major sections of the book is organized according to the authorial personae each author adopted in their creative and scholarly work. These categories reflect the particular intellectual commitments of each figure: Lee's fascination with the failure of written documentation to fully capture the "ghosts" of past musical experience, Newmarch's reliance on documentary evidence to reveal some of her subject's secrets and her stated discomfort with the role of the biographer, and Prime-Stevenson's nostalgic use of repetition, revision, and dedication to "return" to the 1890s decades after the fact. By reframing these ways of knowing as central to each scholar's individual approach to constructing and interpreting musical and sexual knowledge, the book draws attention to aspects of their work previously neglected or considered only in isolation.Identifying the coded references, careful nuances, and intentional and accidental gaps that make ambiguity an inherent feature of these sources requires an awareness of multiple approaches to music history beyond biography and historiography, intersecting as it does with literary scholarship, art history, the histories of science and medicine, and sound studies. This project proposes some ways in which the histories of sexuality and musicology might be more intertwined than commonly assumed. …

Paperback. Condition: new. Paperback. Sherlock Holmes is Everywhere! What makes Sherlock Holmes so special? Why is he one of the most recognizable characters in all of literature? How do people throughout the world connect to the character? Why is Sherlock Holmes embraced by the LGBTQ+ Community? Why do people collect Sherlock Holmes memorabilia? Why do people experience Sherlock Holmes in everything from Science Fiction to Martial Arts?Find out the answers to these questions and many more in Sherlock Holmes is Everywhere! a collection of essays on how people throughout the world embrace the great detective.All proceeds from the essay collection will be donated to the Beacon Society, a scion society of the BSI which provides scholarships to schools, libraries, and Sherlock Holmes groups for educational purposes."Derrick Belanger, Sonia Fetherston, BSI, and David Marcum are editing this volume that includes contributions from a variety of Sherlockians new and old from across the globe. Forty essays.capture the essence of why we love Sherlock Holmes." - Scott Monty, I Hear of Sherlock Everywhere This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

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